drawing

RDH: APRIL 2019

02/04/19

Derry today.

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CCA - ‘Celebration Factory’ by Filip Markiewicz. Huge drawings and impressive array of work.

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Fragmented’ by Aimee Melaugh in the Gasworks. Such a beautiful space. Can’t think of anyone who paints atmosphere and smoke like she can.

Joseph McWilliams “ Community Door ” 1976 part of the “ Troubles Art ” exhibition in   Nerve Visual  .

Joseph McWilliams “Community Door” 1976 part of the “Troubles Art” exhibition in Nerve Visual.

06/04/19

Work submitted to the   RHA   open call.

Work submitted to the RHA open call.

Detail of a piece by   Cecilia Danell   - part of her solo show “ In a Landscape ” in the RHA.

Detail of a piece by Cecilia Danell - part of her solo show “In a Landscape” in the RHA.

08/04/19

Royal Academy - Renaissance Nude exhibition was great. Highlights were Pontormo’s “Study of a Nude Boy”, Dürer’s etchings, creepy little paintings by Hans Memling and, of course, Titian’s Venus.

National Gallery - “Rokeby Venus” by Velazquez is just an unbelievable painting! Real surprise was being moved by Caravaggio’s “Boy bitten by a lizard”. Came out of nowhere. Loved how the two Rembrandt portraits faced each other in their room. A conversation? “The Ambassadors” by Hans Holbein the Younger. Great to see it in the flesh finally. So many great works - probably could have stayed in there all week.

09/04/19

“Brighton Pierrots” by Walter Richard Sickert.

“Brighton Pierrots” by Walter Richard Sickert.

Went to Tate Britain and was annoyed that many of the works I had been looking forward to seeing were out of view for refurbishment. However it was great to see some other great pieces, including Sickert’s “Brighton Pierrots”.

View from   Tate Modern  .

View from Tate Modern.

Bonnard show was incredible. Wish it wasn’t as crowded to spend more time with the work. The self portraits were anxious and sinister. Preferred Franz West ’s collages to the sculptures.

10/04/19

11/04/19

Just shy of forty miles walked.

Sean Scully documentary.

13/04/19

Horrible day in the studio. What’s done can be rectified thankfully but I’m not sure what brought it about.

  • Not enough looking?

  • Charging in?

  • Carelessness?

  • Fatigue?

  • All of the above?

Note for “Rose”: Less is more.

14/04/19

Rehearsal.

16/04/19

Still no word - need to not get hopes up.

18/04/19

“Ruins” detail.

“Ruins” detail.

Office wall.

Office wall.

Tried and failed at sketching.

19/04/19

Sketchbook work.

Sketchbook work.

20/04/19

Eventually in the studio… “ Ruins ” is still an exciting composition so not sure why it’s stagnated.

Eventually in the studio… “Ruins” is still an exciting composition so not sure why it’s stagnated.

“The Lost Woods Study” close up.

“The Lost Woods Study” close up.

21/04/19

So - “Ruins” has ground things to a halt. Can’t say it is entirely the painting’s fault but it has eaten a lot of time where I’d be working on multiple pieces simultaneously.

I’m not abandoning it completely. Just setting it out of sight and out of mind until I’m in a better position to complete it to the best of my ability.

“The continuous practice of painting is a process against forgetting.”

Hans Ulrich Obrist

24/04/19

Night shot.

Night shot.

25/04/19

Some good drawing tonight.

Some good drawing tonight.

26/04/19

Studio work. “ Rose ” face is all but there.

Studio work. “Rose” face is all but there.

27/04/19

Dublin bound.

IMMA Freud Project: Gaze was stunning. “Relfection: Self Portrait” - have wanted to see this piece in the flesh for a long long time. Interesting mix of artists alongside Freud including a Hopper sketch, a Rembrandt etching, Abramovic, Dúrer, Dorothy Cross and others. The Doris Salcedo show “Acts of Mourning” was intense. Moved by “Plegoria Muda” and “Tabula Rasa” pieces the most. For the past week that has been in NI, we all need little blades of hope. Group show “A Vague Anxiety” was great, particularly the work of Saidhbhín Gibson (sculptures) and Susanne Wawra’s incredible paintings.

