Art Journal: June 2026

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04/06/26

“It’s the conflicting feelings that make the picture.”

Nick Willing on Paula Rego (Talk Art)

07/06/26

No studio this weekend. Instead, a long overdue sketchbook day - playing with and working through found and personal imagery. I think one of the issues I have with drawing is looking to nail a sketch first time and with the limited time in the evenings to work through ideas, frustration can mount.

Today was a long one, five hours, and that’s not always achievable in a week lest I forego the studio like today and in the long run, that isn’t helping. Surely I could carve out a half hour 3-4 nights a week - aiming for one (two max) drawings. If they miss, they miss. Better to have done…

09/06/26

Mad news. Got a whirlwind visit to the Belfast School of Art Degree Show.

10/06/26

More warnings of unrest. Whistle stop look at the Anna Vidamour show in PS² before an extremely awkward and lengthy journey home.

14/06/26

Studio. Back and forth on this one. One minute I love elements, the next - it’s maddening. Time will tell. Also started on a little commission.

17/06/26

Very strange email yesterday - bit of digging to find it a legit nomination. Bafflingly bizarre.

22/06/26

Mullingar trip - lots of fun and lots of sun.

“My apologies your majesty!”

23/06/26

Repentant Magdalene in a town centre hotel.

26/06/26

Pretty much knew from the get go in the studio this morning that ‘Lessons in Silence’ had run its course. There was just the final flailing attempts at salvaging it before wiping the slate clean, hitting refresh.

Cape Fear series - excellent. A scene in episode 4 took me by surprise and an interesting conversation was had. That feeling of who you were before trauma dying and there being almost an element of grieving / loss of who that person was - or at least parts that have now been significantly altered or erased entirely.

Thinking about how to make works more impactful - ensuring the there’s personal input - not just about the image having a resonance with a lived experience…. trip-a-trap / it and the meshing of an elaborate lamp / under the patio / ‘94 to the ceiling.

27/06/26

So, how to implement into compositions without diverting completely?

28/06/26

An OK start to christening piece. Although, its not really feeling like mind yet - good blocking none-the-less. Another smaller canvas - the ground is too dark to get the initial layers off to a tidy start. An uphill battle so might have to refresh on this already.

30/06/26

Heading home from Dublin and a little rainbow spotted at the border to end a difficult day.

Art Journal: May 2026

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01/05/26

‘Reflections’ - new sculpture outside Belfast Central Station from artist Kevin Killen and Golden Thread Gallery

There is one thing that I have been lacking in - a new year’s resolution that has slipped way down the pecking order - carving out time to draw. The sketchbook needs dusted off - badly.

03/05/26

So bloody close to the finishing line (whatever that is) with 'Meet at the Dolmen’. Essentially, its refining the robed figures and incorporating some structure into the treeline.

05/05/26

Venice. Surreal. It’s a very dimly lit city at night - giving it a strange presence. Familiar like a dream and stunningly beautiful. Except for the rat - size of a small dog (slight exaggeration) which jumped down from a low wall while I was locking a gate. Horrible.

06/05/26

Right, day one officially kicked off with a walk in the increasingly heavy rain to Piazza San Marco, down along the water to the Giardini. Stood in the slowest moving line for the guts of an hour, finally making it in. The hunt for a tote bag had begun.

German and British pavilions - great. 11am - all of a sudden, chaos erupted: Pussy Riot staging a protest outside the Russian pavilion. Dutch pavilion - locked in. Spanish pavilion, very good. Next to the central pavilion to see ‘In Minor Keys’. Crowds were insane - a real circus to the point I couldn’t see any work. Too many people clambering and bumping into each other. Should have went earlier. In saying that, Tammy Nguyen’s paintings were stunning.

A fly through the sculptures of the Nordic space to the Japanese pavilion. Loads of babies!

Leaving the Giardini, bumped into a tall, imposing figure all dressed in black… clocked eyes… immediately recognising him as an artist that has inspired my own practice… but could I pluck his name from the ether!? “Jesus Christ!” I exclaim to my simultaneous feelings of “I know him” and “what is his name!?” Moving on , it annoyed me all through lunch. About halfway through food, who walked into the restaurant but the man in black…. long story short - it was [redacted]! Knees went weak and shook his hand for far too long! Star struck.

Next up was visits to the Holy See, Icelandic and Scottish spaces before swinging past San Marino to check Mark Francis’ work.

07/05/26

Arsenale day. Started practically at the beginning of the queue, found this viewing of ‘In Minor Keys’ a way more enjoyable experience - more room to view work. Maybe the weather helped. Central space had so many jaw dropping moments - incredible works - Alfredo Jaar, Nick Cave to name just a couple. A quick regroup before the national spaces.

Lovely opening for Ireland, Chile was unnerving but great. Bit of a detouring boat ride for Eva gathering. Palazzo Grassi - Michael Armitage. Show was just sublime. Seeing this work I’ve loved in the flesh was just a dream come true. A little chat with a critic about Northern Irish snooker. Finishing the night off with a party - meeting old friends and new!

08/05/26

Slept in! That’s what I get for trying to sit and write in bed at 6am. A double Derry adventure from the heart of Venice all the way back to Dublin. Made it home in time to see the kids before bed.

One last look.

11/05/26

Missed the opening of Anna Vidamour’s exhibition in Atypical so happy to spend time with it today. I’m the worst patient.

13/05/26

Still not fully recharged. This coming weekend:

  • Breathe

  • Take Stock

  • Set out Plans

15/05/26

Evening studio session. ‘Meet at the Dolmen’ completed. Pretty happy with this one.

Architecture has it’s limits. Nature always wins.

19/05/26

Tim Patrick at Arcade. Beautiful works - fluid immediacy and could just sit and look all day.

21/05/26

Golden Thread visit after picking up charcoal at lunch. Frédéric Huska’s ‘Traces of a Traumatic Future’ - beautiful intimate works.

