Belfast

RDH: FEBRUARY 2024

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01/02/24

Beginnings…

02/02/24

…officially taken a back seat. That’s OK though. Needs - Must. Doesn’t mean the grey matter stops!

I mind a ‘Thunderball’ poster with a table in it - or was it N.S.N.A.?

Knots - Riddled.

03/02/24

20:11 - Malcolm John Kielt born - 7lbs 10oz.

Jan was amazing.

09/02/24

I have been thinking about what was put to [redacted] for the [redacted]. Advice could (and should) be taken on board closer to home.

Certain circumstances, mean that practice has taken a back seat - as it should - but this shouldn’t be an excuse to down tools completely and end any creative activity that could be happening. I don’t know if I could fully switch off anyway.

Just because the practical studio and office / sketchbook time is lowered doesn't mean all artistic outlets dry up! There is room in other spaces. Even now, trying to carve out some creative time will be important. Use any spare time wisely - but also enjoy the early days of baby number 2!

10/02/24

Studio cleaning and some posthumous signing this morning.

Had time cleared for the studio for a few hours - just to get some paint down when no sooner had I started, the skirting man arrived.

The best laid plans etc etc.

15/02/24

16/02/24

BEEP BEEP!

17/02/24

“A Brush with…. Wilhelm Sasnel”.

“I do not control painting; I follow it.”

Wilhelm Sasnel

Some studio work - bit of a no-go. Need to re-energise the on-the-go paintings somehow OR start from scratch OR (3rd option):

Finding - or trying to find a new rhythm. Tough going but we’ll get there. What have I done in the past when I’ve come to a cul-de-sac?

DRAWING BOARD! Practical Next Steps.

18/02/24

Plan set out to be productive this evening - … had other ideas.

Submitted!

X

IX

XIII

20/02/24

THRESHOLD Gallery, Belfast showcasing work as part of the Golden Thread Gallery Collection.

Pond(er) at Catalyst Arts.

23/02/24

“Every man is guilty of all the good he did not do.”

Voltaire

25/02/24

“A Brush with… Stanley Witney”

(…a painting has to get ugly before it can be beautiful. If you go straight to the beautiful, you’re aiming at the pretty.)

Two canvases started. Badgers’ is quite interesting already.

Fingers crossed.

28/02/24

“A.J.#240” - well I fell asleep during that podcast. Riveting.

29/02/24

Sketchbook studies.

2023 in Pictures

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JANUARY

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MARCH

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MAY

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JULY

AUGUST

SEPTEMBER

OCTOBER

NOVEMBER

DECEMBER

RDH: OCTOBER 2023

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01/10/23

Three white rabbits.

Studio: ‘Passive Study’ going well - bouncing between the brush and the drawing mark. It’s always interesting to see which of the two (if any at all) comes to the fore.

“A Brush With… Sarah Lucas”

‘A Séance in London’ - slowly building layers but, more importantly, working through structure and composition. Very early days.

03/10/23

Anxiety overload!

05/10/23

WOW! Can’t remember a late night art quite like this one in a very long time. Belfast was buzzing!

09/10/23

Put the bloody phone DOWN!

11/10/23

Quick sketch of artist Amy Higgins. Ideas brewing.


12/10/23

Easy to say, but difficult to implement.

In transit

15/10/23

Studio - A.H. portrait study: A good start. There was one point where the charcoal became a little too much but thankfully it wasn’t difficult to rectify. Just before adding the last layer of charcoal, all the previous drawing marks were pushed back with just the paint taking the stage. Some nice areas of tonal quality but overall the image was flat. You would think that adding a charcoal line would make it even more flat in appearance but the opposite is the case! The crux of it - that interplay between the drawing line and the painting mark.

17/10/23

Second straight day of jury service but on the flip side, a good chance to see Kwok Tsui’s new exhibition in the CCA.

18/10/23

QSS - ‘Messy Business’. Great group painting show.

21/10/23

…worth sticking foot in the door.

22/10/23

Studio time. A long session but very little to show for it. Slow progress on all fronts. Perhaps working on multiple pieces (four canvases) is biting a little more off than I can chew?

Setting a couple of pieces off to the side for a while should make it more manageable. It probably hasn’t helped that the palette is in a poor state and needs cleaned badly. Not a complete loss of a day but it could’ve been a lot more fruitful. Several factors at play but, lesson learned.

Palette given a good scrub before finishing up.

25/10/23

Dublin - too dark to write on the bus down - too dark to write on the bus home. The Autumn evenings are here.

Atoosa Pour Hosseini’s ‘The Magic Circle’ in Temple Bar Gallery + Studios is excellent. Remnants of vintage horror films in the video piece.

