John Rainey

RDH: April 2025

01/04/25

02/04/25

“Trauma = fragmented memories / flashbacks.”

05/04/25

‘A Brush with… Celia Paul.’

Rembrandt’s eye’s defy death!

Sketchbook work early in the day. Paint out - let’s go!

“Art is how you give form to your deepest instincts.”

Celia Paul

A really solid start to “Uniform Hate”. Basic background colours and tones down.

Self-Portrait between clouds” - using shape inherited from previous composition underneath as elements of the background. Perhaps a little more tonal subtlety - too contrasty at the present time.

Overall, a good day in the studio.

08/04/25

the week off was great, bar some setbacks.

… a little overwhelmed… just need to breathe, take a step back and be thorough in the work at hand. Only mentioning as a little vent was needed as well as reasserting that it’s ok not to get own work done every once in a while. Frustrating, but that’s the way it goes sometimes. It’ll be ok.

Stuart Calvin at the Golden Thread - Stay a while - Great! The work sits in that strange space between fragility and hope. The draped, almost human form reminds me of the cloaked figure in Ferdinand Hodler’s ‘Night - grief / fear made solid. Here, there’s the possibility of (neon) light creeping in Definitely one to stay a while with!

12/24/25

Fire on the Glenshane

13/04/25

Studio with Imogen and then onto own work. Building up self-portrait study. Back and forth and back again…

…well, that didn’t go as planned! Back to the drawing board.

16/04/25

An awful morning.

Presentation of commission - nice words and thoughtful comments.

17/04/25

Decoys and Ghosts” in the Golden Thread by John Rainey. Vibrant, playful and quietly unsettling body of work. Fantastical morphings of classical figures and animal forms reimagined with vivid colour and bolt, unexpected shifts in anatomy. Sculptures feel like artefacts from another planet - cheeky, strange and incredibly precise. The traditional bust is unpicked and reshaped into something wholly new.

See H’s book for feedback / homework. Not for these pages!

19/04/25

I know with the utmost certainty that this will not be an easy or quick fix.

21/04/25

Studio time.

Brought little self-portrait back from the brink of the abyss. I think working from the sketch which was done at the time in the early pandemic (where head was shaved at home!) is throwing off what is in my own mind / self-image. Perhaps that should be the advantage? Beard too generous.

Imogen’s D entry - 21/04/25

23/04/25

Aisling O’BeirnWe Lose Sight of the Night” in the MAC. Strangely calming and thoughtful exploration of climate and environmental change through the lens of science and art. A beautifully reflective collection of installation work rooted in celestial mapping and light pollution.

Open call applied for! Had hoped for some sketechbook time but that wasn’t to be tonight.

25/04/25

27/04/25

The Week in Art

Sketchbook work and admin work. Another sketchbook done - another began.

Move away slightly from direct narrative compositions? Semi-historical? Whose history?

RDH: DECEMBER 2021

01/12/21

OMG! ARRAY have only gone and won the Turner!

Amazing!

02/12/21

Make the most of tomorrow.

03/12/21

brian kielt painting

Sadly just a short stint in the studio.

05/12/21

Infant Terrible” finished. - Less is more.

09/12/21

Dire.

14/12/21

Tinnitus - bit of a surprise.

Great to finally see John Rainey’s ‘SLIP TANK’ in the Naughton Gallery today. Hands down, the best sculptor in the North.

15/12/21

“The impulse to discover and re-contextualise rather than to generate a picture reintroduces questions of intention. Why did they pick that? What did they do to it? To what end?”

‘World of Art: Contemporary Painting’ by Suzanne Hudson

16/12/21

Fractured narratives.

Sketchbook time. Good to do something creative for the first time in a long while.

18/12/21

Light at the end of the tunnel?

21/12/21

‘The Sky Gives Way’ Solstice performance by Méabh Meir and Emma Brennan with Array Collective.

22/12/21

New year will be a fresh start. Exciting!

23/12/21

Christmas Eve-Eve. News from yesterday have just evaporated the angst that has been looming overhead the past few weeks. Can now settle down and enjoy the holidays with the family minus the worry.

27/12/21

A Clean palette and tidy studio.

28/12/21

Very early rise. Studio time FINALLY!

Topography of Man - surveillance?

30/12/21

With two pieces at a treacherous crossroads, there is that leap of faith needed. If they go sideways then that’s alright. It can be rectified or started again.

There is that strange debilitating fear when work is at a junction like this. It’s easy to kick the can down the road and avoid messing any work that has gone before.

Last day in the studio for the year. Maybe this added to the frantic energy but “Label” and “Under Surveillance” have changed beyond recognition. Darker and Simplified.

Fresh eyes will know whether to continue working or not. A good day.