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Clean Palette.

Clean Palette.


Spider skin

Spider skin



Detail of “ Bogland Sackrace ” - work in progress.

Detail of “Bogland Sackrace” - work in progress.

Drawing is essential in practice. It’s not even the success of the outcome that’s important but the act of looking and really scrutinising an image or object. Trying to find a way in.



Wrapping process.



Sketchbook work.

Sketchbook work.


For tomorrow, let loose!

I’ve been lingering long enough on small little intricacies.

It’s not the first time I’ve struggled with a figure in profile.

Need to just look!

‘Art of Spain’ documentary : Goya was deaf!?

Black paintings were done “to the brink of incoherence” (AGD).


‘ Bogland ’ completed

Bogland’ completed

A really good day in the studio. Huge improvement to ‘Sackrace’. The face in the central figure could be better but that is where I’ll leave it. Back is signed so it’s official.

Studio shot:  17/08/19

Studio shot: 17/08/19

Unplanned progress on ‘Ferryman’. More painterly background.


Getting there with the small chores.


Otto Dix - War Triptych


Early stages of “The Brown Bull of Cooley”

Early stages of “The Brown Bull of Cooley”

Started a new large canvas. Took on the image of a woman in motion - her stance suggested a figure that could be in battle. After a little research I decided to add a typical Celtic sword and shield combo. So this found magazine image turns into Queen Medb of Connaught.

Once the figure was on the canvas I was unsure whether to incorporate the bull (Medb’s infamous cattle raid of Cooley as inspiration) but curiosity got the better of me and I tore on with it.

Basically blocking the image up but it is promising so far. It will be interesting to see the fight between Medb and the bull in terms of who will come out dominant where in the composition.




Material delivery!


Studio work and ‘Ferryman’ has stagnated. Some parts work and others flop.

At that strange limbo point where a painting you’re working on fights back and refuses to yield. When one point of grievance is adjusted, two more pop up.

Today - more so than others - has been spent reflecting on lost loved ones and parts of that has made its way onto canvas. Little nods to moments once shared with someone no longer here.

I haven’t had this level of personal attachment to a work in progress in a long time and it has made the already frustrating back and forth of a painting’s final stretch all the more agonising.

Can you paint over a memory or is knowing that these little nods once existed enough?


RDH: JULY 2019


Slow but important work on “Bogland” today. Thinking a lot about Sickert.

It’s been a rough week but finally seeing positives.

Sketchbook time.


Meditate and Release.


Found ‘failed’ middle panel of “Pioneer Studies”. Works on it’s own merit. Must have been a weak link at the time.

Rework maybe?

Rework maybe?


Submission sent. A glutton for punishment.


Bit later in the day for studio time but spent longer tonight to make up for it.

Some texture with sawdust.

Some texture with sawdust.

Colours are popping and really contrast from the blurred background. Still trying to maintain the mantra of “MAKE EVERY PAINTING A STUDY” but it’s hard when the focal point is a figure where it seems to be falling short.

More integration of sawdust needed? Question everything?

The smallest brush in the arsenal.

The smallest brush in the arsenal.


Didn’t get to sleep until 5am. It’s not my fault.

Crisp morning breeze. Brought a rose in.

Staring at work, the foreground, which I tolerated a few weeks ago, now seems flat. Texture, perspective and overlapping of light and shade required.





Ballydugan Mill

Ballydugan Mill


Amazing day at G &N’s wedding yesterday! Trying to get a bit of studio work in now before a much needed early night!


Frustrating. Two steps forward, two steps back. No better off but not worse off either.


“Never mind that nobody bought them! Do them! Tell your story!”

Faith Ringgold

“He who follows is always behind.”

Paul Cézanne


How to get back in the creative mindset?


“Asking for Trouble” - pen on paper

“Asking for Trouble” - pen on paper

‘What gets measured gets done’ is a quote is heard rattled around today.


Plenty of little niggly bits to run through. Let’s not fall into that usual trap of realism!


Am I focusing too much on that main figure?

b.s.r. detail

Right… don’t panic!


Strange birthday. Nothing bad, just strange.

Beautiful sketchbook from Jan.

Beautiful sketchbook from Jan.


Didn’t get through. Plough on!


Intense building.


Trying not to waste to so much paint. Working on “Sack Race” - shadows and sack texture.

“ Ferryman ”: painterly background. Leaving it early.

Ferryman”: painterly background. Leaving it early.


“As an artist you should be the one to sing off key.”

Nicholas Hlobo


A non-studio art day. Starting new sketchbook. Smaller sale seems to suit drawing technique. I think I came to this realisation some time ago but it must have slipped the memory.


Arena’s Cindy Sherman: #untitled was great! Chameleon. Film stills and centre pieces are still some of my favourite works.