RDH: SEPTEMBER 2023

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05/09/23

06/09/23

Crow in flight. Morrigán. Could see the stabbed brush marks of the wings when watching it in flight. Weird. Aren’t we all?

Time needs to be set aside for practice. Shia LaBeouf.

Sounds like an excuse but a certain letter has thrown a real spanner in the works.

NB: Forgot to jot down that ‘Red Lines’ has been accepted into this years’ Royale Arcade Academy show at Arcade Studios.

07/09/23

LATE NIGHT ART - Belfast

Some very late-night sketching.

09/09/23

Setting your stall.

10/09/23

Art Wank Podcast with Array - listening during studio time.

“Painting is a place to hide thoughts, hide feelings, hide emotions.”

- Stephen Millar

The Arts are not singular. Arts as a united force for good. Collaboration.

You can’t eat prestige (or a flag).

‘Ready to Go’ blocked out. Not sure if it’s a damp squib but I think it’s worth another shot.

‘Marina’ - content with background. Loose is good. So bloody close.

13/09/23

H.B.S.

After a bit of mulling - the ‘Ready to Go’ canvas is anything but. I have forgotten the first rule:

IF IT DOESN’T EXCITE YOU THEN THERE’S SOMETHING WRONG

It is not and it is also an image that, if it’s going to work, will need another image merged to elevate it.

It is a solid image, and it has a resonance with me personally but it’s just not doing it for me, for the want of a better phrase.

Handed in ‘Red Lines’ to Arcade. Stopped by the MAC to see ‘No History in a Room filled with People wih Funny Names 5’ by Korakrit Arunanondchai and Alex Gvojic with Tosh Basco. An extremely immersive experience.

Abhartach - the Irish Vampire.

Black / Peaty Soil. Roots become negative space. Possible triptych?

14/09/23

Abhartach - source material…

This will be for down the line. Even the little portrait alongside ‘Ready to Go’ on acetate has more promise and, more importantly, has my head spinning!

Back of the bus, it’s been a long time.

Can see where… might have an advantage. More time. Been reading “The World New Made - Figurative Painting in the 20th Century” by Timothy Hyman.

“I was alone in my studio in front of my oil lamp. Two or three in the morning… Dawn is breaking… I used to sit up like that all night long. My lamp burned, and I with it.”

- Marc Chagall c.1920

Henri Rousseau = recovered a primal truth in painting.

17/09/23

Short Sunday Sessions.

“Marina” finished! But only just. A little over indulgent with the fixative meant some emergency fixing (irony) was needed.

If I had my wits about me I should’ve drawn up a new canvas in the 45 minutes spare. Hindsight.

“Look to Henri Rousseau as examplar for a renewal of figural language reborn in the image of childhood.”

- Timothy Hyman

18/09/23

20 week scan. All well! Surreal.

Also, on the way to Causeway - a lovely note, Warm, fuzzy feeling.

21/09/23

Chloe Austin’s “Living But A Day” in PS2

22/09/23

Breaking the Cultural Code - Tenth Anniversary of Derry’s UK City of Culture.


“Culture is everyday lived experience.”

- Sir Phil Redmond

Culture Night Derry

Banu Cennetoğlu at VOID Gallery, Derry

24/09/23

Studio time. There was a temptation to rework ‘Ready to Go’ for a minute. Had to remind myself that structurally it’s interesting but it doesn’t excite me to see where it can go.

“A Brush with… Claudette Johnson”

A really promising start to three canvases today.

25/09/23 & 26/09/23

BP high. Ordered to Antrim A&E. Arrived at 7pm - didn’t get seen until 10am on Tuesday. Tests to be done and rest needed. Poor timing.

28/09/23

…day in court.

29/09/23

VAI Get Together 2023 - Online day.

Imogen Stidworthy - How We Work.

Lindsey Mendick talk was great!

30/09/23

Be better at channeling time and effort into productive means.

We’re all a work in progress.

RDH: AUGUST 2023

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02/08/23

Securing loose ends this week. Collecting and dropping off work.

Still from “THE NEW DAWN FADES” by Clare Langan at the Golden Thread Gallery.

09/08/23

Fell through. In any case it was still an honour to have been asked alongside the other artists!

11/08/23

14/08/23

Wonderful time over in London. Tried to paint today. Stared at the work for ages but nothing leaped out. Sometimes just looking can be productive. Time to re-energise and heal.

15/08/23

Now may be a suitable time to take own advice and reach out…. can’t just fire a blanket. Have enough work.

17/08/23

Reset desperately needed. Very distracted creatively at the minute. Whatever time can be set aside MUST be used for artistic purposes. Hopefully will get on the right track. Am I too harsh on myself?

Pleased to be a part of Catalyst Arts Member’s Show.

