The MAC Belfast

Art Journal: July 2026

02/07/26

A bumper Late Night Art Belfast after missing out on the last few sessions.

05/07/26

‘A Brush with Pio Abad’. Seduction through experience. Spent the first half of the studio day working on little commission. Plenty of textures to keep it interesting.

Second half was building up layers, colour swapping and facial details added on the now titled ‘First Encounter’- and yes, it might be the first meeting between a woman and a child OR that i recently watched Close Encounters of the Third Kind recently.

Bit of both perhaps.

Evening time and stumbled on an interesting video that explored haptic vs optic visuality. Yes, it might have been looking at it in terms of film, but it’s struck a chord with where my head is creatively at present.

Got me thinking (dangerous, I know) some of the best work lands in a space of psychological tactility and there’s a unique indexicality (new words). Brushstrokes aren’t just visual marks, but a physical imprint and ‘trace’ of a moment/touch/memory.

Will try and lean more into this new notion of sensual/tactile weight.

07/07/26

Lest.

Lunchtime dandering through the Golden Thread to see ‘The Ignorant Art School: Outside the Circle x Belfast’ curated by Sophia Y Hao from Cooper Gallery. Wonderful use of the space and kept finding little gems/artefacts/text that meant you could keep coming back and pick up something new.

08/07/26

Sketchbook studies tonight

“The aim of art is to prepare a person for death, to plough and harrow his soul.”

Andrei Tarkovsky

12/07/26

Boiling Hot! Commission finished I think.

A good go at ‘First Encounter’ too. Actually, a couple of minor tweaks and it could be there.

Submitted to RUA - it’s an even year so worth a go given track record since 2020.

16/07/26

18/07/26

The first overcast day in over a week and I get sunburned.

19/07/26

First Encounter’ finished in the studio today.

Less is More

21/07/26

No RUA this year. There goes my ‘lucky’ even year streak.

26/07/26

Studio and new beginnings on a couple of small canvases and then the palette was in dire need of a clean.

30/07/26

Two MAC openings this evening. ‘Reconstruction: A Room for Mike Kelley’ by Mary McIntyre and Robert Anderson. Performance, documentation and memory - recreating Kelley’s studio environment minus the human. Liked how the room was shaped; almost like following the camera’s viewpoint from the initial source photos.

‘A Feeling in the Blood’ by Susan Hughes. Lively fun - made my glasses glow in the UV light!

Art Journal: April 2026

01/04/26

Dublin Gallery Visits

02/04/26

Belfast Late Night Art. A busy night. Highlights were Aoife Ní Dhuinn in Platform and Mia Stewart in Belfast Print Workshop.

04/04/26

Studio - so much moving back and forth. At least there’s a bit of form and structure now.

10/04/26

A surprise late night studio session - unusual for a Friday. ‘The Week in Art’ Duchamp, Dorothea Tanning and Leonora Carrington.

Some progress on the medium canvas. It’s good to know there is a late night option - kind of surprised with the level of productivity. Thought Gathering

19/04/26

A crisp, bright morning start in the studio. Sadly, (or happily), that sharp spring light laid bare the failings of the recent work on the medium canvas a little too clearly. Maybe there’s something to be said about sticking to working in natural light.

‘A Brush With… Danh Vo / Lorna Simpson /. Hurvin Anderson’ - triple whammy of catching up.

There’s a weird type of frustration when struggling to submerge or push back what’s clearly a focal point - the 1890’s female portrait that is front and centre of the canvas. It’s too loud and overbearing for the composition.

Last time, I tried semi-natural skin tones with no joy and pared it back to just a neutral mess / shell. I want the image to be the atmospheric anchor but it was just a flat meh - making the whole piece disjointed.

Had to make a decision - either chicken out and scrap it - the temptation was there - but ultimately opted for something a little different and something I haven’t tried in a while. Commiting to a monotone shift - making the female portrait out of ultramarine, titanium white and ivory, the memory finally started to sink in.

Lightening the harsh charcoal blacks to the cooler grey makes her presence felt without having her scream. All of a sudden, the orange/brown frame wasn’t just bowing to the lady. Now, I’ve started incorporating some architecture to the cell of the inmate in green.

Is it a memory or a timeline?

Stopped while there’s still energy in the marks.

23/04/26

25/04/26

A short but sharp stint in the studio this morning. Feels like I’ve taken a big swing on this large canvas - adding texture, tone and light/shade into the foreground. Also, included a little notion I had a while back - Reflection of light from the lamp, hitting a pair of eyes in the darkness to the right of the composition. I had thought about incorporating more animal like features (legs, eyes, tail) but was reminded of a quote from Ridley Scott

“ The most important thing in a film of this type [Alien] is not what you see, but the effect of what you think you saw.”