29/04/19

Scam emails- beware!

RDH: 01/12/18 - 31/12/18

01/12/18

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Blocked out “Bereft Clown”.

02/12/18

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Found an ogham poster on North Street with an interesting translation.

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Vault studios is amazing - especially EMIC’s studio space!

04/12/18

…text to coincide with next solo show…

08/12/18

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Studio work today. Thought I was close to finishing ‘confessional’ but it might be further away than I imagined.

09/12/18

“You make a mistake when you explain the paintings through the war.”

Mark Stevens - on Bacon’s “Three Studies for Figures at the Base of a Crucifixion”

Several shooting stars.

15/12/18

Probably the most difficult thing I’ve ever had to do. Childhood hero reduced. It's a real jolt to the system.

Trauma doesn’t discriminate. It’s so subjective that it can defy explanation or description. Nightmarish.

16/12/18

Materials courtesy of the  University of Atypical ’s iDA award arrived to the studio today.

Materials courtesy of the University of Atypical’s iDA award arrived to the studio today.

Need to learn to keep some things to yourself.

See it through. Stay strong and keep head up.

17/12/18

Panic attack today.

21/12/18

You never fully appreciate someone until its too late. A true legend that has shaped so many. Time with family is so important.

Resolutions < Revolutions

22/12/18

Moon-rise over Glenshane.

Moon-rise over Glenshane.

Thought I had a good night’s sleep but my body is telling me different. Need to draw more again.

26/12/18

Getting lost in thought about art is a joy. It’s like taking a mini vacation.

27/12/18

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Some sketchbook work. Not much but it’s a start.

Look more before putting pen to paper. This is not to say to lose the immediacy during the act of drawing but to take a breath to absorb and examine what an image has to offer.

29/12/18

Finished “Confessional”. Maybe when the mind is distracted slightly it makes studio work more of an automated response? Decisions were made and action was taken.

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Not saying having a completely distracted head-space works. Far from it. I’ve been there plenty of times and it’s disastrous. No. It’s more a case of - you’re in the studio and you have a clear(ish) idea of where the work will go so you follow that. The decision making dilemma is lessened due to the preoccupation of other matters going on upstairs.

30/12/18

A bit of work done to “Bereft Clown before clearing the palette and studio up for another year.

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2018 in Photos

JANUARY

FEBRUARY

MARCH

APRIL

MAY

JUNE

JULY

AUGUST

SEPTEMBER

OCTOBER

NOVEMBER

DECEMBER

RDH: 01/11/18 - 30/11/18

02/11/18

… all but done…

03/11/18

Do I need a foreign colour? “Afore the Stoop” went in a slightly different direction than first thought. I think I had that quote by Helen Johnson still ringing in my ears about imagery possessing different surface qualities and being on different registers on the same picture plane.

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The buzzard is still; hovering overhead while the still-life is in flux. Melting in on itself. To not just merge separate imagery on the one canvas but to treat them differently via technique. I’ve done this regularly in the past but never to this extent before and definitely not on this scale. There’s loads going on: blocked areas, melting, washes and burning/corroding of the surface for texture.

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Confessional” is a different beast altogether. It’s going to be a slower process - building up washes of colour, drawing elements back in followed by more washes until it comes to an end or a crossroads. So far so good. It’s not really a colliding of images. It’s the notion of what a negative of a pattern could do to another image.

Refreshing to see organisations opening doors. The model is being altered.

04/11/18

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Kept hearing the shrieking of a buzzard every time I went to work on “Afore the Stoop”. When I looked it was perched on top of the tallest tree at the end of the lane and then glided off.

06/11/18

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Some sketchbook work. Not a lot of time but that’s my fault.

09/11/18

HELP!

10/11/18

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For studio work: cautious steps or daring leaps? Annoyingly close to finishing “ATS”.

Submission writing hurts my head.

11/11/18

Films to watch:

‘Deer Hunter’

‘Inland Empire’

‘The Killing of a Sacred Deer’

’Kill List’

‘Enemy’

‘Fruitvale Station’

‘Green Room’

‘Silence’

Finished “ATS”. Still bits that annoy but for the sake of not destroying it entirely, I don’t mind the imperfections.

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Help has been indispensable.