20/08/23

Some progress but not much. Don’t want to dwell on this too much but, as an honest self-assessment in a diary context, WTF. The will to paint is there at times, at others it’s the furthest thing from mind. Perhaps if there were one or two short - medium term targets. Something to aim for may light the fire again.

21/08/23

23/08/23

Yesterday… will remain nameless but they reminded me of the passion and push to create. Jan had noticed when I haven’t made work in a while my mood goes down, procrastination increases and there’s a that wee spiral downwards.

  1. Accepting you’re in a rut.

  2. Take a Break - self care.

  3. Collaborate with others.

  4. Change it Up.

  5. Search for Inspiration

  6. Keep Going

Morning pages - keep moving the pen. Don’t stop writing.

Pages 1 -3: Uncontrolled free writing

Page 4: Reflection on the day.

Advice from subconscious. Not showing my best self. Live by example. To be able to hold your head high. Shake it off and move on.

  • Clean, workable space

  • Back to the drawing board (there is a reason this is a saying)

  • 30 minutes of drawing / research is better than 30 minutes of trash TV. Use time wisely!

24/08/23

I wonder if the morning papers would work for sketchbook work. Probably not unlike what Maggie Hambling does as part of her morning routine.

It’s a beautiful morning. The sun is blinding in the brilliant flashes as the bus winds and turns heading across the river Bann. Wall to wall blue. …solo heart to heart, I did my best to be less distracted last night. It’s about being conscious about the negative habits and aiming to nip them in the bud as quick as possible that should really make pay dividends.

Sore neck = Poor Posture.

…give myself permission…

You’d think that well over a decade I should know the answer.

IDEAS / DRAWING / REFLECTIONS / LISTS

Anything goes. The only rule is to put pen to paper every day as much as possible.

Life has a way of happening around you so if shit happens and venting is needed. That’s OK. A.i.L. - L.i.A.

Observing more can only be a good thing - possible leads into other areas of practice. Maybe best to not get too carried away.

Called into Anne Butler’s show “Objects in Time” at the GT on lunch. Such beautiful detail and intricacy in something so delicate and heavy. Love it when materials aim to confuse - mimic characteristics of another.

27/08/23

“Ready to Go” - does it need scaled up? Looking at the “Rooftop / Marina” piece, there are elements in the city scape that are working. Nice, loose and gestural marks but it still needs a lot of work. For the roof in the foreground, less charcoal marks perhaps? Just get something down.

“RtG” charcoaled up, witg the figure more prominent, its already looks like a far more intertersting composition. Solid progres on “Marina” today, especially the cityscape. SSS' aren’t to be taken lightly.

NB: SSS stands for Short Sunday Sessions.

28/08/23

APPLY

30/08/23

Dublin - Curved street is great!

31/08/23

Looking forward to ARRAY event tonight.

Fifteen years. Fifteen years since my outlook was altered forever. Still raw, even after all this time. Anniversaries reel back the pain like a fishing line. You cast it off eventually, but it will always come back. Wrote that like Senior.

“The Night Draws Near” by Array at the Ulster Museum. Wonderful experience.

BE PRESENT!

I will remember the chorus; singing as we were led up to the Síbín for a long time.

RDH: MAY 2023

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02/05/23

First day…

Make time for practice.

03/05/23

04/05/23

…the drive to help.

Late Night Art Belfast. The first in a long time.

07/05/23

“Boy Soldier” - finished.

Two new little pieces started this afternoon too!

09/05/23

New EMIC piece in Belfast City Centre

13/05/23

Sent feelers out…

14/05/23

Need to tread carefully with this one.

19/05/23

Supplies!

20/05/23

A good tidy up of the studio.

21/05/23

Studio time.

Going somewhere and then damn near destroyed ‘Mugshot’ piece. Taking some time and stepping back helped save the day.

Looking is still working.

Brought it back. Relying too heavily on the charcoal mark can sometimes lead to images turning into a caricature of itself. Pared back the drawing line - focussed on the tones and limited palette that don’t stray too far from each other. Much more successful as a whole now. Bit more to go but good otherwise.

25/05/23

Luc Tuymans - surgical precision. All working out is done beforehand - composition, colours, size, materials all planned in advance so that intelligence goes from the brain (in the preparation stages) to the hand (in the making). I don’t know if that would work for me. That split second spontaneity - yes it can go wrong and often does - is needed for play with materials. Having a regimented script when painting would not work for me.

Need to catch a grip. Too easily distracted by shiny things.

27/05/23

“Egon Schiele: Dangerous Desires” on Iplayer.

28/05/23

Studio.

“What fascinates you about that bastard?”

Definitely evokes a response. Is it worth it to get response based on the sources for the work rather than the work itself? A pickle. It’s not a glorification of a person’s actions. It is a study, an investigation of a portrait of evil. Aesthetic response to traumatic event.