“I trust you to make the narrative”

Olafur Eliasson


“Art can offer a chance for self examination”

Olafur Eliasson


RDH: 01/08/18 - 31/08/18


Blog generally.


Work wrapped and ready.

Work wrapped and ready.

Confessional - portrait through mesh?

installational idea - structural notes on seat.  Guidelines for penance.

"The Ash Wednesday Supper" by Giordano Bruno - 1584

Michael Simpson - think of your 'style' as developing a language; coherent and your own without being stylised.


'Real Artists Don't Starve' by Jeff Goins

Agendas in the work?  Activism? Does it need to have a message?

CNIP Meeting in CCA Derry went really well.

CNIP Meeting in CCA Derry went really well.

At the Gates of the Music Palace by Alex Cecchetti.  Curated by Mary Cremin - VOID Derry


RUA works dropped off.

"As a painter you constantly want to overcome your virtuosity, but at the same time you strive for virtuosity" - Per Kirkeby


Bits that work and bits that don't.

Bits that work and bits that don't.


Been offered to show work in New York City!!!


Stiffen the Sinews, Summon up the blood. - King Henry in William Shakespeare's 'Henry V'

The above is written on the studio wall of Maggi Hambling (Tateshots).  Some sketching done.


Average Buzzard wingspan = 110 - 140cm.  Overlap red silhouette of bird with rabbit skull.  Any black in the skull should remain the red of the buzzard.  Don't overwhelm foundation of composition.

No where fast with this. Not happy with tones at the minute but it can be pulled back.

No where fast with this. Not happy with tones at the minute but it can be pulled back.

Will get a good push in the studio tomorrow.  At the same time if I rush at it, that's when it is more likely to fall apart.  If it happens, it happens..


On the ropes. Really badly on the ropes.

On the ropes. Really badly on the ropes.

Life-sized buzzard started.

Life-sized buzzard started.

Triggers: words, memories, looks, objects?



"Happiness is like an orgasm - it doesn't really last." - Raqib Shaw


Reading 'Oedipus at Colonus' to get a better grip.  "...further into darkness with every step".


Just realised how I went about the 'Oedipus' painting in the first place ... shading down on charcoal and fix + light transparent wash to unify all the tones.  Once dry, pop in colours and detail accordingly,  How did I forget?!


...waiting on submission is tortuous.


A strange seed.

A strange seed.

Trying very hard not to get ahead of myself.

Sketchbook work.

Sketchbook work.


Studio shot. "A Manifold and Truly Glorious Strife" (left) brought back from the brink.

Studio shot. "A Manifold and Truly Glorious Strife" (left) brought back from the brink.


Roasted Crane = culinary symbol of Irish submission.  Breaking of legs before being thrown into the sea.  The Pale - area above Dublin. (beyond the pale saying). Notes from episode 2 of "Story of Ireland"

OH DEAR.  Painful.  What a difference a day makes.  Twenty four little hours.  Three things looking good and they all come crashing down.


A shitty week but it will be OK.  Shouldn't have let it affect me as much as it did.  Got blindsided and took eye off longer focus and objectives.  Onward.

Trying out new things.

Trying out new things.


Grayson Perry's "Rites of Passage" episode on death really got to me.  A lot of people would give an arm and a leg to have that last conversation with a loved one - what they meant to you and what you mean to them - before they pass.


Prioritise / Lists - allow for flexibility.


A large (and very unfortunate) spider met it's end some time ago.

A large (and very unfortunate) spider met it's end some time ago.

Bit of an overhaul on "Procession Study" today.  Clouds were OK but too noisy.  Back and forth with it today.  Looking more like a study now.  A little looser.

Blocked in rough colours for "Afore the Stoop";

Blocked in rough colours for "Afore the Stoop";


Good progress on this today. Am I getting too caught up on those bloody hands and ignoring the rest of the canvas? Probably.

Good progress on this today. Am I getting too caught up on those bloody hands and ignoring the rest of the canvas? Probably.


'Nemo Malus nisi probetur' roughly translates to 'No one is evil until it is proven'.


Bank Buildings in Belfast city centre completely gutted by fire.

Above:  Some shots of the Golden Thread Gallery's two simultaneous solo exhibitions:  Travis Somerville's "Homeland Insecurity" and Ian Cumberland's "a common fiction".

"Art Practice as fictioning (or myth-science) by Simon O'Sullivan.


A group show in London?  GT meet up yesterday was great.  Hearing what folks have been up to and where they are going.  Some feedback from sculptural ideas from friends was positive.

"Procession Study" finished. Can a study be finished?

"Procession Study" finished. Can a study be finished?


Cat is missing.


An application was successful so there will be two solo shows - one in 2019 and one in 2020!