drawing

Art Journal: June 2026

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04/06/26

“It’s the conflicting feelings that make the picture.”

Nick Willing on Paula Rego (Talk Art)

07/06/26

No studio this weekend. Instead, a long overdue sketchbook day - playing with and working through found and personal imagery. I think one of the issues I have with drawing is looking to nail a sketch first time and with the limited time in the evenings to work through ideas, frustration can mount.

Today was a long one, five hours, and that’s not always achievable in a week lest I forego the studio like today and in the long run, that isn’t helping. Surely I could carve out a half hour 3-4 nights a week - aiming for one (two max) drawings. If they miss, they miss. Better to have done…

09/06/26

Mad news. Got a whirlwind visit to the Belfast School of Art Degree Show.

10/06/26

More warnings of unrest. Whistle stop look at the Anna Vidamour show in PS² before an extremely awkward and lengthy journey home.

14/06/26

Studio. Back and forth on this one. One minute I love elements, the next - it’s maddening. Time will tell. Also started on a little commission.

17/06/26

Very strange email yesterday - bit of digging to find it a legit nomination. Bafflingly bizarre.

22/06/26

Mullingar trip - lots of fun and lots of sun.

“My apologies your majesty!”

23/06/26

Repentant Magdalene in a town centre hotel.

26/06/26

Pretty much knew from the get go in the studio this morning that ‘Lessons in Silence’ had run its course. There was just the final flailing attempts at salvaging it before wiping the slate clean, hitting refresh.

Cape Fear series - excellent. A scene in episode 4 took me by surprise and an interesting conversation was had. That feeling of who you were before trauma dying and there being almost an element of grieving / loss of who that person was - or at least parts that have now been significantly altered or erased entirely.

Thinking about how to make works more impactful - ensuring the there’s personal input - not just about the image having a resonance with a lived experience…. trip-a-trap / it and the meshing of an elaborate lamp / under the patio / ‘94 to the ceiling.

27/06/26

So, how to implement into compositions without diverting completely?

28/06/26

An OK start to christening piece. Although, its not really feeling like mind yet - good blocking none-the-less. Another smaller canvas - the ground is too dark to get the initial layers off to a tidy start. An uphill battle so might have to refresh on this already.

30/06/26

Heading home from Dublin and a little rainbow spotted at the border to end a difficult day.

Art Journal: May 2026

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01/05/26

‘Reflections’ - new sculpture outside Belfast Central Station from artist Kevin Killen and Golden Thread Gallery

There is one thing that I have been lacking in - a new year’s resolution that has slipped way down the pecking order - carving out time to draw. The sketchbook needs dusted off - badly.

03/05/26

So bloody close to the finishing line (whatever that is) with 'Meet at the Dolmen’. Essentially, its refining the robed figures and incorporating some structure into the treeline.

05/05/26

Venice. Surreal. It’s a very dimly lit city at night - giving it a strange presence. Familiar like a dream and stunningly beautiful. Except for the rat - size of a small dog (slight exaggeration) which jumped down from a low wall while I was locking a gate. Horrible.

06/05/26

Right, day one officially kicked off with a walk in the increasingly heavy rain to Piazza San Marco, down along the water to the Giardini. Stood in the slowest moving line for the guts of an hour, finally making it in. The hunt for a tote bag had begun.

German and British pavilions - great. 11am - all of a sudden, chaos erupted: Pussy Riot staging a protest outside the Russian pavilion. Dutch pavilion - locked in. Spanish pavilion, very good. Next to the central pavilion to see ‘In Minor Keys’. Crowds were insane - a real circus to the point I couldn’t see any work. Too many people clambering and bumping into each other. Should have went earlier. In saying that, Tammy Nguyen’s paintings were stunning.

A fly through the sculptures of the Nordic space to the Japanese pavilion. Loads of babies!

Leaving the Giardini, bumped into a tall, imposing figure all dressed in black… clocked eyes… immediately recognising him as an artist that has inspired my own practice… but could I pluck his name from the ether!? “Jesus Christ!” I exclaim to my simultaneous feelings of “I know him” and “what is his name!?” Moving on , it annoyed me all through lunch. About halfway through food, who walked into the restaurant but the man in black…. long story short - it was [redacted]! Knees went weak and shook his hand for far too long! Star struck.

Next up was visits to the Holy See, Icelandic and Scottish spaces before swinging past San Marino to check Mark Francis’ work.

07/05/26

Arsenale day. Started practically at the beginning of the queue, found this viewing of ‘In Minor Keys’ a way more enjoyable experience - more room to view work. Maybe the weather helped. Central space had so many jaw dropping moments - incredible works - Alfredo Jaar, Nick Cave to name just a couple. A quick regroup before the national spaces.

Lovely opening for Ireland, Chile was unnerving but great. Bit of a detouring boat ride for Eva gathering. Palazzo Grassi - Michael Armitage. Show was just sublime. Seeing this work I’ve loved in the flesh was just a dream come true. A little chat with a critic about Northern Irish snooker. Finishing the night off with a party - meeting old friends and new!

08/05/26

Slept in! That’s what I get for trying to sit and write in bed at 6am. A double Derry adventure from the heart of Venice all the way back to Dublin. Made it home in time to see the kids before bed.

One last look.

11/05/26

Missed the opening of Anna Vidamour’s exhibition in Atypical so happy to spend time with it today. I’m the worst patient.

13/05/26

Still not fully recharged. This coming weekend:

  • Breathe

  • Take Stock

  • Set out Plans

15/05/26

Evening studio session. ‘Meet at the Dolmen’ completed. Pretty happy with this one.