12/11/18

Still waiting on magazine.

13/11/18

Egon Shiele Documentary - transcending the idea of the body as beauty.

15/11/18

Nothing.

16/11/18

Belfast bound for curator talks but looking forward to visiting some galleries first.

Jane McCormick’s “Not Half Right” at the University of Atypical  was absolutely amazing. Insanely strong drawing and sculptural elements.

Jane McCormick’s “Not Half Right” at the University of Atypical was absolutely amazing. Insanely strong drawing and sculptural elements.

Ali Cherri  in the MAC International 2018. His work was the stand out work for me.

Ali Cherri in the MAC International 2018. His work was the stand out work for me.

Curator talks as part of Belfast Open Studios from  Visual Artists Ireland  offices. Speaking at the event: Nora Hickey from  CCI in Paris , Ika Sienkiewicz-Nowacka from  CCA Warsaw , Dean Brierley from  Caustic Coastel  in Manchester and Anna Ciabach - formally of  Monopol Gallery  in Warsaw.

Curator talks as part of Belfast Open Studios from Visual Artists Ireland offices. Speaking at the event: Nora Hickey from CCI in Paris, Ika Sienkiewicz-Nowacka from CCA Warsaw, Dean Brierley from Caustic Coastel in Manchester and Anna Ciabach - formally of Monopol Gallery in Warsaw.

17/11/18

Work is being used as an example to show other artists about finding your own voice. Chuffed.

…someone has been keeping an eye on my progress and that is something!

Another trip to Belfast for more galleries and then a Speed Curating event.

Gerard Carson ’s “Submersible Extractions” in  Platform .

Gerard Carson’s “Submersible Extractions” in Platform.

Still of  Barbara Hammer ’s work at the Golden Thread Gallery exhibition.

Still of Barbara Hammer’s work at the Golden Thread Gallery exhibition.

Layout of the ‘Speed Curating’ event by VAI held in  Belfast Exposed .

Layout of the ‘Speed Curating’ event by VAI held in Belfast Exposed.

18/11/18

It has been a hectic but brilliant few days. Yesterday I called into Platform to see Gerard Carson’s “Submersible Extractions” and a solo show by Dryden Wilson. I followed this up by a quick look at the Barbara Hammer exhibition and Patrick Colhoun’s project space work in the Golden Thread Gallery. Then it was time for the speed curating event at Belfast Exposed.


… do research. What artists i admire….

…Strange. Nothing negative. Just nothing.

A lot of information. A real painter?

19/11/18

“In Defence of Representation” essay by Tristan Garcia.
In western philosophy the representational object is either a copy, a sign or a duplex.

“… according to the semiotic model, there is no representation without signification, that is to say without interpretation.” - Tristan Garcia

20/11/18

“Visual Pleasure and Narrative Cinema” - Screen (1973)

“The Victim” - Saul Bellow

21/11/18

Tried sketchbook work - failed miserably.

23/11/18

Projection onto fog screen.

24/11/18

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Thunderchild?

Line of connection between viewer and work - GO’H

Ask the question: what do you see?

25/11/18

Yesterday I eventually got painting around lunchtime - back and forth with ‘Confessional’ but progress made.  Great talk with GO’H about ‘the gaze’.

Leaf blowing.

27/11/18

Need to select paintings for Framewerk Christmas show.

28/11/18

“The Trouble with Painting” - ICA (YouTube)

“What you’re interested in in the world will feed back into what you are interested in as an artist.” - Alison Pilkington

…speaking about dreams, a quote from Alison Pilkington’s drawing seminar from the RHA really stuck out.  I’m paraphrasing here but the guts of it is this:  talking to people about why you make the work you do (or about your inspirations for that matter) is like talking to people about your dreams.  People aren’t overly interested when someone else describes a dream.  It’s subjective and personal and it’s all but impossible to get the experience across properly.

Sketchbook work.

Sketchbook work.

29/11/18

A difficult few weeks to come.

RDH: 01/10/18 - 31/10/18

01/10/18

… of interest. Attainable small steps to reach big goals.

02/10/18

Delivery mix up.

05/10/18

Booked VAI speed curating slots for November.

…LA… fingers crossed!

