Belfast Art

Art Journal: August 2026

02/08/26

Studio eventually and some strange back and forth with - well - let’s call it ‘Blinding’ for now.

It has promise but it will be the usual high wire act between detail/exactness and loose expressive flow.

Mandy El-Sayegh - Louisiana Channel


“I’m trying to process this reality, because none of it makes sense.”

Mandy El-Sayegh

The Abu Ghraib Effect - intuitive association.

France-Lise McGurn - Louisiana Channel.

03/08/26

Zero power today.

04/08/26

Fleadh in full swing.

05/08/26

Dublin - Brilliant show by Nour Jaouda in Douglas Hyde Gallery - ‘Matter of Time’.

06/08/26

Late Night Art, Belfast.

07/08/26

“What do you want as a painter?” - a very random question, completely out of the blue on a Friday night.

Had to really think about this…

At it’s centre, my practice is about a physical necessity to process things / experiences that resist plain language or interpretation directly. Everyone carries a personal archive / history of experience. Quiet fragments shift or chang e in atmosphere - half remembered states.

When you try and articulate this shti verbally, it often gets reduced, distorted or blown out of proportion. Painting lets that physical language test that grey zone between recall and memory.

No memory is pristine. It’s full of gaps, erasures and emotional weight or contortions that make or exaggerate. I love how material can mirror that process - specifically the constant dance between the shape and structure of a drawing mark and the fluidity of paint. There can be both a friction and a harmony in putting the two against each other - that really gets me going in the studio.

At the end of the day, I'm not trying to paint a pristine likeness or make pretty pictures. Its trying to work at it and see if that physical buildup of marks can give shape to what sits just beneath the surface of memory.

Sometimes when merging imagery from sources far removed in terms of context, an alternate, fictive narrative or a memory that could have been (or never was) emerges.

09/08/26

Blinding’ - good progress on this. Removed the hand, so as to heighten ambiguity… Who or what is causing the shadow?

Happy with the work on differing tomes in the shadow on the face.

10/08/26

Minimal effort - should be fun!

11/08/26

One piece starting its 186 mile journey

12/08/26

Solar eclipse as seen on the 212.

Tonight - wrapping for Ennistymon.

13/08/26

Poster Reveal

15/08/26

Getting round to working on this small canvas again. “Waiting on the Metro 7b

16/08/26

Work lifted and off to first solo show in Republic. It's happening!

20/08/26

Long trek to Ennistymon. Nice to see poster for show in a shop in town before I set foot there.

21/08/26

Long morning of installing and drawing on walls but all in all - I'm proud of the work and pleased with how the exhibition has turned out.

30/08/26

A Brush with… Dawoud Bey'.

…Subjective opticality.

Blinding’ finished with very minor tweaks, commission started and metro 7b piece back and forth this afternoon before emergency car washing in the rain.

RDH: MARCH 2020

01/03/20

Focus turns to show opening.

03/03/20

Spend a little time looking and you might find a way in. Now at that limbo stage with “No Remorse”. Compositionally solid but colours and painterly gestures are off.

studio-shot-03/03/20.jpg

Surprising bound forward on “Self Portrait with Sketchbook”. Face is mask-like (maybe a good thing?)

05/03/20

Nervous as hell. First stop - Ursula Burke in the Ulster Museum. Wonderful scope and the wall mural is stunning. A quick jaunt into town - in GT’s “Dissolving Histories” I especially liked Stuart Calvin’s work. Great to see Dougal McKenzie’s project space show “More Bad News”. Beautiful little touches.

Next onto the MAC for Mark Garry’s “Songs and the Soil”. Placed over the three galleries, the work is immersive and stunning.

Helped with the last little touches to the show prep. Great turnout for Late Night Art and the feedback has knocked me back - in the best possible way. Really not good at taking compliments. Marcus Keeley came by for a chat in the store room for his “Instant Feedback” podcast.

06/03/20

Wee stay with Jane. A beautiful house and a beautiful soul. Finally got to visit QSS for “Four Female Painters” exhibition. Amazing space and great work. Alana Barton’s piece “Blossom” made me cry and not even ashamed to say it. It struck a nerve. The delicacy of the child’s little fingers touching the adult’s hair. Beautifully painted.

Took myself back to re-watch Mark Garry’s videos in the MAC. The close up recordings of the horses is haunting and strangely intimate.

08/03/20

Few days off but little updates online here and there.

11/03/20

sketchbook-work-11/03/20.jpg

Sketchbook work

14/03/20

Scary times. Back to the looking phase. It seems to help.

Les Yeux sans visage

Self Portrait: face is still very mask-like. Reminds me of a still from “Les yeux sans visage”.

…knowing when to quit for the day is important.

15/03/20

Slow burning day but when I eventually got to studio and began making real progress, the power goes off!

Serves me right for getting ahead of myself.

“No Remorse” in progress

No Remorse” in progress

16/03/20

The “In Conversation” that was to take place with the show in Atypical has rightly been postponed due to ongoing circumstances.

18/03/20

Have to self-isolate for 14 days. The worries mount.

22/03/20

Sketchbook work for the first time in 11 days. Feels like a lifetime.

Is there a better, more cohesive way to go about the drawing side of practice?

I think immediacy, or the notion of immediacy, is still important.

24/03/20

Transferred some recent drawings to acetate.

STEP UP!

25/03/20

no-remorse-detail.jpg

Studio time with Radiohead.

26/03/20

A bit of sketching but mainly organising imagery.

“There’s no point in worryin’ what ye can’t control.”

BAK

no-remorse-finished.jpg

No Remorse” is finished. There are parts that still annoy but all in all pleased to it’s best to leave it and move on.

28/03/20

SPwS-detail.jpg

Pushing and pulling with “Self Portrait with Sketchbook”. Frustrating but really fun at the same time!

29/03/20

Cleaning palette and studio up. Also stripped the background of “SPwS”. Too similar to the skin tones and made the canvas seem quite flat.

30/03/20

So bloody close!

31/03/20

Last day of quarantine.

Great to take part in the VAI online café and to get an insight into Tinka Bechert’s wonderful work.

SPwS” finished. It is very wonky as it’s taken from a very wonky sketch from a few years ago but there’s something about the sketch that made me want to try and develop it into a painting for quite some time.

Solo Exhibition at University of Atypical

Very happy to be displaying work in the University of Atypical Gallery for a solo show that is opening for Late Night Art Belfast on the 5th March.

Below is the text to accompany the exhibition. “Confessional” runs until the 10th April and there is an “In Conversation” event in the gallery on Saturday 21st March. All welcome

confessional-brian-kielt.jpg