void derry

Exhibition Highlights 2018

These five exhibitions are in chronological order and are only my favourites of the shows I was able to attend in person. There were many that I was dying to see but in the end, couldn’t make.


WHITE

Curated by Colin Darke

QSS Gallery, Belfast

02/02/18 - 22/02/18

This was the fourth group show curated by Colin Darke that was based upon the four titles of Barnett Newman paintings (“Whose Afraid of Red, Yellow and Blue”). According to the text accompanying the exhibition, linking works in accordance with colour “allows for a level of visual cohesion, while retaining the conceptual and aesthetic diversity that defines Queen Street Studios”. Ordinarily white, in a gallery context, inhabits the space between works. In this show however you become strangely aware of the normally silent walls. In Craig Donald’s installation “Ozymandias” sections of the gallery wall are set centre stage; framed by colours that correlate in other drawings and paintings within the installation. You become aware of the void.


Nightfall - amplissium terrarum tractum

David Godbold

Golden Thread Gallery, Belfast

03/02/18 - 10/03/18

This group exhibition by David Godbold in the Golden Thread Gallery really was a stunner. In gallery one, the works that give the name of the show, “Nightfall - Amplissium terrarum tractum” takes up an entire wall. Consisting of 116 framed drawings and a wall drawing in neon, I found myself getting drawn into the gorgeous and witty drawings usually accompanied with text loaded with humour and a certain political sting. Then all of a sudden I would walk backwards, trying to take in the sheer audacious scale of the work as a whole. I was especially taken by the drawing with the text "Infamy, infamy, everybody’s got it in for me” - a one liner from “Carry on Cleo” which my dad regularly cries aloud. Gallery two sees landscapes, beautifully painted and paired off with one in daylight and the other at night. Showing these romantic locations at different times of the day means you can never fully see the region in its entirety.


Future Perfect - Contemporary Art from Germany

Curated by Angelika Stepken and Philipp Ziegler

The Model, Sligo

06/05/18 - 01/07/18

During a summer break down to Sligo it would have been rude not to visit some of the galleries. This travelling group show did not disappoint. Sixteen artists envision and speculate about the future and reflect on the promises it could bring. The installation of Nora Schultz called “Discovery of the Primitive” reminded me of a transportable monolith like the one in Stanley Kubrick’s “2001: A Space Odyssey”. Schultz gathers found objects from around her Berlin studio to assemble these delicate structures that also double as printmaking stations. It dominated the room and sticks in the memory. Antje Majewski’s paintings were impressive in scale and in detail. The lengthy title “Decorative element that once adorned a passage leading to a shrine” was a large circular painting consisting of smaller overlapped orbs of differing gold and green. The same ‘decorative element’ makes a cameo in the even larger painting - more akin to history painting of old. “The Donation” sees a large group of people witnessing an exchange in what looks like a gallery with warped dimensions and off kilter paintings on the wall.


At the gates of the Music Palace

Alex Cecchetti

Curated by Mary Cremin

VOID Gallery, Derry-Londonderry

04/08/18 - 22/09/18

I was lucky enough to see this show on the opening night where the artist Alex Cecchetti was giving a guided tour of the works. A serial collaborator almost all of the works came to fruition as a result of Cecchetti working with musicians, dancers and singers. The first gallery was bathed in a pink light with two large copper cones suspended at the far end. If you move across the sensors musical notes are played and according to different gestures you can actually play music. Cecchetti and a dancer then played a piece of music they composed by dancing in front of the “Music Hall” installation. Gallery 2 held a sound installation entitled “Cetaceans” where a human choir sang like whales. This room was in darkness and you were encouraged to lay down and let the sounds wash over you. The third room had my favourite piece of collaborative work by Cecchetti. Oil paintings on crystal and rise paper hangs from a structure surrounding a piano meaning when people from the tour poured in and no matter where they stood they could see the works on the paper - even from the back where I stood. A synesthetic musician then sat at the piano and read the works like a sheet of music. Even by just watching the paintings you could follow the musician as they played and I found it totally engrossing. Probably the best show featuring audience participation I’ve seen.


Not Half Right

Jane McCormick

Atypical Gallery, Belfast

12/11/18 - 21/12/18

I stumbled into the Atypical gallery on my way to see the MAC international exhibition (which had incredible works by Ali Cherri, Aisling O’Beirn and the winner Nikolaus Gansterer) and hadn’t any preconceived notions what “Not Half Right” by Jane McCormick contained. What I came across was an incredibly strong practice that explores deeply personal and intimate issues in a scarily wide range of media. Medicine bottles with text and images of children replaced the label. A heart shaped box with tablets instead of chocolates resonated with me. It was humorous and darkly menacing at the same time. Is it a comment on today’s ‘there’s a pill for that’ culture, a love note to how medication has helped the artist or something else? You can’t help but bring your own experience to the work here. The self portrait drawings on what McCormick calls “useless articles and medically-related tat” are visceral, bold and expresses the frustrating and tiring nature of the “never ending search for ‘the cure’”.