Sharon Kelly’s ‘Disposal of Fullness’. Stunning work as always. Stitches with hair.

24/05/26

Canvas stretching, priming - seeing where to go with this 3-person piece.

*****

Well, I didn’t get as far as I thought I would have. Now, that’s not to say I’ve been lazy today. Far from it. Two canvases stretched and triple primed. Thought I would have got to draw up the commission, checking which size of canvas will fit the image best. Not to be. I did get working on ‘Lessons in Silence’ - more backwards but still work nevertheless. At the very last moment before finishing and, clearly fed up with the lack of progress, I began blocking out the figure with the hat. First in charcoal and then with a dark grey/blue. Could this be the way to go? The colour might be too ‘on the nose’. What about that sickly pink that’s echoing on the cell walls to the left of the canvas?

26/05/26

How to get drawing back on the table.

31/05/26

… posthumously …

The figure in the hat has now moved to a pink silhouette and elements of the blurred female portrait have been muted in - lightening the darker portions (hair, mouth, shadows, eyes). A slightly more ghostly effect. Sketching up smaller canvases.

Where to next? Outer frame, more natural - greys, browns but try to keep quality of marks that are already there.

Art Journal: April 2026

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01/04/26

Dublin Gallery Visits

02/04/26

Belfast Late Night Art. A busy night. Highlights were Aoife Ní Dhuinn in Platform and Mia Stewart in Belfast Print Workshop.

04/04/26

Studio - so much moving back and forth. At least there’s a bit of form and structure now.

10/04/26

A surprise late night studio session - unusual for a Friday. ‘The Week in Art’ Duchamp, Dorothea Tanning and Leonora Carrington.

Some progress on the medium canvas. It’s good to know there is a late night option - kind of surprised with the level of productivity. Thought Gathering

19/04/26

A crisp, bright morning start in the studio. Sadly, (or happily), that sharp spring light laid bare the failings of the recent work on the medium canvas a little too clearly. Maybe there’s something to be said about sticking to working in natural light.

‘A Brush With… Danh Vo / Lorna Simpson /. Hurvin Anderson’ - triple whammy of catching up.

There’s a weird type of frustration when struggling to submerge or push back what’s clearly a focal point - the 1890’s female portrait that is front and centre of the canvas. It’s too loud and overbearing for the composition.

Last time, I tried semi-natural skin tones with no joy and pared it back to just a neutral mess / shell. I want the image to be the atmospheric anchor but it was just a flat meh - making the whole piece disjointed.

Had to make a decision - either chicken out and scrap it - the temptation was there - but ultimately opted for something a little different and something I haven’t tried in a while. Commiting to a monotone shift - making the female portrait out of ultramarine, titanium white and ivory, the memory finally started to sink in.

Lightening the harsh charcoal blacks to the cooler grey makes her presence felt without having her scream. All of a sudden, the orange/brown frame wasn’t just bowing to the lady. Now, I’ve started incorporating some architecture to the cell of the inmate in green.

Is it a memory or a timeline?

Stopped while there’s still energy in the marks.

23/04/26

25/04/26

A short but sharp stint in the studio this morning. Feels like I’ve taken a big swing on this large canvas - adding texture, tone and light/shade into the foreground. Also, included a little notion I had a while back - Reflection of light from the lamp, hitting a pair of eyes in the darkness to the right of the composition. I had thought about incorporating more animal like features (legs, eyes, tail) but was reminded of a quote from Ridley Scott

“ The most important thing in a film of this type [Alien] is not what you see, but the effect of what you think you saw.”

In other words, the eyes could be anything and it leaves interpretation wide open.

26/04/26

Second day in a row - short stay again but relatively productive. Light wash on sky to add depth,

Art Journal: March 2026

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01/03/26

Raw umber / warm grey for walls. Prussian blue was over top hat. Burnt sienna / reds / pinks. Sage green = pacing figure.

Thought I would’ve gotten further ahead than I did but then when I came down home with a sour head on me, have since been told that it was plenty. That was right of course. I just think the images in my head, or the projected outcome wasn’t matching reality, In hindsight, of course there’s been movement. Tonal work on mid-sized canvas - the ground work of the colouring blocks are done.

For the small double portrait, using the lines in the hidden self-portrait to create structure behind (and possible in front) the female portrait.

Sometimes there isn’t (well to be honest, its nearly 99%) that magic spark when working - where a single mark can bring a work to life. Today was a grind and that’s OK. It’s whats needed. Still need to turn up, put paint down and work through problems as they arise. That’s the joy and the fear.

04/03/26

Dublin. Maryam Tafakory “Daria’s Night Flowers” in the Project Art Centre. Next, on to the RHA to catch the Hennessy Craig and Homan Potterton Awards 2026. Stand outs - Eileen Leonard Sealy, Daniel Coieman and Manar Mervat Al Shouha. Wonderful work!

Kirsty Bell’s work is absolutely stunning; the merging of layers and the unusual presentation (on poles, curtains) adds to theatricality and draws you in.

07/03/26

A classic case of teetering on the edge of over-painting - Small double portrait. The elements that I think are working are currently out-weighed by isn’t. Tonally, it’s OK, a little flat at present, I think its the application of the paint and the colour scheme that’s off at the moment.

13/03/26

“Non Squeal Killers” - “A Tacitun Mask”

15/03/26

In the studio. Back and forth once again on the small canvas. One minute I think a problem is resolved, then an impulse to go in the opposite direction takes hold. Not sure where this comes from or why.

It could be my idea of the finalised idea is split between accuracy of the source material and leaning into the more expressive immediacy that the intial drawings derive from.

Third session on this. I think if things don’t clean up after the next session, it will be a case of putting it against the wall for a while before tackling it again with fresh(er) eyes.