Ethics vs Aesthetics.

In the end, I’m never speaking or working for anyone but myself.

Wee bit of progress on little prayer canvas. Could the two be companion pieces?

31/05/23

Dublin bound.

RHA show - an art overload but in the best way!

Quick stop in Temple Bar and glad I saw performance for Fanny Gicquel’s show “breathing with heels, walking with eyes”. Also popped into Project Art Centre to catch “Got Damp / Púscadh Anuas” by Avril Corroon.

RDH: DECEMBER 2022

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Sketchbook work - it’s been way too long!

03/12/22

Quick studio time…

… as suspected, it didn’t take much to get last two paintings of the year over the line. Still aiming to keep the (well, less is more is a little inaccurate) “Stop before I think I should” mentality.

Definitely less misses with this strategy.

08/12/22

‘New Exits: 10 Years of Painting’ opening at the MAC. Excellent show. Daniel Coleman’s painting ‘The House Down the Lane’ is absolutely stunning. It moved me to tears. A real stand out from a strong group show.

11/12/22

Freezing in the studio.

Drew up two small works (having a crack at the ‘Jaws’ image again - with a slightly altered composition) and have set up to take a look at a couple of pieces that have fallen through the cracks recently.

‘Street Walker’ and ‘Laughing Man’ (working titles).

17/12/22

Wood is for the living, stone for the dead.

Said farewell to GT’s reading round. It’s been such a boost having this weekly outlet of chatting, sharing ideas and making connections. Had a great run!

Stream of admin this evening.

18/12/22

“Tomorrow is Saturday” - Interesting documentary on Sean Hillen.

28/12/22

Studio time. “The Week in Art: 2022 in review” podcast.

Blocking in on the small piece. ‘Man looking in his pocket while descending the stairs’ or ‘Looking for keys’ OR ‘Check your pocket’.

29/12/22

Newcastle.

30/12/22

Penultimate day of the year. admin and prep before a few hours in the studio!

For the time of the year that it is, I find myself in a bit of a reflective and thankful mood. 2022 has been good to me.

There have been losses also. People who have impacted our lives that have moved on, but their imprint will remain.

So much to be thankful for, a loving family, the support of friends and loved ones during the highs and lows. Also, to those who took a chance on my work, who invited me to be a part of their projects:

THANK YOU!

2022 in Pictures

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RDH: OCTOBER 2022

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02/10/22

#Mousegate

Strange events

08/10/22

…notes complete. Need refined for easy consumption.

13/10/22

Royal Ulster Academy opening. Craig Donald won an award for best portrait! A great night all round and chuffed to see my little painting up on the wall with some wonderful artists.

14/10/22

Early start. Perhaps the X in X4 stands for extra-long.

Talk in the Hugh Lane couldn’t have gone any better. Pleased with the reaction and feedback from everyone and profoundly grateful to Basic Space for the opportunity to speak.

15/10/22

Studio Shot: 15/10/22

‘A Brush With… William Kentridge’.

charcoal - the indeterminacy of the point.

… at the edge of meaning.

“Give an image the benefit of the doubt… there is a danger in certainty.”

William Kentridge.

21/10/22

NB: Melancholic apostle image interesting.

22/10/22

World of proximities.

23/10/22

26/10/22

Sketchbook work.

David Lynch “The Art Life” - documentary

27/10/22

“The Art Spirit” by Robert Henri

30/10/22

“Cherish your own emotions and never under value them”

Robert Henri

RDH: MARCH 2022

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01/03/22

So pleased to have been asked to contribute in the latest issue of Visual Artists Ireland News Sheet.

Meteorological Spring is here.

Nice to catch up with the Ogham crew again.

02/03/22

Loose drawing in response to J.A.’s prompt and RMc’s drawings.

03/03/22

…done now…

05/03/22

Belfast. ‘Don’t Look’ piece is done I think.

  • Smooth out the dog / red?

  • New piece / Loosey Goosey

* LOOK AT WHAT’S HAPPENING IN THE SPACE! *

Nearly ruined ‘Ode’ piece with a flood of red. Hopefully brought it back.

06/03/22

Didn’t stray too far.

07/03/22

Really good chat with writer for ‘Ogham’.

08/03/22

It’s never going to be finished!

12/03/22

Final day of ‘Ogham’ residency.

Painted me wee heart out, finishing two larger pieces and having some fun with the smaller study of Stephanie Tanney’s casts.

Wet walk home.

13/03/22

A slight onset of melancholia creeping up now that the residency is over. But, the show is still to come!

15/03/22

A process of threads?

All of this is temporary?

A pause in the process?

Settling of the sands?

THIS IS NOT THE END

17/03/22

Exhibition open to the public today.