06/10/18

initials in ogham

initials in ogham

Experiment in the studio with a degree of success. When a fine layer of fixative is lit on the paintings surface, areas of the canvas that are predominantly charcoal or thin layers of colour are singed and blister - creating an interesting effect. Safety first though.

Jan is right —> the lighter background to “Pioneer” was more unsettling. Rectify.

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07/10/18

Staring at “Pioneer”. I think I’m hesitant because its… I don’t know. I think the colours are too similar between light and shade. By the same token - you don’t want it to become too contrasting and cartoonish. A foreign colour introduced into the third panel may point a direction.

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Flying by the seat of pants but you can’t control the spontaneous. Some detailed work today. It is getting there. Attention directed towards other matters.

… paintings and clusters of drawings - like a shotgun spread of memories. Jumbled - linked yet conflicting. Fighting for dominance.

\\\THE TRAUMA PARADOX\\\

08/10/18

Just realised a connection between “AMATGS” and the ivy crown. Oedipus plays would have been played during the festival of Dionysus - who is associated with a crown of ivy.

09/10/18

“ I gave myself permission to follow my voice and that’s what my whole career has been. I still give myself permission and no compromise. I compromised before but not when I became an artist.” Mark Bradford

10/10/18

World Mental Health Day.

11/10/18

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13/10/18

“Into The Void Magazine” submission successful!

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Sketchbook work and now watching the original ‘Suspiria’ for the first time.

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14/10/18

Notes finished for presentation. Pleased with burning effect on triptych.

… was suggested something on Friday. Well it was more of a dialogue regarding “Pioneer”; the first and last sections work. They’re strong but the one that should be the strongest and the anchor, the middle piece is way behind. Changing from a triptych to a diptych? Leave it for a while - continue working on all three before abandoning the middle piece.

Using ash as a painting/drawing medium. Religious links? Why do ideas come in the final minutes of the day? Processing process.

18/10/18

On way to Dublin. Looking forward to talking about work in DLR Lexicon. Not nervous. Yet.

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Just saw the most beautiful fox casually strolling across a field outside Armagh.

I’ve been skirting around issues. The ‘recall’ notion might be worth exploring again. Drawing. Painting. Video. Audio.

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The DLR Lexicon is stunning. Really enjoyed the other talks - especially work of Cecilia Bullo.

19/10/18

Yesterday’s trip and talks were great. Just wish I had more time to go around some of Dublin’s galleries when I was down. Decided it was best to drop the middle canvas in “Pioneer Studies”. Finished the other two pieces and happy with the results.

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20/10/18

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A little tweaking to “Afore the Stoop”.
Dad suffered a bleeding eye following his operation.

22/10/18

Have been neglecting practice and methods during the week. Ards - it seems a long way off but it will fly in.

Keeping your finger on the pulse is no bad thing.

24/10/18

Personal history is a source - not the explanation. ‘imagine…’ with Tracey Emin on iPlayer was insightful. Have a new found respect for Emin’s practice and quite like a few of some of her new paintings.

27/10/18

No paints were used today but three canvases were started. The smallest piece - I don’t think will have legs. As a drawing it is strong but I feel it won’t work on canvas. I’ve drawn up “Bereft Clown” again - a different size to the previous square stretcher. Will see how it goes. The third canvas is the one I’m most excited about. It’s a merging of two images but in a slightly different way. First is an image of a German officer stationed in a concentration camp. The other is a negative of a confession screen. The idea is to project light through the lattice onto the portrait. Fright Night in the jungle was great fun!

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28/10/18

Slept so much. Slow progress but progress nonetheless.

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31/10/18

Spacing error.

“I’m really interested in creating moments of ‘push and pull’ in paintings and having different registers of imagery with different surface qualities - so one thing might be compositionally in the foreground but materially might be being subsumed by whats behind it.” Helen Johnson

RDH: 01/09/18 - 30/09/18

01/09/18

Detail work to “AMATGS” today.

Detail work to “AMATGS” today.

02/09/18

Lifting unselected works from Belfast.

Lifting unselected works from Belfast.

03/09/18

No point in worrying about things out of your control. Took a while but made good progress in the studio. Gently does it.

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Sculpture on my mind.

04/09/18

…mad to think I have two solo shows coming…

Tinker + Research + Ideas = …

What box?