18/03/26

“Fate rebuked him with a terrible swiftness”.

22/03/26

Studio and a little impromptu photo shoot!

There was a point in the morning where I thought I was going to ruin it all.

Now, it is definitely not what I initially envisaged but for the process and danger that this wee canvas has gone through, it’s not in a bad space. It’s as good as I can do with how it has gone previously. So, a long, drawn out way of saying. It’s downing tools time on “Thought Gathering”.

Now, thoughts to gather towards….

Lists need made up.

29/03/26

There was no painting or drawing this weekend. A little respite didn’t do any harm.

Art Journal: February 2026

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01/02/26

Canvas priming. Such a dirty floor… and then my pen decides to implode on the third line of a new art journal!

In between priming layers - want to try and finish ‘Melina Study’. It’s the robe that annoying at the moment. Too smooth - lack of texture…

‘M.S.’ finished - added subtle hint of texture and line to robe.

A strange sort of nausea…

02/02/26

…chilling.

04/02/26

Still trying to process…

On a personal note, I feel I’m getting better at distancing… …yes there are still some late night checks but it is definitely an improvement.

‘Considering Art Podcast’ - Joanna Whittle.

05/02/26

LNAB

Catalyst Members’ Show - happy with placement of ‘BWoatS’- up high, looming down on the viewer. Nice choice.

On the way home, hit in the face with milk. Stank to high heaven.

07/02/26

Third and final coat of primer on canvasses ahead of studio session tomorrow.

08/02/26

Mapping out works. Image from ‘Masque of the Red Death’ culled from seven figures down to three and a bit of fun mixing the scale of the Tirnony Dolmen. Feels huge. Medium canvas has three acetates on it. Sounds a bit much but for now, its working compositionally. The trick will be what elements to recede and which to bring forward.

11/02/26

When I’m tired, my right eye closes involuntarily.

12/02/26

Sketchbook work

19/02/26

Lunchtime visit to the Golden Thread Gallery - ‘Insight into the other’ - a collaboration with UH Gallery in Boston. Particularly fond of Nancy McCormack’s paint-manipulated photographs.

20/02/26

I had started thinking about painting ‘strategy’ when getting kids to bed last night.

Particularly the ‘Dolmen’ and the small (slightly doubled) portrait. Now, I did fall asleep mid way through something of a little eureka moment so I will try and recollect.

Want to try something with the Dolmen piece:

  • work on night sky first - furthest back

    • Build up with thin washes, skits of stars (toothbrush) and a light fade.

    • Elements of colours from the sky washes (pthalo, prussian, indigo hinted at in the ground / grass.

  • One of the hooded figures - carrying a lamp - adding energetic brushstrokes to the illuminated ground, edges of robed figures and ancient stones. DRAMA

  • The trick will be making the trees disappear - how they do in life when looking up at the sky at night. They aren’t a silhouette but almost an echo of what’s there - waiting to be lit or to come into focus.

  • Slightly thicker paint on light edges - loosen control of the brush a little.

For the ‘double portrait’: Off skin palette - again loosen grip of brush in areas, tighten in others.

Relinquish control to gain unexpected moments in the process…

22/02/26

The other night was writing - today was doing. Pretty much did what was hoped to ‘Dolmen Gathering’. Now there is an itch to possibly include something else… hint of nature / danger. The only word that seems to matter with this piece - atmosphere.

25/02/26

Eyes peeled on Venice announcement! Congratulations to Alan Phelan, Alice Maher and Rachel Fallon on invitations to ‘In Minor Keys’.

27/02/26

Sketchbook work - late night - finishing off sketches that were started mid-week.

Art Journal: January 2026

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01/01/26

HNY. Here is to a fruitful, productive and peaceful 2026!

03/01/26

04/01/26

First studio day of the year. Nice bit of structuring to ‘Milena Study’ face.

05/01/26

Late night sketching

06/01/26

Golden Thread Gallery visit at lunchtime. Azzedine Saleck’s 'The Border That Crossed Me' - haunting spectral figures rendered in gold leaf.

​Sharon Murphy’s 'Mise en Abyme' plays with the ‘uncanny’ through theatrical settings and the clever masquerading of material.

08/01/26

The Rispin Curse.

10/01/26

“The innovations in the painting come from the parameters I set within the practice”

Tim Benson

11/01/26

Wrapping up “BWoatS” for Catalyst Show.

13/01/26

Visit to Ulster Presents to see part I of MFA ‘Prologue’ show.

15/01/26

Some very late night sketching. Must get a decent R.

17/01/26

Derry visit. Guildhall Taphouse Studios - so great to see space for artists of this ilk in the NW especially after the news through the week elsewhere.

VOID - Barbara Steveni retrospective ‘I Find Myself’. A privilege to learn more about her lifelong commitment to the intersection of art and activism.

Rounding up with CCA - ‘It’s Not Clear From Here’. A wonderful show where curator Ashleigh Wilson has beautifully brought together three artists that weave common threads throughout the gallery space.

A lovely phone call on the way to the bus (“There’s one more thing I have to tell you…”).

18/01/26

Stretching large canvas - lots and lots of staples. Now for a bit more time with ‘Milena Study’…

Took a big swing so fingers crossed that fresh eyes in a day or two will see progress rather than a step back. I’ve a feeling it’s both, in different areas.

19/01/26

…first thought is “how the **** is this going to work?”. Polar opposites. Need to chew it over.

24/01/26

Looking at the duality of external vs internal?

25/01/26

A ton of sketchbook work. Drama…. not playing nice. Good news and bad news in the end up.

27/01/26

The MAC over lunchtime. “The Lost Paintings: A Prelude to Return”. Wow, just wow. A powerful show. Deeply moving - caught myself holding tears back walking around the gallery. The show demands you sit with it and witness it. Definitely won’t be the last visit. Raed Issa’s capturing of life in constant displacement - reminded me of Käthe Kollwitz but with a raw immediacy.