Architecture has it’s limits. Nature always wins.

19/05/26

Tim Patrick at Arcade. Beautiful works - fluid immediacy and could just sit and look all day.

21/05/26

Golden Thread visit after picking up charcoal at lunch. Frédéric Huska’s ‘Traces of a Traumatic Future’ - beautiful intimate works.

Sharon Kelly’s ‘Disposal of Fullness’. Stunning work as always. Stitches with hair.

24/05/26

Canvas stretching, priming - seeing where to go with this 3-person piece.

*****

Well, I didn’t get as far as I thought I would have. Now, that’s not to say I’ve been lazy today. Far from it. Two canvases stretched and triple primed. Thought I would have got to draw up the commission, checking which size of canvas will fit the image best. Not to be. I did get working on ‘Lessons in Silence’ - more backwards but still work nevertheless. At the very last moment before finishing and, clearly fed up with the lack of progress, I began blocking out the figure with the hat. First in charcoal and then with a dark grey/blue. Could this be the way to go? The colour might be too ‘on the nose’. What about that sickly pink that’s echoing on the cell walls to the left of the canvas?

26/05/26

How to get drawing back on the table.

31/05/26

… posthumously …

The figure in the hat has now moved to a pink silhouette and elements of the blurred female portrait have been muted in - lightening the darker portions (hair, mouth, shadows, eyes). A slightly more ghostly effect. Sketching up smaller canvases.

Where to next? Outer frame, more natural - greys, browns but try to keep quality of marks that are already there.

Art Journal: April 2026

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01/04/26

Dublin Gallery Visits

02/04/26

Belfast Late Night Art. A busy night. Highlights were Aoife Ní Dhuinn in Platform and Mia Stewart in Belfast Print Workshop.

04/04/26

Studio - so much moving back and forth. At least there’s a bit of form and structure now.

10/04/26

A surprise late night studio session - unusual for a Friday. ‘The Week in Art’ Duchamp, Dorothea Tanning and Leonora Carrington.

Some progress on the medium canvas. It’s good to know there is a late night option - kind of surprised with the level of productivity. Thought Gathering

19/04/26

A crisp, bright morning start in the studio. Sadly, (or happily), that sharp spring light laid bare the failings of the recent work on the medium canvas a little too clearly. Maybe there’s something to be said about sticking to working in natural light.

‘A Brush With… Danh Vo / Lorna Simpson /. Hurvin Anderson’ - triple whammy of catching up.

There’s a weird type of frustration when struggling to submerge or push back what’s clearly a focal point - the 1890’s female portrait that is front and centre of the canvas. It’s too loud and overbearing for the composition.

Last time, I tried semi-natural skin tones with no joy and pared it back to just a neutral mess / shell. I want the image to be the atmospheric anchor but it was just a flat meh - making the whole piece disjointed.

Had to make a decision - either chicken out and scrap it - the temptation was there - but ultimately opted for something a little different and something I haven’t tried in a while. Commiting to a monotone shift - making the female portrait out of ultramarine, titanium white and ivory, the memory finally started to sink in.

Lightening the harsh charcoal blacks to the cooler grey makes her presence felt without having her scream. All of a sudden, the orange/brown frame wasn’t just bowing to the lady. Now, I’ve started incorporating some architecture to the cell of the inmate in green.

Is it a memory or a timeline?

Stopped while there’s still energy in the marks.

23/04/26

25/04/26

A short but sharp stint in the studio this morning. Feels like I’ve taken a big swing on this large canvas - adding texture, tone and light/shade into the foreground. Also, included a little notion I had a while back - Reflection of light from the lamp, hitting a pair of eyes in the darkness to the right of the composition. I had thought about incorporating more animal like features (legs, eyes, tail) but was reminded of a quote from Ridley Scott

“ The most important thing in a film of this type [Alien] is not what you see, but the effect of what you think you saw.”

In other words, the eyes could be anything and it leaves interpretation wide open.

26/04/26

Second day in a row - short stay again but relatively productive. Light wash on sky to add depth,

Art Journal: February 2026

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01/02/26

Canvas priming. Such a dirty floor… and then my pen decides to implode on the third line of a new art journal!

In between priming layers - want to try and finish ‘Melina Study’. It’s the robe that annoying at the moment. Too smooth - lack of texture…

‘M.S.’ finished - added subtle hint of texture and line to robe.

A strange sort of nausea…

02/02/26

…chilling.

04/02/26

Still trying to process…

On a personal note, I feel I’m getting better at distancing… …yes there are still some late night checks but it is definitely an improvement.

‘Considering Art Podcast’ - Joanna Whittle.

05/02/26

LNAB

Catalyst Members’ Show - happy with placement of ‘BWoatS’- up high, looming down on the viewer. Nice choice.

On the way home, hit in the face with milk. Stank to high heaven.

07/02/26

Third and final coat of primer on canvasses ahead of studio session tomorrow.

08/02/26

Mapping out works. Image from ‘Masque of the Red Death’ culled from seven figures down to three and a bit of fun mixing the scale of the Tirnony Dolmen. Feels huge. Medium canvas has three acetates on it. Sounds a bit much but for now, its working compositionally. The trick will be what elements to recede and which to bring forward.

11/02/26

When I’m tired, my right eye closes involuntarily.

12/02/26

Sketchbook work

19/02/26

Lunchtime visit to the Golden Thread Gallery - ‘Insight into the other’ - a collaboration with UH Gallery in Boston. Particularly fond of Nancy McCormack’s paint-manipulated photographs.