05/09/18

Detail of sketchbook work.

Detail of sketchbook work.

NB: Sketch from objects?

08/09/18

ideas: …soft pink highlights… hints of sandals… bruised colour…

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Steps in the right direction. Had a notion to put trees in the background - the nothingness was annoying me. After that attempt and then a further attempt to incorporate reflective lines, i think blank is good. There is plenty going on in and amongst the three figures so to try and confuse it with more ammo may be a mistake.

Gathered objects for perusal. Baby steps.

Gathered objects for perusal. Baby steps.

09/09/18

Seneca on anger documentary. Nero’s tutor. People get angry because they are too hopeful - be more pessimistic and less surprised for misfortune.

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Be psychologically prepared from when things go wrong. Dark Symbol - Rudder

“What need is there to weep over parts of life, the whole of it calls for tears.” - Seneca

10/09/18

Playing about with mirror effects.

Playing about with mirror effects.

Change to background. Neutral this time and I think it will work. There was a muck up when I went to put the blood moon back in and I tried to rectify the warmer tones on the upper right or the neutral colour but was then reminded of a quote by Rose Wylie: “I think you’re a lot happier if you don’t mind a bit of imperfection.” It feeds into the Seneca documentary from last night.

11/09/18

Another day filled with distractions.

12/09/18

Eventually got round to doing some sketchbook development.

Eventually got round to doing some sketchbook development.

An afternoon of application submissions and sketchbook studies.

15/09/18

Detail of recently finished painting.

Detail of recently finished painting.

Finished “A Manifold and Truly Glorious Strife.”

16/09/18

A lazy day.

17/09/18

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Some interest. Started triptych.

23/09/18

Amazing weekend at the Loughlin wedding!

Amazing weekend at the Loughlin wedding!

24/09/18

Jan mentioned something that I think is important. Doing a little something everyday - even if you think there is no point - is better than doing nothing at all.

25/09/18

A weird impromptu visit. Well-intentioned but very sceptical.

26/09/18

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The only absolute constant is change.

29/09/18

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Painting Peer Critique Session went really well in the Golden Thread Gallery. Hoping it grows and develops.

30/09/18

Studio work. “Pioneer Studies” - good start. Haven’t done a triptych in a few years. Third canvas is all but there.

Close up of one of the “Pioneer Studies” - work in progress.

Close up of one of the “Pioneer Studies” - work in progress.

Moth Man

"Moth Man" Pen on Paper ©2018

"Moth Man" Pen on Paper ©2018

"Secondhand images can create first-hand emotion" is a quote by Marlene Dumas.  It holds true to this drawing made from a found image which shows a man with part of his clothing in his mouth.  In the past few years I've noticed a strange and really annoying habit develop that I seem to do when I'm worried or anxious.

Only when seeing this picture did it really hit home as to when and why I do it.  This image resonates because it sheds light this strange coping mechanism and how absolutely bizarre it is.

RDH: 01/07/18 - 31/07/18

01/07/18

Crunching numbers.

02/07/18

... feels unfinished ... sections fall apart ... a denying of illusionism ...

"The Mountain of the Heights" in progress.

"The Mountain of the Heights" in progress.

03/07/18

TRAUMA PARADOX - CONCEPT

04/07/18

Shocked. Head spirals backwards.  Sketchbook work today.

05/07/18

'Bardo' - (tibetan) a state between life and death

...instead of saying "What's wrong with you?" it should be "What happened to you?"

relaxing with visual artists news sheet from   VAI

relaxing with visual artists news sheet from VAI

1:  Emotional brain basically becomes a 'survival brain' and can hijack the conscious brain.

2:  Alarm system in brain becomes distorted and a person may become hyper vigilant.

3:  Ability to appraise the present and to learn from experience (an imbalance and a resistance to heal).

Developmental trauma takes time to heal and there are no quick fixes.

BLUE SCREEN OF DEATH!!!!

07/07/18

Lifting works from the  Townhouse Gallery  in Belfast.

Lifting works from the Townhouse Gallery in Belfast.

rough sketch for an installation idea

rough sketch for an installation idea

08/07/18

A research day.

A research day.