28/01/26

Dublin. 'The Last Balkan Cowboy' by Dragana Jurišić in Temple Bar Gallery and Studios. I saw Harry Dean Stanton. In Photo Museum Ireland was 'Empathy Machine' Maija Tammi. Poor wee locust. Rounded up with ‘Passages’ by Siobhán McDonald in the LAB Gallery.

2025 in Pictures

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It’s been a year with highs and lows, both personally and professionally. But, taking stock and looking back at the last 12 months - I have to be grateful for so many things, that the positives undoubtedly outweigh and null the lows by some margin.

So, by going month by month, here are some visual highlights of the year that was.

January

February

March

April

May

June

July

August

September

October

November

December

With an international excursion, group shows and a solo exhibition coming up, there is plenty to look forward to for 2026.

Art Journal: December 2025

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07/12/25

‘To Conjure’ finished.

teacup poisoner. Ability to blend in - an unassuming, quiet figure who poisoned people in plain sight.

Brushes down.

09/12/25

Always a strange month, hectic in so many ways but hopefully there will also be time to work on my own stuff a bit. take time to reflect on the past year and taking some quality time with the family.

10/12/25

The Sketchbook quandary. Nearly impossible to carve time to draw when I normally would have - in the evening before bed. Looking at other options. Commute and breaks are most viable options for now. Will test.

11/12/25

Rolling back the years here. Sitting outside Belfast Art College on lunch - sketching, observing and dusting off the cobwebs.

14/12/25

Snapping recently finished works and a bit of cleaning - palette wiped and some acetates sketched out.

Drew up two canvases - could have been far more but stopped myself. Don’t want to draw up works just for the sake of drawing up - filling the gaps, breaking the silence.

15/12/25

In Southern Regional College, Banbridge today to give a talk to students.

16/12/25

20/12/25

Studio session. Three latest works out of the way and down into storage. When down, four of the larger damaged works could be cut and restretched. Will be interesting to see what, if anything can be salvaged.

‘A brush with, Luc Tiuymans’ —> “Authentic Forgeries”.

Good start to ‘Milena Study’ today.

Milena Pavlović-Barili was a Serbian born artist who never settled into one style or one city, finding fame in New York rather than Europe. Her death is marked by an air of mystery.

24/12/25

31/12/25

Ending the year with a lovely, if not a little chilly walk around Pomeroy forest.

Art Journal: November 2025

02/11/25

J.A. painting visit to the studio today.

06/11/25

Need to make a list….

07/11/25

08/11/25

Study of Daddy by IK.

09/11/25

Right, in the studio - but no painting. Stocktaking, thinking and strategy time. Upcoming show in the Courthouse. ‘Veiled Realms’ will take place from 28/08/26 to 10/10/26 in Ennistymon.

Have in head when looking.

So, five large works are damaged beyond repair. I might see about cutting and mounting some sections onto board at some point. Some areas are worth saving I think.

When clearing the storage garage and sifting through works, I stumbled upon the last surviving work from my degree show (15 years ago).The body of work at the time was looking at the loss of morality and any semblance of the human in warfare. It shows a soldier - the same colour as the bleak desert background with a ghost of the war machine (chinook) hovering above. For some reason this is the only work that didn’t get destroyed or painted over.

Leading up to the degree show, I remember immersing myself in early 20th Century war poetry. One line sticks out even after all these years later.

“That I may lose my way

And Myself”

‘Lights Out’ by Edward Thomas

‘Lights Out’ was written shortly before his death in the Battle of Arras. Seeing this today is a sad reminder that, unfortunately, the subject will always be relevant - eternally repeating itself like the snake eating its own tail - and tragically magnified by unspeakable suffering we are all a witness to with the genocide in Gaza and war-torn Sudan to name a few.

11/11/25

Imagery organising and sketchbook work at long last.

15/11/25

Thinking about ‘To Conjure’ - how to differentiate the two seperate image plains whilst unifying the image as a whole - Large portrait vs Séeance scene. Giving the portrait a higher contrast will help - keeping the values of the séance figures/room closer together - making it feel distant, like a memory or a wish.

Portrait colours = warmer (brown, pinks, red ochres)

Desaturated colours for the Séance - muted / period appropriate (50’s smoke stained green) / dusty blues, cool greys for the walls, fireplace and clothing.

23/11/25

Took a big swing at ‘To Conjure’. Sometimes there is that terrifying moment in a painting where you have to risk what’s already been done to get the atmosphere the way you imagine.

I washed over the whole piece to push the background figures back and unify the double exposure effect. It feels like a step backwards - losing definition - but a necessary step to make the figures and possible memories internal rather than sitting on top and fighting for eye time. Let it dry.

25/11/25

27/11/25

Art Unwrapped opening ar Ulster University with work of Terence Philip Flanagan.

Art Journal: October 2025

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01/10/25

Prep ahead of VAI event in the MAC.

02/10/25

The start of a crazy month. But looking forward to LNAB later…

‘The Weight of Inheritance’ showing in the Royale Arcade Academy group exhibition.


Catalyst Arts

05/10/25

Deep breath…

Let’s have a go at session three for “B,W,oatS”.

A Brush with Wolfgang Tillmans - “RE-ENERGISE YOUR ARCHIVE!”

From what I can tell, the ocular device looks the part - symmetrical enough to look convincing and squ-whiff enough to be interesting.

Finished - bar Malcolm’s contribution (although I do kind of like it).

S….GF?

12/10/25

A Brush with Suzanne Jackson.

Completed ‘Kiss with a Red Flag’ - minimal touches needed - thin wash on highlights of hair and a slight change in background / freshening of the red flag / shirt. It could have been done on the second session but with elements not dry, the risk was too high of destroying any good work done to that point.


