212

Art Journal: August 2026

02/08/26

Studio eventually and some strange back and forth with - well - let’s call it ‘Blinding’ for now.

It has promise but it will be the usual high wire act between detail/exactness and loose expressive flow.

Mandy El-Sayegh - Louisiana Channel

“I’m trying to process this reality, because none of it makes sense.”

Mandy El-Sayegh

The Abu Ghraib Effect - intuitive association.

France-Lise McGurn - Louisiana Channel.

03/08/26

Zero power today.

04/08/26

Fleadh in full swing.

05/08/26

Dublin - Brilliant show by Nour Jaouda in Douglas Hyde Gallery - ‘Matter of Time’.

06/08/26

Late Night Art, Belfast.

07/08/26

“What do you want as a painter?” - a very random question, completely out of the blue on a Friday night.

Had to really think about this…

At it’s centre, my practice is about a physical necessity to process things / experiences that resist plain language or interpretation directly. Everyone carries a personal archive / history of experience. Quiet fragments shift or chang e in atmosphere - half remembered states.

When you try and articulate this shti verbally, it often gets reduced, distorted or blown out of proportion. Painting lets that physical language test that grey zone between recall and memory.

No memory is pristine. It’s full of gaps, erasures and emotional weight or contortions that make or exaggerate. I love how material can mirror that process - specifically the constant dance between the shape and structure of a drawing mark and the fluidity of paint. There can be both a friction and a harmony in putting the two against each other - that really gets me going in the studio.

At the end of the day, I'm not trying to paint a pristine likeness or make pretty pictures. Its trying to work at it and see if that physical buildup of marks can give shape to what sits just beneath the surface of memory.

Sometimes when merging imagery from sources far removed in terms of context, an alternate, fictive narrative or a memory that could have been (or never was) emerges.

09/08/26

‘Blinding’ - good progress on this. Removed the hand, so as to heighten ambiguity… Who or what is causing the shadow?

Happy with the work on differing tomes in the shadow on the face.

10/08/26

Minimal effort - should be fun!

11/08/26

12/08/26

Solar eclipse as seen on the 212.

Tonight - wrapping for Ennistymon.

13/08/26

16/08/26

Work lifted and off to first solo show in Republic. It's happening!

20/08/26

Long trek to Ennistymon. Nice to see poster for show in a shop in town before I set foot there.

21/08/26

Long morning of installing and drawing on walls but all in all - I'm proud of the work and pleased with how the exhibition has turned out.

30/08/26

‘A Brush with… Dawoud Bey'.

…Subjective opticality.

‘Blinding’ finished with very minor tweaks, commission started and metro 7b piece back and forth this afternoon before emergency car washing in the rain.

RDH: FEBRUARY 2022

01/02/22

Daft Punk Live - Alive. Frantic.

Sketch with music on in the background. No Show and Tell, just Tell.

05/02/22

4,000 weeks. Poetics of space.

Great to meet up with J.A. and S.T and to see Catalyst’s new space.

Quick jaunt to the GT and to the MAC in the morning. Edy Fung’s and Ronnie Hughes’ work were great! Hughes’ translucent layers of paint suck you in and grab hold. Shimmering colour clashes.

Head is buzzing with ideas. Exciting!

06/02/22

Mary Beard’s Forbidden Art. - Pan and the She-Goat.

Daphne Todd - painted recently dead mother.

“Violence will always be a part of the human experience.”

Mary Beard

It’s been an odd weekend. Great but odd.

Ideas are starting to be slid into place about how ‘Ogham’ will be approached. Churning away so keep faith.

It’s been a limbo sort of a day. Feeling the need to do SOMETHING - but not being able to find the energy.

Reading, research, drawing, responding.

Readymade… Domestic

So, actually I retract the ‘limbo’ statement. I did do things today. I was productive. It’s just there wasn’t any tangible outcome. Case and point… 7th page.

07/02/22

“An Ode Study”

Sketchbook with Daft Punk on - upping the tempo.

08/02/22

Fabric search.

Carving out ideas. Scrap yard.

09/02/22

H.B.M. Looking forward to getting into the garage this weekend.

Let’s give it a goo!

12/02/22

Aoife Dunn - IMMA: Socially engaging sculpture.

May have slipped a disc. Acetate sketches.

SUN - MOON - HOME

14/02/22

Image sorting today.

16/02/22

Meeting. Repetition and extremities. Develop and evolve.

17/02/22

J.A. Studio Visit!

19/02/22

Studio time! Finally! Using just titanium white and charcoal - both willow and compressed - to work up images. Going back to my process’ roots - year 2 in art college. Two new works started.

Studio Wall: 19/02/22

22/02/22

‘Ogham’ has begun. Dog study - black dog. Great to see what S.T. is doing in the space and Rachel’s response.

“Black Dog”

SLOW AND LOW SHOOTING STAR.

24/02/22

Snow! Appointment done.

ogham chair in the snow

25/02/22

Belfast bound. Scared guide dog on the 212.

Great to get into the space at Catalyst and set up for the next two days. Began working on two pieces. ‘Don't Look’ in ogham.

The fourth wall is glass. Casting of mouth by S.T. Reminds me of ‘Red Dragon’ from the SotL prequel of the same name.

26/02/22

Day two in the space. Time is not our friend but still have to remind ourselves that there’s no end goal needed. Just to respond and be creatively present.

So good to meet Rachel and see Steph’s process in the flesh.

N.P.

28/02/22

‘Offsite’ chats with Catalyst! Refreshing.