In other words, the eyes could be anything and it leaves interpretation wide open.

26/04/26

Second day in a row - short stay again but relatively productive. Light wash on sky to add depth,

Art Journal: October 2025

01/10/25

Prep ahead of VAI event in the MAC.

02/10/25

The start of a crazy month. But looking forward to LNAB later…

The Weight of Inheritance’ showing in the Royale Arcade Academy group exhibition.


Catalyst Arts

05/10/25

Deep breath…

Let’s have a go at session three for “B,W,oatS”.

A Brush with Wolfgang Tillmans - “RE-ENERGISE YOUR ARCHIVE!”

From what I can tell, the ocular device looks the part - symmetrical enough to look convincing and squ-whiff enough to be interesting.

Finished - bar Malcolm’s contribution (although I do kind of like it).

S….GF?

12/10/25

A Brush with Suzanne Jackson.

Completed ‘Kiss with a Red Flag’ - minimal touches needed - thin wash on highlights of hair and a slight change in background / freshening of the red flag / shirt. It could have been done on the second session but with elements not dry, the risk was too high of destroying any good work done to that point.


14/10/25

Visit to the MAC. Niamh Seana Meehan’s sombre textile installation that waits for you to immerse yourself.

William McKeown’s paintings of meditative light and beautifully subtle horizon lines.

Marie Hanlon and Rhona Clarke’s thought provoking work - a collaborative video installation that shines a light on the climate emergency plus Hnnlon’s sculptures of knotted glass that explores water as a resource.

19/10/25

Second session on ‘To Conjure’. Both images are fighting for dominance right now. Limiting the palette to see how this could affect this struggle and the work as a whole.

Mostly working on the large portrait element today.

22/10/25

26/10/25

Went and sat up in the studio for a while only to realise I wasn’t ready Space needed tidying up and organised so after a bit of time cleaning - it was back down to the office to work on admin updates. The boring stuff needs done too.

28/10/25

Zhanna Kadyrova in the Golden Thread Gallery’s ‘Radical Hope’ exhibition.

RDH: NOVEMBER 2024

01/11/24

Pretty sure this is Dad in the Vectra circa 2000.

02/11/24

H, F & M.

…taking a back seat.

04/11/24

Escalation

05/11/24

Late night home.

06/11/24

The fun never stops!

07/11/24

Collected. No late night art for me this month. Exhaustion has taken over.

08/11/24

Proposal started. Excited to stretch and prime canvas tomorrow! Nerd Alert!

In the chaos of the past few weeks, I forgot to note that I’ve had a lovely delivery of a 10m roll of canvas and primer.

09/11/24

Didn’t realise I had so much primer! Two canvases, stretched and primed with one coat (plus one bloodied thumb).

Sketchbook time - this definitely needs time allotted to…

… came back to finish off the two drawings started earlier on. It can be done - just needs some discipline and manoeuvring.

10/11/24

‘Natural Alignments’

GET OUT THERE!


***Updating from loss and eventual return of diary***


12/11/24

MAC Show - beautiful and just a joy to immerse yoursself in. Wonderful homage.

Weird seeing D.M.’s paintings again after so long. Remember getting my graduation photos from NWRC in front of them.

17/11/24

Can’t believe I’ve lost track of RD. First time ever in fourteen plus years and quite annoyed at myself.

ADAPT - MOVE ON - WORK

Primed canvases with second coat. In terms of C’s submission, materials gathering and experimentation ongoing.

18/11/24

Dublin - Day 1. Lights out in middle of set up.

19/11/24

GTG a great success. Good night had by all.

20/11/24

Dublin Day 3. Brian Maguire in the Hugh Lane. Glorious large scale works and great to see some old favourites I first saw in VOID a few years ago.

Douglas Hyde Gallery - ‘LAND’ group show. Beautiful video work from Pinar Öğrenci in situ - videos on display will change to change throughout the run. Tried to get into another space - was not allowed with suitcase in tow.

Lastly the LAB before the bus home. Vanessa Daws’ show inspired by endurance swimming pioneer Mercedes Gleitze. Great show but still filled me with anxiety looking at open water.

Home … and finished submission.

21/11/24

Reunited with diary!

24/11/24

Studio - started commission. Beginning to incorporate moss into c.m.s piece - painting into the final layer of primer. Waiting game.

More progress on ‘L.Y.s.V’.

Love was spread a little in the studio today - bits and pieces worked on in different areas. Covering all the bases.

27/11/24

Dublin again!

28/11/24