14/10/25

Visit to the MAC. Niamh Seana Meehan’s sombre textile installation that waits for you to immerse yourself.

William McKeown’s paintings of meditative light and beautifully subtle horizon lines.

Marie Hanlon and Rhona Clarke’s thought provoking work - a collaborative video installation that shines a light on the climate emergency plus Hnnlon’s sculptures of knotted glass that explores water as a resource.

19/10/25

Second session on ‘To Conjure’. Both images are fighting for dominance right now. Limiting the palette to see how this could affect this struggle and the work as a whole.

Mostly working on the large portrait element today.

22/10/25

26/10/25

Went and sat up in the studio for a while only to realise I wasn’t ready Space needed tidying up and organised so after a bit of time cleaning - it was back down to the office to work on admin updates. The boring stuff needs done too.

28/10/25

Zhanna Kadyrova in the Golden Thread Gallery’s ‘Radical Hope’ exhibition.

Art Journal: September 2025

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04/09/25

Jen Alexander in Threshold

08/09/25

VAI Get Together at TU Dublin

09/09/25

Visit to ‘Faigh Amach’ at Temple Bar Gallery and Studios.

10/09/25

Painting off to Arcade Studios for a group show.


14/09/25

Session two of ‘Better, Worse or about the Same’. Freaking me out a little that it’s where it is after just two studio days.

Still not used to recording either - in some ways it is a distraction and feels a little unnatural. In others, it focuses the need to get paint down which is no bad thing.

20/09/25

Looking at ‘BWoratS’ - it’s all but there. Setting it aside for now and going to have a first session of the small kiss piece.

22/09/25

Bunged.

27/09/25

Session two on ‘kiss’. Good call to darken the background.

28/09/25

Art Journal: August 2025

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01/08/25

Time for bed. (NOTE: Should have heard by now).

03/08/25

“The Woman with the Dogs” finished. Having timed deadlines according to size seems to be working.

05/08/25

C.H.C = No Date as of Yet.

06/08/25

Sat down last night with intent of own work but - other preoccupations took over. Shame.

07/08/25

Late Night Art Belfast.

08/08/25

10/08/25

Tai Shani - A Brush With…

Stretching canvas!

13/08/25

Priorities. Bridge. Swing. Power Pylon. Patterns everywhere.

Utilise time more wisely. Shake yourself out of the self-imposed rut. Yes, it’s difficult to carve time out but it must be achievable in some shape or form.

14/08/25

A.S. applied.

16/08/25

17/08/25

Added three coats of primer to new canvases.

Jane and Louise Wilson - A Brush With…

Let’s get some images on these bad boys!

Lots of drawing and tonal work today.

20/08/25

Sketchbook work NOTE: Need to refresh image pool -> prep for drawing transfers.

28/08/25

“__________ is a new language in my practice.” - Such a good line!

31/08/25

Studio and great to get layers down on “Better, Worse or about the Same?”.

Some videos - out of comfort zone.

Art Journal: July 2025

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01/07/25

O.C. - Not successful. Still…

03/07/25

LNAB

‘Here for Now’ ArtsForAll - Maria & Anna Horvathova.

Scott Benefield Trunk Show - Craft NI

‘Inner Space, Outside Place’ - Sarah McConnell / Jeffrey Roberts - Atypical

Shopwork = Vault Group Show.

‘The Ceremony of Falling’ Hana Abri Smith - Rattlebag.

Also, some revisits to Catalyst, Golden Thread and Belfast Exposed.

06/07/25

Studio Time. With two newly primed canvases - revisting some imagery that I feel had/has promise but faltered in a past iteration.

“The Woman with the Dogs” + “To Conjure”

The latter is adding a new image / element alongside the seance scene I tried to depict last year. The initial stages are always filled with such optimism and hope. Then I look at ‘Uniform Hate’ - so much I like about it, a lot more I don’t.

The two figures behind the central officer, they’re nearly the crux of it all. Carrying all the hate. The central figure is the calm in the storm.

…rearrange.

08/07/25

P - worth a look?

09/07/25

Get to grips.

10/07/25

Solid work on new pieces today.

17/07/25

Request sent. Fingers crossed.

Test run a time limit for work depending on size to reduce the risk of overpainting.

Whatever shape it is in by the final day is how it will be.

≤ 50 x 50 cm → 3 studio days

51–99 cm → 5 days

> 100 cm → 7 days

From there, I choose:

A: Leave it as-is after the final studio day (radical / reluctant acceptance)

or

B: Turn to the wall and let it rest for a month, then revisit briefly (cooling-off window)

18/07/25

“I’m coming, I’m coming,

and my head is bending low.

I hear the gentle voices calling,

Poor aul Joe.”

20/07/25

‘Uniform Hate’ finished. Not perfect, but much more I like now than not so that’s it.

Grabbed a mirror and started working from life partly on self-portrait. It was fun, frustrating but fun.

21/07/25

Something really nice about painting with mirror yesterday.

22/07/25

WFH = a lot!

23/07/25

Possible…

27/07/25

‘Twenty Eighteen’ complete. Taken as far as I can, Stuck to guns and 3 studio day limt.

Added bonus - yes, the original drawing is from 2018 but if you add 20 and 18, you get my current age. Meant to be!

Art Journal: June 2025

01/06/25

02/06/25

(stopping earlier in the painting process) <- …lost count of how many times I’ve written that down, it’s how you would go about implementing it and making it a set part of the creative routine.

04/06/25

Possibly connected but bar the commission, I haven’t finished any work this year

||||

Correction, ‘Gathered’ was finished in January. Have started five paintings since then - none gone to point of completion.

05/06/25

Late NIght Art:

DAS

Engine Room Gallery

08/06/25

“The Weight of Inheritance” finished. Is it a confidence thing? Having the balls to say ‘right - that’s it. What’s next’.