20/02/26

I had started thinking about painting ‘strategy’ when getting kids to bed last night.

Particularly the ‘Dolmen’ and the small (slightly doubled) portrait. Now, I did fall asleep mid way through something of a little eureka moment so I will try and recollect.

Want to try something with the Dolmen piece:

  • work on night sky first - furthest back

    • Build up with thin washes, skits of stars (toothbrush) and a light fade.

    • Elements of colours from the sky washes (pthalo, prussian, indigo hinted at in the ground / grass.

  • One of the hooded figures - carrying a lamp - adding energetic brushstrokes to the illuminated ground, edges of robed figures and ancient stones. DRAMA

  • The trick will be making the trees disappear - how they do in life when looking up at the sky at night. They aren’t a silhouette but almost an echo of what’s there - waiting to be lit or to come into focus.

  • Slightly thicker paint on light edges - loosen control of the brush a little.

For the ‘double portrait’: Off skin palette - again loosen grip of brush in areas, tighten in others.

Relinquish control to gain unexpected moments in the process…

22/02/26

The other night was writing - today was doing. Pretty much did what was hoped to ‘Dolmen Gathering’. Now there is an itch to possibly include something else… hint of nature / danger. The only word that seems to matter with this piece - atmosphere.

25/02/26

Eyes peeled on Venice announcement! Congratulations to Alan Phelan, Alice Maher and Rachel Fallon on invitations to ‘In Minor Keys’.

27/02/26

Sketchbook work - late night - finishing off sketches that were started mid-week.

Art Journal: January 2026

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01/01/26

HNY. Here is to a fruitful, productive and peaceful 2026!

03/01/26

04/01/26

First studio day of the year. Nice bit of structuring to ‘Milena Study’ face.

05/01/26

Late night sketching

06/01/26

Golden Thread Gallery visit at lunchtime. Azzedine Saleck’s 'The Border That Crossed Me' - haunting spectral figures rendered in gold leaf.

​Sharon Murphy’s 'Mise en Abyme' plays with the ‘uncanny’ through theatrical settings and the clever masquerading of material.

08/01/26

The Rispin Curse.

10/01/26

“The innovations in the painting come from the parameters I set within the practice”

Tim Benson

11/01/26

Wrapping up “BWoatS” for Catalyst Show.

13/01/26

Visit to Ulster Presents to see part I of MFA ‘Prologue’ show.

15/01/26

Some very late night sketching. Must get a decent R.

17/01/26

Derry visit. Guildhall Taphouse Studios - so great to see space for artists of this ilk in the NW especially after the news through the week elsewhere.

VOID - Barbara Steveni retrospective ‘I Find Myself’. A privilege to learn more about her lifelong commitment to the intersection of art and activism.

Rounding up with CCA - ‘It’s Not Clear From Here’. A wonderful show where curator Ashleigh Wilson has beautifully brought together three artists that weave common threads throughout the gallery space.

A lovely phone call on the way to the bus (“There’s one more thing I have to tell you…”).

18/01/26

Stretching large canvas - lots and lots of staples. Now for a bit more time with ‘Milena Study’…

Took a big swing so fingers crossed that fresh eyes in a day or two will see progress rather than a step back. I’ve a feeling it’s both, in different areas.

19/01/26

…first thought is “how the **** is this going to work?”. Polar opposites. Need to chew it over.

24/01/26

Looking at the duality of external vs internal?

25/01/26

A ton of sketchbook work. Drama…. not playing nice. Good news and bad news in the end up.

27/01/26

The MAC over lunchtime. “The Lost Paintings: A Prelude to Return”. Wow, just wow. A powerful show. Deeply moving - caught myself holding tears back walking around the gallery. The show demands you sit with it and witness it. Definitely won’t be the last visit. Raed Issa’s capturing of life in constant displacement - reminded me of Käthe Kollwitz but with a raw immediacy.

28/01/26

Dublin. 'The Last Balkan Cowboy' by Dragana Jurišić in Temple Bar Gallery and Studios. I saw Harry Dean Stanton. In Photo Museum Ireland was 'Empathy Machine' Maija Tammi. Poor wee locust. Rounded up with ‘Passages’ by Siobhán McDonald in the LAB Gallery.

Art Journal: December 2025

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07/12/25

‘To Conjure’ finished.

teacup poisoner. Ability to blend in - an unassuming, quiet figure who poisoned people in plain sight.

Brushes down.

09/12/25

Always a strange month, hectic in so many ways but hopefully there will also be time to work on my own stuff a bit. take time to reflect on the past year and taking some quality time with the family.

10/12/25

The Sketchbook quandary. Nearly impossible to carve time to draw when I normally would have - in the evening before bed. Looking at other options. Commute and breaks are most viable options for now. Will test.

11/12/25

Rolling back the years here. Sitting outside Belfast Art College on lunch - sketching, observing and dusting off the cobwebs.

14/12/25

Snapping recently finished works and a bit of cleaning - palette wiped and some acetates sketched out.

Drew up two canvases - could have been far more but stopped myself. Don’t want to draw up works just for the sake of drawing up - filling the gaps, breaking the silence.

15/12/25

In Southern Regional College, Banbridge today to give a talk to students.

16/12/25

20/12/25

Studio session. Three latest works out of the way and down into storage. When down, four of the larger damaged works could be cut and restretched. Will be interesting to see what, if anything can be salvaged.

‘A brush with, Luc Tiuymans’ —> “Authentic Forgeries”.

Good start to ‘Milena Study’ today.