09/07/18

Studio wall

Studio wall

Refined some charcoal marks on the large landscape today.

10/07/18

"Traumatic Memory"

trauma - from the greek meaning 'to wound' or 'to pierce'.

11/07/18

NOTES from Psychology texts:

"...the story of trauma is one of enlightenment and forgetfulness.Knowledge gained and lost over and over. A history categorised by criticism and denial."

A tragic paradox of trauma is that one of it's primary casualties is that of truth itself.

Trauma is considered as - "an event outside the range of usual experience." (Diagnostic and Statistical Manual of Mental Disorders -III - R - 1980)

Trauma shatters the assumptive world - invincibility has gone and the world is seen as darker, chaotic, evil and dangerous.

12/07/18

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Sketchbook work today.  Little steps are better than no steps at all.

13/07/18

Canvas nearly ready to go in the studio

Canvas nearly ready to go in the studio

Stretched a few canvases today.

14/07/18

detail of landscape in progress

detail of landscape in progress

Colours laid out and tightened back of landscape canvas.

15/07/18

;

16/07/18

"The Mountain of the Heights" in the garden.

"The Mountain of the Heights" in the garden.

Finished "The Mountain of the Heights" today.  Could have done more but I'm learning to let go before work is destroyed.

17/07/18

"Second hand images can create first hand emotion" - Marlene Dumas

18/07/18

A delivery of paints came today

A delivery of paints came today

19/07/18

"Lost Illusions" by Balzac

20/07/18

A pretty good start to my week off; I have been offered a solo show!

21/07/18

Justine McDonnell  's "A Composition of She" in the   Golden Thread Gallery  , Belfast

Justine McDonnell's "A Composition of She" in the Golden Thread Gallery, Belfast

First night out in Belfast in ages and we are evacuated from Laverys due to a 'fire'.

First night out in Belfast in ages and we are evacuated from Laverys due to a 'fire'.

22/07/18

Stunning paintings by   Elizabeth Magill   at the Ulster Museum, Belfast

Stunning paintings by Elizabeth Magill at the Ulster Museum, Belfast

23/07/18

An idea for using flattened paint boxes.

An idea for using flattened paint boxes.

Too many ideas floating around.

NB:  To loosen up before working from chosen imagery, I want to try and do some work from life beforehand.  Can't do any harm.

A five minute self portrait study

A five minute self portrait study

24/07/18

"The Landis Museum" exhibition at the   CCA, Derry

"The Landis Museum" exhibition at the CCA, Derry

A trip to Derry for meetings and gallery visits.

Detail of one of Colin Davidson's remarkable paintings in "Silent Testimony" at the Nerve Visual Gallery, Derry

Detail of one of Colin Davidson's remarkable paintings in "Silent Testimony" at the Nerve Visual Gallery, Derry

I first saw Colin Davidson's 'Silent Testimony' three years ago in the Ulster Museum. Today it was in the Nerve Visual Gallery in Derry.  Still so powerful.  The 'us and them' mentality is nonexistent and removing divisive language and politics reveals the human suffering on all sides.  It is so important.  So glad to have seen it again.

Beginnings of a small canvas experiment

Beginnings of a small canvas experiment

Merging two old drawing works onto a new canvas.

Merging two old drawing works onto a new canvas.

Have multiple little eggs going on at the moment.

Imagine... Rose Wylie on BBC iPlayer

...where presence is evident...

"I think you're a lot happier if you don't mind a bit of imperfection." - Rose Wyllie

25/07/18

The two sons of Oedipus, Polynices and Eteocles translates to "Manifold Strife" and "Truly Glorious" respectively.  Might just be the title of a new painting that's been started.

Good news: I have two works pre-selected for the Royal Ulster Academy 2018.  Fingers crossed!

26/07/18

"What's for you won't go past you."

Progress on a small painting study

Progress on a small painting study

TAL R on Louisiana Channel

"It's strange, but you can't make a painting without content. Content is not like solving a problem in school or university. Content much more means that you've built up enough reason to do it. And content is also shitty because if you begin to identify too much with the content then you can't move. There are too many people shouting out in the chorus. Content starts you up and you leave it behind. It doesn't mean that you remove yourself from the content but it's too cumbersome to carry along. So when I'm working, it's not mechanical at all but it's cool headed because I'm not questioning the content. I've left it behind. It's interesting to say that content is crap, but you can't live without it." - TAL R

27/07/18

Four works in progress in the studio

Four works in progress in the studio

"A Manifold and Truly Glorious Strife"  - painting in progress

"A Manifold and Truly Glorious Strife" - painting in progress

Really pleased with how "A Manifold and Truly Glorious Strife" is shaping up.