20/03/22

Louise Bourgeois - “A spider creates from it’s own body.”

Pregnant with atmosphere, enigma.

New work in progress.

Great to get painting in garage today and get palette cleaned up.

27/03/22

Imogen Rhonda Kielt, born in the early hours of Mother’s Day. 7lbs 6oz. Perfect and everyone well.

Can see so many loved ones’ faces in this tiny new one. It’s just incredible.

29/03/22

Working to find a rhythm.

31/03/22

Belfast Bound. Helped add some chalk to Joy’s Entry for Rachel Macmanus’ superb performance. So good to see the show in the flesh blown and all involved in the project at Catalyst Arts.

It’s been a great experience at a time I will never forget.

RDH: FEBRUARY 2022

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01/02/22

Daft Punk Live - Alive. Frantic.

Sketch with music on in the background. No Show and Tell, just Tell.

05/02/22

4,000 weeks. Poetics of space.

Great to meet up with J.A. and S.T and to see Catalyst’s new space.

Quick jaunt to the GT and to the MAC in the morning. Edy Fung’s and Ronnie Hughes’ work were great! Hughes’ translucent layers of paint suck you in and grab hold. Shimmering colour clashes.

Head is buzzing with ideas. Exciting!

06/02/22

Mary Beard’s Forbidden Art. - Pan and the She-Goat.

Daphne Todd - painted recently dead mother.

“Violence will always be a part of the human experience.”

Mary Beard

It’s been an odd weekend. Great but odd.

Ideas are starting to be slid into place about how ‘Ogham’ will be approached. Churning away so keep faith.

It’s been a limbo sort of a day. Feeling the need to do SOMETHING - but not being able to find the energy.

Reading, research, drawing, responding.

Readymade… Domestic

So, actually I retract the ‘limbo’ statement. I did do things today. I was productive. It’s just there wasn’t any tangible outcome. Case and point… 7th page.

07/02/22

“An Ode Study”

Sketchbook with Daft Punk on - upping the tempo.

08/02/22

Fabric search.

Carving out ideas. Scrap yard.

09/02/22

H.B.M. Looking forward to getting into the garage this weekend.

Let’s give it a goo!

12/02/22

Aoife Dunn - IMMA: Socially engaging sculpture.

May have slipped a disc. Acetate sketches.

SUN - MOON - HOME

14/02/22

Image sorting today.

16/02/22

Meeting. Repetition and extremities. Develop and evolve.

17/02/22

J.A. Studio Visit!

19/02/22

Studio time! Finally! Using just titanium white and charcoal - both willow and compressed - to work up images. Going back to my process’ roots - year 2 in art college. Two new works started.

Studio Wall: 19/02/22

22/02/22

‘Ogham’ has begun. Dog study - black dog. Great to see what S.T. is doing in the space and Rachel’s response.

“Black Dog”

SLOW AND LOW SHOOTING STAR.

24/02/22

Snow! Appointment done.

ogham chair in the snow

25/02/22

Belfast bound. Scared guide dog on the 212.

Great to get into the space at Catalyst and set up for the next two days. Began working on two pieces. ‘Don't Look’ in ogham.

The fourth wall is glass. Casting of mouth by S.T. Reminds me of ‘Red Dragon’ from the SotL prequel of the same name.

26/02/22

Day two in the space. Time is not our friend but still have to remind ourselves that there’s no end goal needed. Just to respond and be creatively present.

So good to meet Rachel and see Steph’s process in the flesh.

N.P.

28/02/22

‘Offsite’ chats with Catalyst! Refreshing.

2021 in Pictures

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RDH: DECEMBER 2021

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01/12/21

OMG! ARRAY have only gone and won the Turner!

Amazing!

02/12/21

Make the most of tomorrow.

03/12/21

brian kielt painting

Sadly just a short stint in the studio.

05/12/21

“Infant Terrible” finished. - Less is more.

09/12/21

Dire.

14/12/21

Tinnitus - bit of a surprise.

Great to finally see John Rainey’s ‘SLIP TANK’ in the Naughton Gallery today. Hands down, the best sculptor in the North.

15/12/21

“The impulse to discover and re-contextualise rather than to generate a picture reintroduces questions of intention. Why did they pick that? What did they do to it? To what end?”

‘World of Art: Contemporary Painting’ by Suzanne Hudson

16/12/21

Fractured narratives.

Sketchbook time. Good to do something creative for the first time in a long while.

18/12/21

Light at the end of the tunnel?

21/12/21

‘The Sky Gives Way’ Solstice performance by Méabh Meir and Emma Brennan with Array Collective.

22/12/21

New year will be a fresh start. Exciting!