Milena Pavlović-Barili was a Serbian born artist who never settled into one style or one city, finding fame in New York rather than Europe. Her death is marked by an air of mystery.

24/12/25

31/12/25

Ending the year with a lovely, if not a little chilly walk around Pomeroy forest.

Art Journal: September 2025

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04/09/25

Jen Alexander in Threshold

08/09/25

VAI Get Together at TU Dublin

09/09/25

Visit to ‘Faigh Amach’ at Temple Bar Gallery and Studios.

10/09/25

Painting off to Arcade Studios for a group show.


14/09/25

Session two of ‘Better, Worse or about the Same’. Freaking me out a little that it’s where it is after just two studio days.

Still not used to recording either - in some ways it is a distraction and feels a little unnatural. In others, it focuses the need to get paint down which is no bad thing.

20/09/25

Looking at ‘BWoratS’ - it’s all but there. Setting it aside for now and going to have a first session of the small kiss piece.

22/09/25

Bunged.

27/09/25

Session two on ‘kiss’. Good call to darken the background.

28/09/25

Art Journal: May 2025

01/05/25

LNAB - A Bumper One! - A.B.F.

04/05/25

Self-portrait - destroyed. Frustrating but that’s just the way it goes.

07/05/25

Some practical work tonight.

…50%. Better than nothing. Getting to grips with perceived ‘rut’. Is it a rut or is it just a natural effect from other factors? Practice has always been deeply personal so it's little wonder that there's a subconscious ripple effect happening.

The ‘disconnect’ I'm having with the recent work / work in progress now seems valid. When things are still very raw, it's understandable to numb or distance yourself and for a practice that's always been reflective of my experiences, then there's an issue there.

When the practice relies on a kind of gut-level recognition (imagery needs to speak directly - even found images) wanting to avoid it due to current circumstances seems reasonable.

An external image sparks an internal echo but when you're struggling with internal processing - switching off seems understandable.

Not sure if there's a quick fix - or if I would want to put a ‘sticking plaster’ on it without dealing with the wider issues. Back in … so that's a step. Could also be that I'm too hard on myself. As David Sylvester said “… artists must be allowed to do bad work. They must be allowed to get in a mess…”.

Things to try:

  • Revisit old sketchbooks.

  • More journalling - words can lead into visual metaphors.

08/05/25

John Price show in the Engine Room Gallery.

11/05/25

Not trying to reinvent the wheel here! Overthinking as per.

Really good start to what I'm affectionately calling “Pebble Dash” (will not be real title).

Its worth throwing imagery up, taking time to look and experiment with compositions. It's not only fun, but sparks potential ideas into life!

Work also done on “Uniform Hate” background. Work on these have went almost too well too quickly!

13/05/25

Back into PS² to spend more time with Molly Martin's ‘Re/Cusp’ show. Found it incredibly cathartic, sometimes breathing in time with the surroundings and little moments of unease - audible heartbeat echoing in the air.

15/05/25

…Tempted to.

Silence the inner critic - or at least make him smaller.

Just because it's there doesn't mean you have to use it!

Use of yarn to sew ogham onto canvases and then stringing the works together like a weird mind map on the wall.

17/05/25

Man in the Rug.

19/05/25

Going cold turkey. Feels like something has just clicked in my head. Now, tomorrow’s entry could read “what was I thinking!”

Occupy the Present. Already, it will be a case of getting time back. An hour an evening saved - 7 hours a week - that’s a solid day’s work back!

Breathe.

20/05/25

Freud in Titanic, Belfast.

23/05/25

Q.F. - what the hell is this!? Hit by a train. Must remember, it’s the body healing itself and it will pass. Now, to focus on more important matters.

25/05/25

Studio time - this will be the biggest test so far.

Timelapse of “The Weight of Inheritance". Pleased with progress - the others, in a bit of a muchness with them.

The drawing needs stepped up, get the archive lit again and spark interest / ideas.

28/05/25

Dublin - Visit to TBG+S, RHA Show (seeing some familiar faces) and Michael Kane’s show in the Taylor Galleries.

30/05/25

Sketchbook Rawness. When it worked, it really worked. When it didn’t, it really didn’t

31/05/25

Sketchbook studies again to round off the month. Started thinking (here we go - this old chestnut again) - stopping earlier in the process… fell asleep writing!

Art Journal: April 2025

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01/04/25

02/04/25

“Trauma = fragmented memories / flashbacks.”

05/04/25

‘A Brush with… Celia Paul.’

Rembrandt’s eye’s defy death!

Sketchbook work early in the day. Paint out - let’s go!

“Art is how you give form to your deepest instincts.”

Celia Paul

A really solid start to “Uniform Hate”. Basic background colours and tones down.

“Self-Portrait between clouds” - using shape inherited from previous composition underneath as elements of the background. Perhaps a little more tonal subtlety - too contrasty at the present time.

Overall, a good day in the studio.

08/04/25

the week off was great, bar some setbacks.

… a little overwhelmed… just need to breathe, take a step back and be thorough in the work at hand. Only mentioning as a little vent was needed as well as reasserting that it’s ok not to get own work done every once in a while. Frustrating, but that’s the way it goes sometimes. It’ll be ok.

Stuart Calvin at the Golden Thread - Stay a while - Great! The work sits in that strange space between fragility and hope. The draped, almost human form reminds me of the cloaked figure in Ferdinand Hodler’s ‘Night’ - grief / fear made solid. Here, there’s the possibility of (neon) light creeping in Definitely one to stay a while with!

12/24/25

Fire on the Glenshane

13/04/25

Studio with Imogen and then onto own work. Building up self-portrait study. Back and forth and back again…

…well, that didn’t go as planned! Back to the drawing board.