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"You have to create something that lives in a kind of mystery." - TAL R

28/07/18

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Worked on "Rehearsal Study" today.  Played with skin tone and facial features using an air compressor to manipulate the paint. A slightly less controlled appearance.

31/07/18

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So pleased to have been able to attend the iDA reception event at the Atypical Gallery in Belfast.  This website is only possible through the iDA grant from atypical and the Arts Council fo Northern Ireland so I'm extremely grateful for their continued support and guidance.  Congratulations to all the award recipients this year!

Whoever heard of a Black Artist?" on BBC iPlayer.

RDH: 27/05/18 - 30/06/18

27/25/18

Munk Debates

NB:- "Imprint": washes over selected charcoal marks makes for a more painterly and softer outcome whilst still retaining the drawing element - it's just not as overwhelming.  Marrying the two worlds.  Artistically I'm in a good place.  It's utilising time more effectively.

28/05/18

On Hodler's "Night":  covered figure personifies death as an intensification of sleep.  On the back of the canvas Hodler wrote: "There is many a people who lies down to rest in the evening but who does not wake up in the morning."

"Night" by Ferdinand Hodler - 1899/90 -  Museum of Fine Arts Bern

"Night" by Ferdinand Hodler - 1899/90 - Museum of Fine Arts Bern

"Riot" and "Chidren of the Stage" started.

"Children of the Stage" - early progress.

"Children of the Stage" - early progress.

Haven't painted on board in two years.  Keep forgetting how forgiving the surface is.

"Riot" piece started.

"Riot" piece started.

29/05/18

Hot air balloon in trouble over Draperstown medical centre.

Hot air balloon in trouble over Draperstown medical centre.

Started small canvas of "Cult" drawing I did five years ago.  Been a long time but its always good to keep everything - just in case.

"Cult" painting in progress.

"Cult" painting in progress.

30/05/18

Let's see what happens.

02/06/18

Playing about with "The Mountain of the Heights" - particularly the sky.  Intangible so the marks should be also.

Early layers of sky

Early layers of sky

03/06/18

"Rosetta II" by Jenny Saville - oil on watercolour paper mounted on board - 2005/06

"Rosetta II" by Jenny Saville - oil on watercolour paper mounted on board - 2005/06

"I want to be a painter of modern life, and modern bodies." - Jenny Saville.

A.F. born today.

More progress in the sky of "The Mountain of the Heights".

More progress in the sky of "The Mountain of the Heights".

04/06/18

"The Mountain of the Heights" and "Imprint" on the studio wall.

"The Mountain of the Heights" and "Imprint" on the studio wall.

05/06/18

Notes from a previous workshop:

  • Turn off distractions

  • Centred space

  • Give yourself permission to move your practice forward.

  • Elevator pitch - needs work.

  • Find focus and priorities.

  • Studio days - regimented routine.

  • Be persistent and consistent.

  • Find unproductive habits + break them.

  • Defend creative time.

  • Slow down and hear your own ideas.

"Creativity is not a talent - it's a way of operating." - John Cleese

When you value serendipity, you start noticing it at work right away.

07/06/18

Awarded iDA from Atypical Gallery and the Arts Council of Northern Ireland!

09/06/18

Degree show work entitled "My Darlene" by photographer Ryan Hamilton.

Degree show work entitled "My Darlene" by photographer Ryan Hamilton.

Installation shot from Stephanie Tanney's degree show. Not unlike Holder's shrouded figure.

Installation shot from Stephanie Tanney's degree show. Not unlike Holder's shrouded figure.

A close up of one of Karl Hagan's stunning paintings at the  Belfast School of Art  degree show.

A close up of one of Karl Hagan's stunning paintings at the Belfast School of Art degree show.

One of Aimee Melaugh's atmospheric paintings at her degree show.