10/06/25

Lovely letter of acceptance. Delighted!

12/06/25

“Art Worlds” - Howard S. Becker

Individual / Collaborative = two sides of the same coin.

15/06/25

Objects of desire. Portraits merged with object of significance / insignificance.

Doodle too on the nose but I get the drift.

19/06/25

Right - switch off from tasks at hand. Reset to home / studio.

Hard to do. With two solo shows coming up, a way has to be found. To the studio this weekend.

‘Uniform Hate’ notes / ideas - I like the ambiguity on the face of the police officer (top half in shadow). Perhaps refining or adding more details to the lower section of the face (subtle highlights on the cheeks and jawline.

Background: Too many colours and flat. Needs pushed back / darkened.

  • Colour Control

A transparent wash of colour - payne’s grey or a dark, cool blue/violet. Unifying and limiting the colours down.

22/06/25

“The people come through the paper and into your heart.”

Lubaina Himid on Claudette Johnson

“A Brush with… Lubaina Himid”

A rough night on the longest day.

“I am trying to make unresolved paintings because everything in life is unresolved”

Lubaina Himid

A day for clearing the palette, stretching new canvases and putting the first layrt of primer down.

24/06/25

“Beyond the Gaze: Shared Perspectives” by Sophie Calle in Golden Thread.

Powerful showcase of a diverse practice. “Voir la Mer” intimacy and human emotion at experiencing the sea for the first time. “L’Hôtel” - fictive narratives from a forensic-like examination of hotel rooms - sometimes funny, always voyeuristic.

Recommend.

25/06/25

Dublin Gallery Visits

Ethna Rose O’Regan and Sinead McCann - The LAB Gallery.

26/06/25

Impulse control!

29/06/25

Rachel Jones - The Week in Art Podcastt.

Second and third layers of new canvas’ primed. Pushed background further away in ‘Uniform Hate’ - using charcoal and prussian blue washes. Getting closer.

Art Journal: May 2025

01/05/25

LNAB - A Bumper One! - A.B.F.

04/05/25

Self-portrait - destroyed. Frustrating but that’s just the way it goes.

07/05/25

Some practical work tonight.

…50%. Better than nothing. Getting to grips with perceived ‘rut’. Is it a rut or is it just a natural effect from other factors? Practice has always been deeply personal so it's little wonder that there's a subconscious ripple effect happening.

The ‘disconnect’ I'm having with the recent work / work in progress now seems valid. When things are still very raw, it's understandable to numb or distance yourself and for a practice that's always been reflective of my experiences, then there's an issue there.

When the practice relies on a kind of gut-level recognition (imagery needs to speak directly - even found images) wanting to avoid it due to current circumstances seems reasonable.

An external image sparks an internal echo but when you're struggling with internal processing - switching off seems understandable.

Not sure if there's a quick fix - or if I would want to put a ‘sticking plaster’ on it without dealing with the wider issues. Back in … so that's a step. Could also be that I'm too hard on myself. As David Sylvester said “… artists must be allowed to do bad work. They must be allowed to get in a mess…”.

Things to try:

  • Revisit old sketchbooks.

  • More journalling - words can lead into visual metaphors.

08/05/25

John Price show in the Engine Room Gallery.

11/05/25

Not trying to reinvent the wheel here! Overthinking as per.

Really good start to what I'm affectionately calling “Pebble Dash” (will not be real title).

Its worth throwing imagery up, taking time to look and experiment with compositions. It's not only fun, but sparks potential ideas into life!

Work also done on “Uniform Hate” background. Work on these have went almost too well too quickly!

13/05/25

Back into PS² to spend more time with Molly Martin's ‘Re/Cusp’ show. Found it incredibly cathartic, sometimes breathing in time with the surroundings and little moments of unease - audible heartbeat echoing in the air.

15/05/25

…Tempted to.

Silence the inner critic - or at least make him smaller.

Just because it's there doesn't mean you have to use it!

Use of yarn to sew ogham onto canvases and then stringing the works together like a weird mind map on the wall.

17/05/25

Man in the Rug.

19/05/25

Going cold turkey. Feels like something has just clicked in my head. Now, tomorrow’s entry could read “what was I thinking!”

Occupy the Present. Already, it will be a case of getting time back. An hour an evening saved - 7 hours a week - that’s a solid day’s work back!

Breathe.

20/05/25

Freud in Titanic, Belfast.

23/05/25

Q.F. - what the hell is this!? Hit by a train. Must remember, it’s the body healing itself and it will pass. Now, to focus on more important matters.

25/05/25

Studio time - this will be the biggest test so far.

Timelapse of “The Weight of Inheritance". Pleased with progress - the others, in a bit of a muchness with them.

The drawing needs stepped up, get the archive lit again and spark interest / ideas.

28/05/25

Dublin - Visit to TBG+S, RHA Show (seeing some familiar faces) and Michael Kane’s show in the Taylor Galleries.

30/05/25

Sketchbook Rawness. When it worked, it really worked. When it didn’t, it really didn’t

31/05/25

Sketchbook studies again to round off the month. Started thinking (here we go - this old chestnut again) - stopping earlier in the process… fell asleep writing!

Art Journal: April 2025

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01/04/25

02/04/25

“Trauma = fragmented memories / flashbacks.”

05/04/25

‘A Brush with… Celia Paul.’

Rembrandt’s eye’s defy death!

Sketchbook work early in the day. Paint out - let’s go!

“Art is how you give form to your deepest instincts.”

Celia Paul

A really solid start to “Uniform Hate”. Basic background colours and tones down.

“Self-Portrait between clouds” - using shape inherited from previous composition underneath as elements of the background. Perhaps a little more tonal subtlety - too contrasty at the present time.

Overall, a good day in the studio.

08/04/25

the week off was great, bar some setbacks.