23/12/21

Christmas Eve-Eve. News from yesterday have just evaporated the angst that has been looming overhead the past few weeks. Can now settle down and enjoy the holidays with the family minus the worry.

27/12/21

A Clean palette and tidy studio.

28/12/21

Very early rise. Studio time FINALLY!

Topography of Man - surveillance?

30/12/21

With two pieces at a treacherous crossroads, there is that leap of faith needed. If they go sideways then that’s alright. It can be rectified or started again.

There is that strange debilitating fear when work is at a junction like this. It’s easy to kick the can down the road and avoid messing any work that has gone before.

Last day in the studio for the year. Maybe this added to the frantic energy but “Label” and “Under Surveillance” have changed beyond recognition. Darker and Simplified.

Fresh eyes will know whether to continue working or not. A good day.

RDH: NOVEMBER 2021

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03/11/21

Some good sketchbook work today.

04/11/21

National Common Sense Day. “Portrait of NI: Neither an elegy nor a manifesto” in the Golden Thread Gallery. Interesting layout, gathering work of a similar ilk throughout the decades together.

Anne Tallentire’s “But this material…” in the MAC; great use of spatial interaction with the work and the gallery space. Some really strong work in “The presence of Absence” exhibition from the MFA 2019 cohort group show in QSS.

Really enjoyed the opening of the “Salonathon Show 2021” in Platform - seeing my work alongside some great artists and meeting up with familiar faces!

05/11/21

Wincing the odd time.

06/11/21

“Portraiture exposes the gap between the interior and exterior selves.”

-unknown-

Priming is all today amounted to.

08/11/21

Didn’t realise the gravity…

11/11/21

What was thought to be a dud - must have turned out alright!

12/11/21

Several pieces sketched up today.

13/11/21

Detail of “The Doctor will See you Now”

Really good day in the studio. “The Doctor will see you Now” finished! This new philosophy of keeping it loose, not striving for a realistic perfection, which is ultimately unattainable anyway, seems to be working.

I have a tendency of focussing on niggles to the point when the paintings get tight and the imagery too self aware. Learning to let go and step back a stage or two sooner seems to work for me.

“The Doctor will See you Now” Oil and Charcoal on Canvas 150cm x 100cm

16/11/21

Didn’t get accepted but that’s OK. Sketchbook work tonight to get brain working.

17/11/21

Very quick trip up to Derry to see “Tilt [At Windmills]” with work by Jarkko Räsänen, Fionnuala Doran, Paul Moore and Robin Price in CCA and “The Shrinking Universe” by Eva Rothschild in VOID.

20/11/21

Blocking in and working out logistics on three pieces today.

29/11/21

Nervous but that’s pretty much down to the unknown factor.

RDH: OCTOBER 2021

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02/10/21

Point of order today: DO NOT OVER PAINT!!!

Think “Rex Aegypti Penultimus” is finished.

05/10/21

VAI GET TOGETHER 2021

Rediscovering private and personal spaces / rituals.

06/10/21

Chanelle Walshe - self organised self-curation.

Duc Van Pham - Breaking down the figures - is this a way of adjusting / adding narrative?

Keynote: Christian Jankowski - “The Hunt” “Casting Jesus”

Beuys - difficult.

07/10/21

Why do we put people in boxes?

Superflex - interspecies living - “Flooded McDonalds”.

10/10/21

Dosed to eyeballs so not going anywhere fast.

12/10/21

Some sketchbook studies tonight.

13/10/21

Two new canvases begun today. Little and large.

16/10/21

Strong sense of self.

Good progress in the studio today. Didn’t mean for the small one to go Holy.

20/10/21

Accepted into Platform Arts group show!

Detail of “Lady of the Manor”.

Getting there with “Lady of the Manor”.

23/10/21

Globalist cheerleading.

24/10/21

Wardrobe fiasco.

“Lady of the Manor” finished.

25/10/21

Day trip to Belfast to deliver “Saint and Sinner” for Platform Arts group show.

28/10/21

HALLELUJAH!

29/10/21

Definitely been distracted lately but the blinkers need to come back on.

30/10/21

As it’s the season for it, here’s a golden oldie from 2003. This photo was taken for a GCSE Art project where my cousin Aidan dressed as the grim reaper holding a very rusty scythe. Our cat then walked along the tin roof behind him, jumped on his shoulders and then proceeded to stroll across the top of the blade. It all happened purely by chance and made for a great photo.

31/10/21

Early morning tonal work to “The Doctor Will See You Now”. Slow and steady progress but definitely best to stop when I did to give new layers a chance to dry.

Detail of work in progress - “The Doctor Will See You Now”.

Merry Halloween.

RDH: JUNE 2021

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03/06/21

Canvas stripping, stretching and some sewing experimentation.

04/06/21

Priming canvas is such a messy business!