One of Aimee Melaugh's atmospheric paintings at her degree show.

Saw a lot of art.  A LOT OF ART.

Belfast School of Art degree show was fantastic but there were four stand out artists:

Ryan Hamilton in photography.

Stephanie Tanney in sculpture.

Karl Hagan in painting

Aimee Melaugh in painting.

The Golden Thread Gallery group exhibition "After an Act" was great.

"Submerge Form (Red)" by  Deb Covell  - 2017

"Submerge Form (Red)" by Deb Covell - 2017

David Moore's show in Belfast Exposed was really interesting.

The back wall of David Moore's exhibition entitled "Lisa and John" in Belfast Exposed.

The back wall of David Moore's exhibition entitled "Lisa and John" in Belfast Exposed.

10/06/18

Whiterocks beach just outside Portrush.

Whiterocks beach just outside Portrush.

11/06/18

Zero energy.  There are not enough hours in the day.  Structure.  Guilty of putting off work because of convenience.

Some sketchbook work done today but not enough.

Some sketchbook work done today but not enough.

13/06/18

Is yellow is the colour of hope?

"Selvportrett I Helvvette" by Edvard Munch - 1903 -  The Munch Museum, Oslo

"Selvportrett I Helvvette" by Edvard Munch - 1903 - The Munch Museum, Oslo

16/06/18

"Painting 1946" by Francis Bacon. Part of the  MoMA  collection.

"Painting 1946" by Francis Bacon. Part of the MoMA collection.

Bacon was fascinated by butcher shops as a child.  The figure in the painting said to be pre-war Prime Minister Neville Chamberlain - known for carrying an umbrella.  This work is raw power, beauty and horror rolled in one.

My painter's table of 8 years.

My painter's table of 8 years.

18/06/18

Detail of "Cult" painting in progress.

Detail of "Cult" painting in progress.

Paint/draw with purpose.  Reasons - just because I can't pin them down doesn't mean they aren't there.

20/06/18

Lubaina Himid - take a "given history" from found objects and then "paint a history on them that isn;t as much talked about."  Daytime can't be squandered - every hour counts.

23/06/18

Bonnie keeping me company in the studio today.

Bonnie keeping me company in the studio today.

Painted pretty much up to 10pm tonight,.  Stuck in the zone.

24/06/18

Jan enjoying the sunset at Rosses Point, Sligo.

Jan enjoying the sunset at Rosses Point, Sligo.

Trip to Rosses Point.  So hot too and great to bump into Rob and Sally.  Small world.

25/06/18

View of "An Irish Airman Foresees His Death" in the Hamilton Gallery, Sligo.

View of "An Irish Airman Foresees His Death" in the Hamilton Gallery, Sligo.

Great to see familiar names (Lisa Ballard, Alison Pilkington and Clement McAleer) in the Hamilton Gallery's group exhibition 'An Irish Airman Foresees His Death'.

One of my favourite pieces in the Hamilton Gallery had to be "Spirit of the Aviator" by  Brian McDonagh .

One of my favourite pieces in the Hamilton Gallery had to be "Spirit of the Aviator" by Brian McDonagh.

26/06/18

Trip to The Model in Sligo town before home.  A wonderful space.

Outside The Model, Sligo.

Outside The Model, Sligo.

Massive painting by  Antje Majewski  in the "Future Perfect" exhibition, The Model, Sligo

Massive painting by Antje Majewski in the "Future Perfect" exhibition, The Model, Sligo

28/06/18

Close up of "Cult" - Oil and Charcoal on Canvas

Close up of "Cult" - Oil and Charcoal on Canvas

Slowly getting back into the rhythm of working again.  Finished "Cult".  The small child is considerably creepier than expected.  More work to "Mountain of the Heights" - been looking at Cezanne's multiple treatments of Mont Sainte-Victoire for some sort of guidance.

Getting there with "The Mountain of the Heights".

Getting there with "The Mountain of the Heights".

Extremely hot in the studio - close to 30°C.

30/06/18

I have Sickert's "Ennui" on my mind. 

"Ennui" by Walter Richard Sickert - 1914 - part of  Tate Collection

"Ennui" by Walter Richard Sickert - 1914 - part of Tate Collection