03/09/26

Late Night Art Belfast.

Arlene Caffrey - Catalyst Arts

Eslam Abd El Salam - PS²

Rosalind Lowry - Belfast Exposed

06/09/26

‘A Brush with Richard Tuttle’.

In the studio and working on commissions - good progress on both.

10/09/26

Dublin bound in prep for Get Together 2026!

11/09/26

TUD Grangegorman - a great day all round.

12/09/26

Got to car and a wallet fell from underneath the wing mirror - good deed done.

17/09/26

…hanging together…

20/09/26

Full day in the studio. Steps in the right direction but what is it …. that’s proving difficult? Flatness of the image? Lack of shadows that help define structure and form? Proportions… angle? It honestly couold be a combination of some of all of the above. Will get there though,

…a joy to work on and is actually fun exploring the canvas and how the image can be pushed / developed further. Complete opposite.

The trick will be having all look effortless despite a cavernous gap in experiences thus far. Does the black/charcoal background come away? Making way for a colour that ties both subjects - say a cooler, muted olive green?

22/09/26

‘Navigating the Kaleidoscope’ exhibitiion by Dan Shipsides in Ulster Presents. Nice variety of works - video, sculpture, early painting and beautifully tactile charcoal drawings (with a wee bit of taxidermy thrown in for good measure).

23/09/26

24/09/26

Funky clouds

25/09/26

Number 1

26/09/26

Sketchbook work - great to dedicate a solid day to drawing, working out ideas, playing with line and getting lost in the process. It’s funny how you’re shorthand can change without being noticed straight away.

27/09/26

We cannot go back.

01/07/20

Some more Matisse-inspired bamboo work for shapes in the foreground and that’s the large painting finished! Title to be confirmed later.

02/07/20

Abrupt awakening.

So “The Hill of the Red Witch” it is. Very close.

Eventually got some good ground work down on two new pieces. Some human hair included.

Painter Julie Curtiss (Instagram: @julietuyetcurtiss) joins us for New Social Environment #77, hosted by Rail Editor at Large Jason Rosenfeld (Instagram: @jm...

Great Julie Curtiss talk with Brooklyn Rail.

03/07/20

LOFT

2013 - 2015: 14 works (over 3 years)

LISNAMUCK

2016 - 2018: 36 works (over 3 years)

2019 - June 2020: 16 works (in 18 months)

That’s crazy!

04/07/20

Really pleased with “Left Out” thus far but the mouth on “RPM” is really annoying me! — Really pleased with “*Left Out*” thus far but the mouth on “*RPM*” is really annoying me!

05/07/20

QUESTIONS

07/07/20

Working out left hand on “L.O.” is tough. It’s not the shape of it but the lay of the fingers that’s the bother. Pre-mixing … is needed to unify the hands and face. It’s the difference in definition between the upper and lower hands that are jarring a bit.

Days that just don’t go your way. THUMB NEEDS TO BE A FRACTION LONGER!

08/07/20

Working method today is attacking the canvas in micro stages.

NON FINITO = nice idea.

Does something have to look finished before being deemed complete?

Detail of “Left Out” — Detail of “*Left Out*”

…I limped home tonight. Painted for nearly 11 hours. Not sure if “Left Out” is done, but it’s bloody close.

09/07/20

… Yes it’s there!

10/07/20

Priming, studio cleaning and two little pieces drawn up. Interior one has promise.

11/07/20

The Ruination of the World.

“Rock Pool Memory” - the original drawing is not exact and so the dimensions are a little skew-whiff. Possibly why the painting is not coming together.

12/07/20

Horrible day painting but at least it beats not doing anything at all! “Rock Pool Memory” is just that - a memory.

A sense of critical…. ?

14/07/20

Such as strange pain down arms and shoulders last night. Shake it off or…

Trip to A&E - allergic reaction to insect bites. The usual then.

15/07/20

Studio time.

High contrast in BT’s face might be best avoided. Playing around right now just.

Nice chat with Chloe, Dominic and Niamh - some interesting discussions.

16/07/20

“Hotel ‘78” complete. [] is right - something slightly different about it. Softer maybe. — “*Hotel ‘78*” complete. [] is right - something slightly different about it. Softer maybe.

A nice dull background on “Seashore Jester”.

17/07/20

Applied … again.

18/07/20

Solid studio day. Resurrected “Rock Pool Memory”. Tonal values not there on “Seashore Jester” just yet but happy enough so far. Stumbled across the old Enfield painting that I abandoned four years ago. Decided to give it another crack.

19/07/20

21/07/20

Been a few days of home improvements.

24/07/20

Sketched out little commission and cleaned out palette.

Our friend, interdisciplinary artist Martha Tuttle (@marthatuttle) joins us for a conversation with scholar and curator, Susan Harris in New Social Environme...

Martha Tuttle talk on Brooklyn Rail excellent! Links to antiquity and the tactility of the work is fascinating.

26/07/20

The past few days I’ve literally been going round in circles with “Rock Pool Memory”. Originally I thought executing the proportions properly would have solved any issues that were cropping up but no. I think I’m in two/three minds as to how to approach it so perhaps shelving it isn’t a bad idea for now.

27/07/20

I think it’s important to take a step back sometimes and focus on other elements of practice. So today is a drawing and research day.

“ARS LONGA, VITA BREVIS”

“ART IS LONG, LIFE IS SHORT” the reversed first two lines of Hippocrates’ ‘Aphorismi’

Nearly six hours of sketchbook work today.

28/07/20

Did not expect to but “Rock Pool Memory” is finished. It really has been an unprecedented time of creativity. Silver lining in a weird and unnerving time.

“Rock Pool Memory” finished. — “*Rock Pool Memory*” finished.

29/07/20

The Troxler Effect - monsters in the mirror.

30/07/20

Detail of ‘Enfield’ painting in progress

Short stint today, Slow progress but progress nonetheless.

31/07/20

Parts looks OK and then others are close to the point of madness. At least the dead crab looks well.