… a little overwhelmed… just need to breathe, take a step back and be thorough in the work at hand. Only mentioning as a little vent was needed as well as reasserting that it’s ok not to get own work done every once in a while. Frustrating, but that’s the way it goes sometimes. It’ll be ok.

Stuart Calvin at the Golden Thread - Stay a while - Great! The work sits in that strange space between fragility and hope. The draped, almost human form reminds me of the cloaked figure in Ferdinand Hodler’s ‘Night’ - grief / fear made solid. Here, there’s the possibility of (neon) light creeping in Definitely one to stay a while with!

12/24/25

Fire on the Glenshane

13/04/25

Studio with Imogen and then onto own work. Building up self-portrait study. Back and forth and back again…

…well, that didn’t go as planned! Back to the drawing board.

16/04/25

An awful morning.

Presentation of commission - nice words and thoughtful comments.

17/04/25

“Decoys and Ghosts” in the Golden Thread by John Rainey. Vibrant, playful and quietly unsettling body of work. Fantastical morphings of classical figures and animal forms reimagined with vivid colour and bolt, unexpected shifts in anatomy. Sculptures feel like artefacts from another planet - cheeky, strange and incredibly precise. The traditional bust is unpicked and reshaped into something wholly new.

See H’s book for feedback / homework. Not for these pages!

19/04/25

I know with the utmost certainty that this will not be an easy or quick fix.

21/04/25

Studio time.

Brought little self-portrait back from the brink of the abyss. I think working from the sketch which was done at the time in the early pandemic (where head was shaved at home!) is throwing off what is in my own mind / self-image. Perhaps that should be the advantage? Beard too generous.

Imogen’s D entry - 21/04/25

23/04/25

Aisling O’Beirn “We Lose Sight of the Night” in the MAC. Strangely calming and thoughtful exploration of climate and environmental change through the lens of science and art. A beautifully reflective collection of installation work rooted in celestial mapping and light pollution.

Open call applied for! Had hoped for some sketechbook time but that wasn’t to be tonight.

25/04/25

27/04/25

The Week in Art

Sketchbook work and admin work. Another sketchbook done - another began.

Move away slightly from direct narrative compositions? Semi-historical? Whose history?

Art Journal: March 2025

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02/03/25

…it’s finished! Hallelujah!!

This work is taking a lifetime to work out the kinks.

05/03/25

Admin work and a load of stretcher bars home. Had planned on more but literally ran out of time.

06/03/25

Fell asleep on the bus while writing in here… Subsequently have lost my favourite pen to the 212!

Late Night Art Belfast: Majella Clancy in Ulster Presents; Steph Harrison at Atypical Gallery; The Irish Palette in the Engine Room Gallery; Last night of the Catalyst Members’ Show and ‘Cailleach’ at Vault.

08/03/25

09/03/25

Stretching and priming, followed by another round of priming in the evening. No RHA this year.


10/03/25

Been offered a solo for 2026! All chuffed!

13/03/25

Wonderful to be at the opening of 'The Crush' by Sian Costello in PS Squared.

The paintings seem to echo the softened, shifting edges of camera obscura projections, where details are suggested rather than fixed, teasing at recognition before slipping away.

Of the work Sian writes: 'I use my own body and a series of camera obscurae as instruments to magnify and distort the boundaries between what is real and what is the art "work" of composition, lighting, and painterly flair. Through this fractured lens, space opens up beyond the controlling hand of the artist for the narratives told by the subjects themselves.'

'The Crush' runs until the 17th April.

14/03/25

Achilles is banjaxed! Minor injuries is a joke!

15/03/25

A morning of sorting out reference imagery. Feels like nothing productive has been done I know it will prove helpful in the long run.

18/03/25

…RETHINK…

24/03/25

Fancy transit.


27/03/25

It’s been quite a week: Helpdesks, Training in Dublin, More training in Belfast and a student Fair at UU… now first C.H. event.

Imogen is three today. Hard to believe but we can’t picture life without her!

…wisdom to know the difference… It’s not going to be easy.

30/03/25

Studio - drawing up, mapping out structure / composition of a few new canvases.

Feels good to get in the rhythm of making after a good few weeks. Tonal values looking good thus far.

CARVE! CARVE! CARVE! Without dictating a set regimen.

Art Journal: February 2025

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02/02/25

Looking back at ‘targets’ - pleasantly surprised. Yes, the drawing fell short but KEEP IT UP!

03/02/25

Studio. Paring back of background - so much better.

Several older sketches transferred onto acetate.

Taking back sense of self / purpose.

05/02/25

06/02/25

Busy day. Symposium followed by Late Night Art - with a piece made especially for the Catalyst Members’ show taking part!

Struck me last night - shifting to more personal imagery and away from portrait after portrait IS what’s needed - but is a tired rendering of them going to yield exciting results? I don’t think so.

A little more outside the box thinking and care required - other than throwing multiple imagery on one plain. Although that is one way to expand narrative quite quickly….

LNAB

Gerry Gleason’s Skip Sculptures | Philip Arneill in Arcade | Yvette Monaghan Belfast Exposed | Sinéad O’Neill Nichol in VAULT | Joan Alexander in PS2

08/02/25

Ballyliffen celebrations

11/02/25

Very late sketchbook work - AGAIN.

13/02/25

…aiming for a good new habit. BUT there is no point in sulking or beating yourself up if targets are not reached each time. By the same token, there is also little point in setting goals if they are ignored or you don’t try to achieve them. So, do your best but if it falls short of expectations, learn from it and carry on.

16/02/25

Plates be gone!

Multitasking - not my strongest suit.

20/02/25

Golden Thread Visit and application submitted.

22/02/25

… kicking my ass!

“A Brush with Somaya Critchlow”.

Hilarious! RD was hijacked - brilliant! Goldilocks - just right.

… fingers crossed though that once it’s done and out, a real flurry will take place.