05/06/21

Once the work is made, build bridges to your audience.

Artists need to band together!

Anne Imhof - finding refuge in the blur.

Sketched up new canvases.

Sketched up new canvases.

06/06/21

Easily worked up - relax.

09/06/21

Finally getting round to cleaning garage and setting paint out. Asked if I’d like to be featured in a takeover. Chuffed!

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Bit of a mixed bag in studio today. On wooden piece, that image just sucks you in and spits you out! With the large canvas started (‘Man Digging’ - working title) it’s quite a forgiving composition and palette working well so far.

10/06/21

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“An archive of emotions”

Dr. Kate McLean

Didn’t get shortlisted.

11/06/21

12/06/21

Reading group outside this morning.

13/06/21

Some good, solid progress today.

16/06/21

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So grateful to be included in Paint-Tube Dublin by Louise Wallace.

Sketchbook Studies

Sketchbook Studies

18/06/21

First vaccine received today!

19/06/21

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Work on small portrait today - title undecided as yet.

‘The Eternal Bride’ myth.

22/06/21

Memory is forgetting.

A little mid-week push.

23/06/21

“A Brush with … Julian Opie”

So so close to finishing “Moon Boy”.

24/06/21

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Some good sketchbook work this afternoon. Looking forward to getting to Belfast tomorrow.

25/06/21

Great to get into the MAC shows today, sadly didn’t have time to get round anywhere else.

Will have to wait another little while for rings.

26/06/21

Studio time!

“Moon Boy” finished!

30/06/21

Ballyliffen

Ballyliffen

RDH: MAY 2021

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01/05/21

NB: Take a little more time…

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"History Repeating”: Good Start!

02/05/21

Admin all day long!

03/05/21

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Sketchbook work with snooker on in the background. Not a bad combination

04/05/21

passing-time.org : great concept for a website showcasing work.

05/05/21

Submission unsuccessful.

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Studio time eventually… come the weekend I will probably try and figure out a way to block out the planes so that I can paint the red container background in one motion. Right now its all a little scrappy and stop/start.

07/05/21

Belfast bound. When walking around the town I hear ARRAY have been nominated for the Turner Prize! Amazing news and thoroughly well deserved! This feels like it could be a huge boost to Belfast / NI art community going forward.

08/05/21

Rodin’s “Gates of Hell”

…has to reflect your own practice. We all think and experience the world differently.

Weekend screening of ‘Painting After Postmodernism with Barbara Rose’ courtesy of The Brooklyn Rail.

… permit the accident and then aim to control it afterwards.

Concept of space - innovation of contemporary painting regardless of abstract or figurative work.

09/05/21

Initially didn’t feel in form for studio today but it really does pay off to just do it and go in regardless.

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Masked planes and now I’m fairly content with the more solid / rusted container in the background.

10/05/21

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Sketchbook work.

12/05/21

The over-thinking / perfectionist side is in overdrive.

Perhaps it’s the large scale that is showing up it’s flaws. Embrace the flaws? Easier said than done - however I do seem to appreciate other artist’s little oddities in their work that could be seen as inaccurate. One person’s poor areas are another person’s highlights I guess.

There’s a lot to be said for confidence in the work and/or the process. Here’s to letting go.

13/05/21

Finally bit the bullet in some respects. “T.H.T.H” sold!

14/05/21

Memory is so imperfect.

15/05/21

A lot of doodles and not much substance.

Joan of Arc will be the elephant in the room today.

Figurative -> Genre

Abstract -> Colour / Editing

Perfectionism is stifling “History Repeating” It’s getting there but extremely slow and frustrating. Straddling between realistic and looser motifs. In two minds when in the thick of it all.

Listening to ‘Jo’s Art History Podcast’ in the studio.

Listening to ‘Jo’s Art History Podcast’ in the studio.

16/05/21

Rearranging storage space.

Rearranging storage space.

17/05/21

OFFSITE from Catalyst Arts. Peer Support / crit group was excellent and definitely well worth expanding on.

Patterns of People.

The act of Keening / Post-memory.

18/05/21

Paint the fence.

19/05/21

That ‘I want to be on my own’ kind of feeling.

“H.R.” - truly, these planes are the bane of my life at the minute. Whatever the case, regardless of how they are (in my eyes) I’ll want to push on and be done with this canvas by the weekend….

…are they finished? Dare to hope.

IMMA talk with Chantal Joffe and Katy Hessel - ‘The Artist’s Mother’.

‘Attempting the impossible’ - the best definition of portraiture and painting.

Just submitted “Shock” and “Gathering Thoughts”.

20/05/21

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21/05/21

‘The Training of Memory in Art and the education of the Artist’ by Horace Lecoq de Boisbaudran.