16/04/25

An awful morning.

Presentation of commission - nice words and thoughtful comments.

17/04/25

“Decoys and Ghosts” in the Golden Thread by John Rainey. Vibrant, playful and quietly unsettling body of work. Fantastical morphings of classical figures and animal forms reimagined with vivid colour and bolt, unexpected shifts in anatomy. Sculptures feel like artefacts from another planet - cheeky, strange and incredibly precise. The traditional bust is unpicked and reshaped into something wholly new.

See H’s book for feedback / homework. Not for these pages!

19/04/25

I know with the utmost certainty that this will not be an easy or quick fix.

21/04/25

Studio time.

Brought little self-portrait back from the brink of the abyss. I think working from the sketch which was done at the time in the early pandemic (where head was shaved at home!) is throwing off what is in my own mind / self-image. Perhaps that should be the advantage? Beard too generous.

Imogen’s D entry - 21/04/25

23/04/25

Aisling O’Beirn “We Lose Sight of the Night” in the MAC. Strangely calming and thoughtful exploration of climate and environmental change through the lens of science and art. A beautifully reflective collection of installation work rooted in celestial mapping and light pollution.

Open call applied for! Had hoped for some sketechbook time but that wasn’t to be tonight.

25/04/25

27/04/25

The Week in Art

Sketchbook work and admin work. Another sketchbook done - another began.

Move away slightly from direct narrative compositions? Semi-historical? Whose history?

Art Journal: March 2025

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02/03/25

…it’s finished! Hallelujah!!

This work is taking a lifetime to work out the kinks.

05/03/25

Admin work and a load of stretcher bars home. Had planned on more but literally ran out of time.

06/03/25

Fell asleep on the bus while writing in here… Subsequently have lost my favourite pen to the 212!

Late Night Art Belfast: Majella Clancy in Ulster Presents; Steph Harrison at Atypical Gallery; The Irish Palette in the Engine Room Gallery; Last night of the Catalyst Members’ Show and ‘Cailleach’ at Vault.

08/03/25

09/03/25

Stretching and priming, followed by another round of priming in the evening. No RHA this year.


10/03/25

Been offered a solo for 2026! All chuffed!

13/03/25

Wonderful to be at the opening of 'The Crush' by Sian Costello in PS Squared.

The paintings seem to echo the softened, shifting edges of camera obscura projections, where details are suggested rather than fixed, teasing at recognition before slipping away.

Of the work Sian writes: 'I use my own body and a series of camera obscurae as instruments to magnify and distort the boundaries between what is real and what is the art "work" of composition, lighting, and painterly flair. Through this fractured lens, space opens up beyond the controlling hand of the artist for the narratives told by the subjects themselves.'

'The Crush' runs until the 17th April.

14/03/25

Achilles is banjaxed! Minor injuries is a joke!

15/03/25

A morning of sorting out reference imagery. Feels like nothing productive has been done I know it will prove helpful in the long run.

18/03/25

…RETHINK…

24/03/25

Fancy transit.


27/03/25

It’s been quite a week: Helpdesks, Training in Dublin, More training in Belfast and a student Fair at UU… now first C.H. event.

Imogen is three today. Hard to believe but we can’t picture life without her!

…wisdom to know the difference… It’s not going to be easy.

30/03/25

Studio - drawing up, mapping out structure / composition of a few new canvases.

Feels good to get in the rhythm of making after a good few weeks. Tonal values looking good thus far.

CARVE! CARVE! CARVE! Without dictating a set regimen.

Art Journal: February 2025

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02/02/25

Looking back at ‘targets’ - pleasantly surprised. Yes, the drawing fell short but KEEP IT UP!

03/02/25

Studio. Paring back of background - so much better.

Several older sketches transferred onto acetate.

Taking back sense of self / purpose.

05/02/25

06/02/25

Busy day. Symposium followed by Late Night Art - with a piece made especially for the Catalyst Members’ show taking part!

Struck me last night - shifting to more personal imagery and away from portrait after portrait IS what’s needed - but is a tired rendering of them going to yield exciting results? I don’t think so.

A little more outside the box thinking and care required - other than throwing multiple imagery on one plain. Although that is one way to expand narrative quite quickly….

LNAB

Gerry Gleason’s Skip Sculptures | Philip Arneill in Arcade | Yvette Monaghan Belfast Exposed | Sinéad O’Neill Nichol in VAULT | Joan Alexander in PS2

08/02/25

Ballyliffen celebrations

11/02/25

Very late sketchbook work - AGAIN.

13/02/25

…aiming for a good new habit. BUT there is no point in sulking or beating yourself up if targets are not reached each time. By the same token, there is also little point in setting goals if they are ignored or you don’t try to achieve them. So, do your best but if it falls short of expectations, learn from it and carry on.

16/02/25

Plates be gone!

Multitasking - not my strongest suit.

20/02/25

Golden Thread Visit and application submitted.

22/02/25

… kicking my ass!

“A Brush with Somaya Critchlow”.

Hilarious! RD was hijacked - brilliant! Goldilocks - just right.

… fingers crossed though that once it’s done and out, a real flurry will take place.

23/02/25

25/02/25

Sally O’Dowd in Ulster Museum!

26/02/25

Array at RUA RED. Something quite cathartic singing Bette Midler to a squad of police Land Rovers.

27/02/25

What does the inner critic say? TW, L, NGE.

Carrying on my engagement with the subjective experience - particularly around trauma. That is something. Interpretation of images … unique.

CRINGE ENDUCING!