23/02/25

25/02/25

Sally O’Dowd in Ulster Museum!

26/02/25

Array at RUA RED. Something quite cathartic singing Bette Midler to a squad of police Land Rovers.

27/02/25

What does the inner critic say? TW, L, NGE.

Carrying on my engagement with the subjective experience - particularly around trauma. That is something. Interpretation of images … unique.

CRINGE ENDUCING!

Art Journal: January 2025

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02/01/25

Sketching - coming back!

05/01/25

Early studio session - Looking at “Gathered” … it’s finished.

Bit of a push and pull on Commission.

NOSFERATU - GREAT!

06/01/25

First day back in Belfast - COLD!

07/01/25

Double deadlines and an open call.

08/01/25

Personal interrogation - double mirrors? Will be good to dust cobwebs off.

What to put into xxx?

Popped round to Golden Thread Gallery on lunch.

Shirin Neshat installation in the Golden Thread Gallery.

Such a headache but it will pass.

09/01/25

GET IT DONE!

Three in the Morning by Charys Wilson at PS2 - fab!

Ran around … but no joy.

Sarah Maple Call me Mother in the Naughton - wonderful show.

(…. add mirror plates).

11/01/25

,,, Done all here I can at the moment.Seemd flst at the minute Still to br

12/01/25

Sketchbook studies in the morning.

13/01/25

Double Submitted!

15/01/25

Dropped '“Gathered” over for Catalyst Members’ Show. Should be a good one!

16/01/25

17/01/25

It might look like a phone induced dopamine hitting laziness - but I do want to try and utilise certain aspects better. Are multiples worth it or is it better to do just one really well?

Will mull this over but in the meantime, gather images to set into … folders.

Late Night Self Portrait sketch.

18/01/25

Should have seen this coming - getting too caught up. Yes, it’s a good idea to curate some meaningful aspects but, and this will always be the case, making the work is and always will be top of the pile.

Less scrollin’, more rollin’.

Setting distractions away to write really helps.

Watched ‘Longlegs’ tonight. The dolls shrouded in a black sheet - but with the demonic red eyes showing through - it has really unsettled me. Like one of Magritte’s lovers but on a bad trip.

19/01/25

Sunday Studio Session - (and pre-session list).

…colour restructure? Starting over isn’t the end of the world. It could be that it’s too small to tackle the source material properly.


And restarted I did. Got to the point of the second looking further ahead than the original pretty quickly. Should use the little canvas as a guinea pig - test out ideas.

Change the background - make it my own. It’s too safe at the minute.

21/01/25

A late night (probably too late a night) of sketchbook studies.

23/01/25

‘Misaligned’ by Katherine Penney in Ulster Presents. Moving work - beautiful use of space.

Bracing now for storm Eowyn.

24/01/25

Guts of three trees fell out our back and power has been off since early morning.

Saw part of one of the trees come down this morning. The thud it made!

Ambient candlelight.

26/01/25

A sketching and scanning day.

29/01/25

Dublin. Eileen Leonard Sealy’s paintings in the LAB Gallery - excellent.

30/01/25

I’ve veered more and mroe away from raison d'être.

Stick Shed. Personal motifs. Untapped.

Dervla O’Flaherty and David Dunnes’ shows in Cultúrlann.

Retrospect - …preferred… with older painting upside down (two tones).

… more of me in there.

RDH: DECEMBER 2024

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01/12/24

It’s been a long weekend - no studio but that is understandable considering the circumstances. Adjust / Adapt.

SURPRISE SURPRISE!!

03/12/24

… application? Glutton for punishment?

04/12/24

Focus! F and A. That is all that matters! The rest is bullshit.

08/12/24

Studio! Part 1. ‘M.C.’ facial tones - hair detail. (Purples / Greens?)

Timely progress on commission. Baby steps - not getting too carried away.

Started well on ‘moss piece’. Think the texture will work well - albeit awkward to get detail and control the paint in the really layered elements.

12/12/24

Has the penny finally dropped? Hopeful that it has. Over Christmas, take a look at [redacted]. Why not!

13/12/24

Submitted!

18/12/24

Didn’t get the P.P. opportunity. But as S. says, it was a strong application so I’m proud of it regardless of the outcome.

22/12/24

Keep forgetting that December is usually a write off - when everything else is taken into consideration.

23/12/24

NT5’s gave an idea. snippets / stills from videos taken out of context. There’s something here (not literally I hope). +

25/12/24

26/12/24

It’s been a month and a half! Art has taken a back seat. There’s plenty to be doing, just zero time to do it. This has been largely out of my control lately.

BUT - in saying that…

When it IS in my control, it is making sure that I’m getting the most out of it.

Energy Levels.

27/12/24

Carving time. Need to get on top of these fatigue levels. Certain points of the day, I could easily pass out and I have caught myself sleeping not long after waking up several times.

Get to the bottom of it.

28/12/24

RDH’s are all well and good - keeping stock of where I was to help where I'm going. But what if, in the new year, at the start of the month, a list was made for that coming month. A target list. Things like:

  • works to start / finish (setting deadlines)

  • upcoming application opportunities

Continued in diary.

29/12/24

Last studio day of the year probably.

Top tone - violet yet still dark.

“…embracing darkness as a tool to shed light on something.”

Hank Willis Thomas (on the ‘A Brush with…’ podcast)

So bloody close! The green background is upsetting my happiness but what to change it to?

31/12/24

When researching ideas for creating a new target list, one thing that came up and, I’ve noticed this in real time, is having or setting a deadline to finish something.

having a time limit to have work completed for the Catalyst opportunity has definitely been helpful. Piece is all but complete.

New Ideas project - NI M’s and S’s. (pandering?)

Target list should include a chance to take my own advice - do the research and contact …

Some resolutions: cull the scroll time - cut out certain habits.

So long 2024. You’ve been good to me,