RDH: 01/08/18 - 31/08/18

01/08/18

Blog generally.

03/08/18

Work wrapped and ready.

Work wrapped and ready.

Confessional - portrait through mesh?

installational idea - structural notes on seat.  Guidelines for penance.

"The Ash Wednesday Supper" by Giordano Bruno - 1584

Michael Simpson - think of your 'style' as developing a language; coherent and your own without being stylised.

04/08/18

'Real Artists Don't Starve' by Jeff Goins

Agendas in the work?  Activism? Does it need to have a message?

CNIP Meeting in CCA Derry went really well.

CNIP Meeting in CCA Derry went really well.

At the Gates of the Music Palace by Alex Cecchetti.  Curated by Mary Cremin - VOID Derry

05/08/18

RUA works dropped off.

"As a painter you constantly want to overcome your virtuosity, but at the same time you strive for virtuosity" - Per Kirkeby

06/08/18

Bits that work and bits that don't.

Bits that work and bits that don't.

08/08/18

Been offered to show work in New York City!!!

09/08/18

Stiffen the Sinews, Summon up the blood. - King Henry in William Shakespeare's 'Henry V'

The above is written on the studio wall of Maggi Hambling (Tateshots).  Some sketching done.

11/08/18

Average Buzzard wingspan = 110 - 140cm.  Overlap red silhouette of bird with rabbit skull.  Any black in the skull should remain the red of the buzzard.  Don't overwhelm foundation of composition.

No where fast with this. Not happy with tones at the minute but it can be pulled back.

No where fast with this. Not happy with tones at the minute but it can be pulled back.

Will get a good push in the studio tomorrow.  At the same time if I rush at it, that's when it is more likely to fall apart.  If it happens, it happens..

12/08/18

On the ropes. Really badly on the ropes.

On the ropes. Really badly on the ropes.

Life-sized buzzard started.

Life-sized buzzard started.

Triggers: words, memories, looks, objects?

13/08/18

create-mag-post-instagram.png

"Happiness is like an orgasm - it doesn't really last." - Raqib Shaw

14/08/18

Reading 'Oedipus at Colonus' to get a better grip.  "...further into darkness with every step".

15/08/18

Just realised how I went about the 'Oedipus' painting in the first place ... shading down on charcoal and fix + light transparent wash to unify all the tones.  Once dry, pop in colours and detail accordingly,  How did I forget?!

16/08/18

...waiting on submission is tortuous.

17/08/18

A strange seed.

A strange seed.

Trying very hard not to get ahead of myself.

Sketchbook work.

Sketchbook work.

18/08/18

Studio shot. "A Manifold and Truly Glorious Strife" (left) brought back from the brink.

Studio shot. "A Manifold and Truly Glorious Strife" (left) brought back from the brink.

20/08/18

Roasted Crane = culinary symbol of Irish submission.  Breaking of legs before being thrown into the sea.  The Pale - area above Dublin. (beyond the pale saying). Notes from episode 2 of "Story of Ireland"

OH DEAR.  Painful.  What a difference a day makes.  Twenty four little hours.  Three things looking good and they all come crashing down.

22/08/18

A shitty week but it will be OK.  Shouldn't have let it affect me as much as it did.  Got blindsided and took eye off longer focus and objectives.  Onward.

Trying out new things.

Trying out new things.

23/08/18

Grayson Perry's "Rites of Passage" episode on death really got to me.  A lot of people would give an arm and a leg to have that last conversation with a loved one - what they meant to you and what you mean to them - before they pass.

24/08/18

Prioritise / Lists - allow for flexibility.

25/08/18

A large (and very unfortunate) spider met it's end some time ago.

A large (and very unfortunate) spider met it's end some time ago.

Bit of an overhaul on "Procession Study" today.  Clouds were OK but too noisy.  Back and forth with it today.  Looking more like a study now.  A little looser.

Blocked in rough colours for "Afore the Stoop";

Blocked in rough colours for "Afore the Stoop";

26/08/18

Good progress on this today. Am I getting too caught up on those bloody hands and ignoring the rest of the canvas? Probably.

Good progress on this today. Am I getting too caught up on those bloody hands and ignoring the rest of the canvas? Probably.

27/08/18

'Nemo Malus nisi probetur' roughly translates to 'No one is evil until it is proven'.

28/08/18

Bank Buildings in Belfast city centre completely gutted by fire.

Above:  Some shots of the Golden Thread Gallery's two simultaneous solo exhibitions:  Travis Somerville's "Homeland Insecurity" and Ian Cumberland's "a common fiction".

"Art Practice as fictioning (or myth-science) by Simon O'Sullivan.

29/08/18

A group show in London?  GT meet up yesterday was great.  Hearing what folks have been up to and where they are going.  Some feedback from sculptural ideas from friends was positive.

"Procession Study" finished. Can a study be finished?

"Procession Study" finished. Can a study be finished?

30/08/18

Cat is missing.

31/08/18

An application was successful so there will be two solo shows - one in 2019 and one in 2020!