Art Journal: January 2025

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02/01/25

Sketching - coming back!

05/01/25

Early studio session - Looking at “Gathered” … it’s finished.

Bit of a push and pull on Commission.

NOSFERATU - GREAT!

06/01/25

First day back in Belfast - COLD!

07/01/25

Double deadlines and an open call.

08/01/25

Personal interrogation - double mirrors? Will be good to dust cobwebs off.

What to put into xxx?

Popped round to Golden Thread Gallery on lunch.

Shirin Neshat installation in the Golden Thread Gallery.

Such a headache but it will pass.

09/01/25

GET IT DONE!

Three in the Morning by Charys Wilson at PS2 - fab!

Ran around … but no joy.

Sarah Maple Call me Mother in the Naughton - wonderful show.

(…. add mirror plates).

11/01/25

,,, Done all here I can at the moment.Seemd flst at the minute Still to br

12/01/25

Sketchbook studies in the morning.

13/01/25

Double Submitted!

15/01/25

Dropped '“Gathered” over for Catalyst Members’ Show. Should be a good one!

16/01/25

17/01/25

It might look like a phone induced dopamine hitting laziness - but I do want to try and utilise certain aspects better. Are multiples worth it or is it better to do just one really well?

Will mull this over but in the meantime, gather images to set into … folders.

Late Night Self Portrait sketch.

18/01/25

Should have seen this coming - getting too caught up. Yes, it’s a good idea to curate some meaningful aspects but, and this will always be the case, making the work is and always will be top of the pile.

Less scrollin’, more rollin’.

Setting distractions away to write really helps.

Watched ‘Longlegs’ tonight. The dolls shrouded in a black sheet - but with the demonic red eyes showing through - it has really unsettled me. Like one of Magritte’s lovers but on a bad trip.

19/01/25

Sunday Studio Session - (and pre-session list).

…colour restructure? Starting over isn’t the end of the world. It could be that it’s too small to tackle the source material properly.


And restarted I did. Got to the point of the second looking further ahead than the original pretty quickly. Should use the little canvas as a guinea pig - test out ideas.

Change the background - make it my own. It’s too safe at the minute.

21/01/25

A late night (probably too late a night) of sketchbook studies.

23/01/25

‘Misaligned’ by Katherine Penney in Ulster Presents. Moving work - beautiful use of space.

Bracing now for storm Eowyn.

24/01/25

Guts of three trees fell out our back and power has been off since early morning.

Saw part of one of the trees come down this morning. The thud it made!

Ambient candlelight.

26/01/25

A sketching and scanning day.

29/01/25

Dublin. Eileen Leonard Sealy’s paintings in the LAB Gallery - excellent.

30/01/25

I’ve veered more and mroe away from raison d'être.

Stick Shed. Personal motifs. Untapped.

Dervla O’Flaherty and David Dunnes’ shows in Cultúrlann.

Retrospect - …preferred… with older painting upside down (two tones).

… more of me in there.

RDH: NOVEMBER 2024

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01/11/24

Pretty sure this is Dad in the Vectra circa 2000.

02/11/24

H, F & M.

…taking a back seat.

04/11/24

Escalation

05/11/24

Late night home.

06/11/24

The fun never stops!

07/11/24

Collected. No late night art for me this month. Exhaustion has taken over.

08/11/24

Proposal started. Excited to stretch and prime canvas tomorrow! Nerd Alert!

In the chaos of the past few weeks, I forgot to note that I’ve had a lovely delivery of a 10m roll of canvas and primer.

09/11/24

Didn’t realise I had so much primer! Two canvases, stretched and primed with one coat (plus one bloodied thumb).

Sketchbook time - this definitely needs time allotted to…

… came back to finish off the two drawings started earlier on. It can be done - just needs some discipline and manoeuvring.

10/11/24

‘Natural Alignments’

GET OUT THERE!

***Updating from loss and eventual return of diary***

12/11/24

MAC Show - beautiful and just a joy to immerse yoursself in. Wonderful homage.

Weird seeing D.M.’s paintings again after so long. Remember getting my graduation photos from NWRC in front of them.

17/11/24

Can’t believe I’ve lost track of RD. First time ever in fourteen plus years and quite annoyed at myself.

ADAPT - MOVE ON - WORK

Primed canvases with second coat. In terms of C’s submission, materials gathering and experimentation ongoing.

18/11/24

Dublin - Day 1. Lights out in middle of set up.

19/11/24

GTG a great success. Good night had by all.

20/11/24

Dublin Day 3. Brian Maguire in the Hugh Lane. Glorious large scale works and great to see some old favourites I first saw in VOID a few years ago.

Douglas Hyde Gallery - ‘LAND’ group show. Beautiful video work from Pinar Öğrenci in situ - videos on display will change to change throughout the run. Tried to get into another space - was not allowed with suitcase in tow.

Lastly the LAB before the bus home. Vanessa Daws’ show inspired by endurance swimming pioneer Mercedes Gleitze. Great show but still filled me with anxiety looking at open water.

Home … and finished submission.

21/11/24

Reunited with diary!

24/11/24

Studio - started commission. Beginning to incorporate moss into c.m.s piece - painting into the final layer of primer. Waiting game.

More progress on ‘L.Y.s.V’.

Love was spread a little in the studio today - bits and pieces worked on in different areas. Covering all the bases.

27/11/24

Dublin again!

28/11/24

RDH: OCTOBER 2024

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03/10/24

Late Night Art Belfast

05/10/24

A dry studio day. No paint - just charcoal work and redrawing sketches and some tonal work. SOMETHING!