Cart and standing figures worked on today. Trying to strike a balance between the light tones of the ground, the bodies and the cart.

22/05/21

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25/05/21

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Work and yard work.

26/05/21

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“History Repeating” finished!

28/05/21

Saltz v Scully.

Started putting paint down on one of the smaller pieces and just decided to call it. Whether the smaller works are tripping me up on where to go next or they’re just not exciting me enough to push on. I’m not sure.

30/05/21

When asked if I would be willing to help Ciara McMullan, an architecture student with a project, I was happy to fill out a questionnaire and make some small works on canvas and glass to include in a study model of a studio / exhibition space. I was blown away to see the final results of the project. Some fantastic ideas.

Internal shot of Ciara McMullan’s art studio / exhibition space project.

Internal shot of Ciara McMullan’s art studio / exhibition space project.

31/05/21

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Late night sketching to finish off the month. The past few weeks has seen an unusually singular focus / pandering to one specific canvas. Typically I jump from one work to another with usually three on the go at once. I always thought this helped keep the head and the eyes fresh. I wonder if this may explain May.

Slight sense of fatigue creeping in. At least there are avenues to explore in terms of going about fixing it.

RDH: DECEMBER 2020

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01/12/20

…wrapping

Ars longa, vita brevis.

02/12/20

‘A Brush with… Ragnar Kjartansson’ podcast

“Art is a shelter from a storm” - Ragnar Kjartansson

“Raking It In” Pen on Paper

“Raking It In” Pen on Paper

03/12/20

An opportunistic pitch to pat themselves on the back.

04/12/20

“Soaking Up The Sun” Pen and Marker on Paper

“Soaking Up The Sun” Pen and Marker on Paper

NT - how you might approach and on what grounds.

06/12/20

“Norwegian” notes: warmer flesh tones? Texture in sand (sawdust?)

“Swivel Study” Pen on Paper

“Swivel Study” Pen on Paper

07/12/20

Some really good sketchbook work done tonight.

“Just This Once” Pen on Paper

“Just This Once” Pen on Paper

10/12/20

Commended for the Moth Art Prize 2020!

Thought I had destroyed “Norwegian Stance” a few times today but it’s a stubborn git. In any case it was good to get paint down.

…some sketching work tonight but not much.

11/12/20

One minute I think the painting is finished and then a wee niggly bit pops up.

“Norwegian Stance” all but finished.

“Norwegian Stance” all but finished.

14/12/20

Sketchbook work … but I’m distracted a little.

Sketchbook work … but I’m distracted a little.

15/12/20

Belfast. Three months on…

“La Loge” in the Ulster Museum. Absolutely stunning to see in the flesh

“La Loge” in the Ulster Museum. Absolutely stunning to see in the flesh

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Seeing “Hotel ‘78” with the name tag beside it made it all the more real. Great to see around the RUA.

Jaunt to the Golden Thread Gallery. Absolutely stunning show “Put It To The People” by Joy Gerrard. I’ve seen similar small scale works before but the larger canvases are amazing! Real gestural mark making at it’s finest.

The Peter Liversidge show in the MAC is at such an epic scale. Uplifting messages and cool to see the workstation tucked away at the back. The “In a Rainbow of Coalitions” show in the MAC was colourful, fun and poignant.

18/12/20

What’s been lacking recently is the idea of structure. Lists are missing. I love lists. I think this happens around this time every year.

… large scaled drawings - add a link between the pen drawings and paintings…

20/12/20

“Pacing in Isolation” Pen and Marker on Paper

“Pacing in Isolation” Pen and Marker on Paper

23/12/20

Conjunction with Jupiter and Saturn

Conjunction with Jupiter and Saturn

27/12/20

Inspiration is not reliable. Keep curious and critical. You don’t know everything and never will. Perfect conditions don’t exist so stop waiting for the ‘right’ time. Art is not who you are - art is a way of expressing who you are.

29/12/20

Tidying loose ends.

30/12/20

Doing these semi-traditional write ups at this time of year helps to take stock of what’s been happening. Hopefully subliminal pointers of where to possibly go next have been planted for the time ahead.

139th Royal Ulster Academy Exhibition: Virtual Tour

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Due to the ongoing restrictions amid the Covid-19 pandemic, the Ulster Museum has rightly chosen to close their doors until such time as it is safer for the public and their staff.

Sadly this means that it will be a few weeks before we can get to see the annual RUA show in person.

This doesn’t mean that we can’t explore in the meantime! The RUA have worked tirelessly to create a virtual experience for the 139th RUA exhibition which you can click through below or visit the Royal Ulster Academy website.

If you want to jump to see where my work is placed you ‘ll find it here.

Special thanks to the RUA and to Paul Marshall to designed the virtual exhibition.