09/10/24

Malleable metal wire drawing?

10/10/24

‘Line of Sorrow’ - micro expression.

13/10/24

TAN podcast - The White Pube book “Poor Artists”

“Spare Change Study” - facial work -warmer tones in the shadows?

Mood plays an important role… not the ‘I’m not in the mood’ kind of mood. More so the downward mindset - something foreign playing over in the back of your mind and it is difficult to shake and focus on anything else.

I can and will do better. In the studio context with this guilty / downward feeling playing out today - productivity took a nosedive. Better all round if the socks get pulled up.

17/10/24

RUA Opening. Very pleased.

19/10/24

Saturday Studio. Afraid that what’s here has gone - or rather my enthusiasm towards them - has gone stale. “S.C.” has promise but it’s on the small side - too bitty for what I want to achieve. If that makes sense.

20/10/24

“Look! Daddy’s painting!”

This will warm my heart for a long time.

21/10/24

£1 - Bargain.

22/10/24

Maya Todd (top centre) - Royale Arcade Academy

24/10/24

The more I think about it, the more annoyed I get at myself for letting certain aspects stagnate. Prioritising stupid, irrational shit over investing in practice.

F.F.A.S. - what else is there?

27/10/24

Studio clear out. Moving recent works down to shed and out of eyeline. Freeing up wall space. Re-working / Recycling / Repurposing - just generally Re- really.

Enjoyed the “A Brush with Robert Longo” podcast.

…‘les yeux sans visage’ imagery could prove an interesting challenge. Some good first steps.

“A Brush with Marlene Dumas” - think I’ve listened to this four times now.

30/10/24

Dublin bound.

RDH: AUGUST 2024

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02/08/24

Studio time finally - after a slightly longer than usual cleaning session.

Not much progress made with “Turn to Page Five” but still feels great to put paint down after seventeen days of renovating, family time and north coast fun!

04/08/24

“Restraint Study” handed in. Crossed fingers…

Took myself up to the Ulster Museum afterwards to finally catch the two Caravaggio works together for a rare time since the 17th Century.

“The Supper at Emmaus” (1601) and “The Taking of Christ” (1602). The first time in a long time where I just sat in awe. Spent nearly an hour just soaking them up (from near and far). He really was the master of light and shadow. Today has brought memories back of my last trip to the National Gallery in London back in 2019 and a reaction in front of another Caravaggio - “Boy Bitten by a Lizard” (1594-1596). Skipping past pockets of school kids getting guided tours, I stumbled upon it, right in the corner of the room.

There was a guide giving a talk to a class of children about a much larger painting just beside the Caravaggio. Can’t mind what it was - but it was a big canvas. Anyway, I’m looking at the painting and I suddenly start to feel myself well up - and I couldn’t stop it. I started crying.

I remember being in shock and some of the class beside me were staring and whispering among other. Because of where the Caravaggio was in the gallery, I was sort of pinned in with the school kids sitting on the floor all around listening to the guide speak. I eventually had to make a break for it, snaking past them to get out. First time I ever cried at a work.

The next time that happened I think was with Daniel Coleman’s epic work in the MAC show a while back. The sheer audacity of scale, the use of colour in the limited palette - everything took breath away to the point I got choked up.

06/08/24

Called round to check out ‘The Shape of a Pocket’ exhibition at Catalyst Arts curated by Dougal MacKenzie and Christopher Hanlon.

“Hindsight Study” submitted…

07/08/24

Back to spinning plates.

10/08/24

The Golden Thread Gallery has reopened with shows by Robin Price, Charlotte Bosanquet, Rob Hilken and Graham Fagen.

11/08/24

Honey ate more paint than I thought. More put out. “Turn to Page Five” - dark, ochry brown background? Semi-transparent?

FINISHED. Thought I had nearly messed it up with a little too much fixative but managed to pull it back OK.

12/08/24

“Restraint Study” accepted into the RUA! Chuffed!

18/08/24

Three wonderful years - and a lifetime ahead!

Tried a jaunt to the studio - not feeling it. Will try to block in some colour to “bin” piece.

22/08/24

Sketchbook work before bed.

25/08/24

“The possibility of the studio” - Eva Rothschild

From “A brush with ,,,” podcast.

So, after a layer or two on the “bin” piece, it was time to say goodbye. Just wasn't working, especially with the background. So working a new image on top and starting a new portrait from scratch on a nice, clean canvas.

28/08/24

Dublin reconn.

29/08/24

Re-group…

31/08/24

Sixteen Years. Hard to fathom.

RDH: JUNE 2024

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02/06/24

Studio - focus on one image…

Well, some days just don’t go the way you want them to. Bit of a damp squid in the studio. Superficial work on ‘mugshot’ (working title). Vented frustration out on cleaning the yard.

05/06/24

Organising archive.

06/06/24

Late Night Art - Belfast. Traditional Route.

09/06/24

‘The Week in Art’ podcast discussing Studio Voltaire and Martha Jungwirth’s take on Goya. “Turning off the facuet of emotion.” (on O’Keefe).

The Sleep of reason.

‘Talk Art’ with Nathanaëlle Herbelin.

“Hindsight” - So bloody close! Frustrating. Too thick in hair and isn’t dynamic as rest of picture. Deep breath. Could be worse and be no where near close to finishing - silver charcoal filled linings.

Still haven’t heard anything from S.P. show.

12/06/24

…found wanting. Rinse head - take a step back and look at the bigger picture.

F.W.A.

13/06/24

Being really fucking ballsy!

14/06/24

Didn’t get solo chance. Ah well. Up to Belfast for opening of ArtsFest III.

Great turnout!

16/06/24

Cleaning works in the lower garage. Some damaged beyond repair.

“Hindsight Study” finished. Some substantial progress to “Four Years On”.

19/06/24


23/06/24

Great day.

25 + 26/24

Family sick days so just a total wipeout.

Visual / Ocular Migraine.

30/06/24

Started the day off bright and early with some sketching from photos taken throughout the week.

“Four Years On” finished.

Larger portrait started. Good way to end the month.

RDH: MAY 2024

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02/05/24

Late Night Art Belfast

A busy busy night!

05/05/24

Added crow / plague mask to soldier’s face. Not sure where, if anywhere, it’s going to go. Ran it’s course perhaps? Palette cleansed.

…action painting?

08/05/24

“Gallery Visit” showing in ArtFest 3!

Just because you can do something doesn’t mean you should.

09/05/24

Would be good to start thinking about plan…

10/05/24

12/05/24

Drawings to acetate. Cuprinol spillage - use to benefit? Bleached out wartime work - it reached the end. So, today in the studio - rather than painting… worked on drawing up new canvases. NB: Paint needed through the week.

Three works started - went for a dander in a thundery downpour holding a couple of the new canvases over my head. Letting the heavy raindrops move the unfixed charcoal. Funny, the momento mori could have done with a few more and the ‘Tesla’ a little less. HINDSIGHT!

Studio Shot - 12/05/24

12/05/24

Hold the family close. Bus decompress time.

18/05/24

19/05/24

20/05/24

If you’re going to do something, do it right!

26/05/24

“Week in Art” Mona Lisa interview really interesting. “The living earth”.

“Talk Art” Shaqúelle Whyte.

Solid progress. No titles as yet - Hindsight? Could work for all three really.

29/05/24

Dublin.

It’s always sunny in Dublin.

RDH: FEBRUARY 2024

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01/02/24

Beginnings…

02/02/24

…officially taken a back seat. That’s OK though. Needs - Must. Doesn’t mean the grey matter stops!

I mind a ‘Thunderball’ poster with a table in it - or was it N.S.N.A.?

Knots - Riddled.

03/02/24

20:11 - Malcolm John Kielt born - 7lbs 10oz.

Jan was amazing.

09/02/24

I have been thinking about what was put to [redacted] for the [redacted]. Advice could (and should) be taken on board closer to home.

Certain circumstances, mean that practice has taken a back seat - as it should - but this shouldn’t be an excuse to down tools completely and end any creative activity that could be happening. I don’t know if I could fully switch off anyway.

Just because the practical studio and office / sketchbook time is lowered doesn't mean all artistic outlets dry up! There is room in other spaces. Even now, trying to carve out some creative time will be important. Use any spare time wisely - but also enjoy the early days of baby number 2!

10/02/24

Studio cleaning and some posthumous signing this morning.

Had time cleared for the studio for a few hours - just to get some paint down when no sooner had I started, the skirting man arrived.

The best laid plans etc etc.

15/02/24

16/02/24

BEEP BEEP!

17/02/24

“A Brush with…. Wilhelm Sasnel”.

“I do not control painting; I follow it.”

Wilhelm Sasnel

Some studio work - bit of a no-go. Need to re-energise the on-the-go paintings somehow OR start from scratch OR (3rd option):

Finding - or trying to find a new rhythm. Tough going but we’ll get there. What have I done in the past when I’ve come to a cul-de-sac?

DRAWING BOARD! Practical Next Steps.

18/02/24

Plan set out to be productive this evening - … had other ideas.

Submitted!

X

IX

XIII

20/02/24

THRESHOLD Gallery, Belfast showcasing work as part of the Golden Thread Gallery Collection.

Pond(er) at Catalyst Arts.

23/02/24

“Every man is guilty of all the good he did not do.”

Voltaire

25/02/24

“A Brush with… Stanley Witney”

(…a painting has to get ugly before it can be beautiful. If you go straight to the beautiful, you’re aiming at the pretty.)

Two canvases started. Badgers’ is quite interesting already.

Fingers crossed.

28/02/24

“A.J.#240” - well I fell asleep during that podcast. Riveting.

29/02/24

Sketchbook studies.

RDH: JANUARY 2024

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02/01/24

Uncertainty is where the magic happens.

Organising ‘used’ imagery.

03/01/24

…back to the drawing board.

04/01/24

… strengthened my resolve. Sometimes you are too close to the work to see the threads / connections running through it - so another eye is always greatly valued.

…stagger (they talk).

06/01/24

For now, less writing for the sake, less procrastination and more doing please.

Late night sketchbook work - three cadets on the one page.

07/01/24

Second night in a row where the dreams were really messed up.

14/04/24

First day back in the studio for the year. ‘séance’ darkened down by layer of charcoal.

‘Restraint Study’ finished, and palette is clean as a whistle!

18/01/24

Snow Day.

more drawing = more ideas = more work

Andro Wekua: Louisiana Channel (Hand on the shoulder).

Words to Action.

21/01/24

Saltburn - good but gross.

Sick all weekend, missed Watty’s All-Ireland glory. A real dud of a weekend.

22/01/24

Storm damage.

23/01/24

25/01/24

…peaks and troughs. 2020 was unique in that time seemed to last so much longer. Suck it up.

Late night drawing.

28/01/24

A weekend of nesting.

29/01/24

Lost… looked up and down the road, in and out of fields. Came back.

31/01/24

Using vagueness, opens more possibilities for the viewer.

2023 in Pictures

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