northern ireland

Art Journal: June 2026

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04/06/26

“It’s the conflicting feelings that make the picture.”

Nick Willing on Paula Rego (Talk Art)

07/06/26

No studio this weekend. Instead, a long overdue sketchbook day - playing with and working through found and personal imagery. I think one of the issues I have with drawing is looking to nail a sketch first time and with the limited time in the evenings to work through ideas, frustration can mount.

Today was a long one, five hours, and that’s not always achievable in a week lest I forego the studio like today and in the long run, that isn’t helping. Surely I could carve out a half hour 3-4 nights a week - aiming for one (two max) drawings. If they miss, they miss. Better to have done…

09/06/26

Mad news. Got a whirlwind visit to the Belfast School of Art Degree Show.

10/06/26

More warnings of unrest. Whistle stop look at the Anna Vidamour show in PS² before an extremely awkward and lengthy journey home.

14/06/26

Studio. Back and forth on this one. One minute I love elements, the next - it’s maddening. Time will tell. Also started on a little commission.

17/06/26

Very strange email yesterday - bit of digging to find it a legit nomination. Bafflingly bizarre.

22/06/26

Mullingar trip - lots of fun and lots of sun.

“My apologies your majesty!”

23/06/26

Repentant Magdalene in a town centre hotel.

26/06/26

Pretty much knew from the get go in the studio this morning that ‘Lessons in Silence’ had run its course. There was just the final flailing attempts at salvaging it before wiping the slate clean, hitting refresh.

Cape Fear series - excellent. A scene in episode 4 took me by surprise and an interesting conversation was had. That feeling of who you were before trauma dying and there being almost an element of grieving / loss of who that person was - or at least parts that have now been significantly altered or erased entirely.

Thinking about how to make works more impactful - ensuring the there’s personal input - not just about the image having a resonance with a lived experience…. trip-a-trap / it and the meshing of an elaborate lamp / under the patio / ‘94 to the ceiling.

27/06/26

So, how to implement into compositions without diverting completely?

28/06/26

An OK start to christening piece. Although, its not really feeling like mind yet - good blocking none-the-less. Another smaller canvas - the ground is too dark to get the initial layers off to a tidy start. An uphill battle so might have to refresh on this already.

30/06/26

Heading home from Dublin and a little rainbow spotted at the border to end a difficult day.

Art Journal: April 2026

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01/04/26

Dublin Gallery Visits

02/04/26

Belfast Late Night Art. A busy night. Highlights were Aoife Ní Dhuinn in Platform and Mia Stewart in Belfast Print Workshop.

04/04/26

Studio - so much moving back and forth. At least there’s a bit of form and structure now.

10/04/26

A surprise late night studio session - unusual for a Friday. ‘The Week in Art’ Duchamp, Dorothea Tanning and Leonora Carrington.

Some progress on the medium canvas. It’s good to know there is a late night option - kind of surprised with the level of productivity. Thought Gathering

19/04/26

A crisp, bright morning start in the studio. Sadly, (or happily), that sharp spring light laid bare the failings of the recent work on the medium canvas a little too clearly. Maybe there’s something to be said about sticking to working in natural light.

‘A Brush With… Danh Vo / Lorna Simpson /. Hurvin Anderson’ - triple whammy of catching up.

There’s a weird type of frustration when struggling to submerge or push back what’s clearly a focal point - the 1890’s female portrait that is front and centre of the canvas. It’s too loud and overbearing for the composition.

Last time, I tried semi-natural skin tones with no joy and pared it back to just a neutral mess / shell. I want the image to be the atmospheric anchor but it was just a flat meh - making the whole piece disjointed.

Had to make a decision - either chicken out and scrap it - the temptation was there - but ultimately opted for something a little different and something I haven’t tried in a while. Commiting to a monotone shift - making the female portrait out of ultramarine, titanium white and ivory, the memory finally started to sink in.

Lightening the harsh charcoal blacks to the cooler grey makes her presence felt without having her scream. All of a sudden, the orange/brown frame wasn’t just bowing to the lady. Now, I’ve started incorporating some architecture to the cell of the inmate in green.

Is it a memory or a timeline?

Stopped while there’s still energy in the marks.

23/04/26

25/04/26

A short but sharp stint in the studio this morning. Feels like I’ve taken a big swing on this large canvas - adding texture, tone and light/shade into the foreground. Also, included a little notion I had a while back - Reflection of light from the lamp, hitting a pair of eyes in the darkness to the right of the composition. I had thought about incorporating more animal like features (legs, eyes, tail) but was reminded of a quote from Ridley Scott

“ The most important thing in a film of this type [Alien] is not what you see, but the effect of what you think you saw.”

In other words, the eyes could be anything and it leaves interpretation wide open.

26/04/26

Second day in a row - short stay again but relatively productive. Light wash on sky to add depth,

Art Journal: March 2026

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01/03/26

Raw umber / warm grey for walls. Prussian blue was over top hat. Burnt sienna / reds / pinks. Sage green = pacing figure.

Thought I would’ve gotten further ahead than I did but then when I came down home with a sour head on me, have since been told that it was plenty. That was right of course. I just think the images in my head, or the projected outcome wasn’t matching reality, In hindsight, of course there’s been movement. Tonal work on mid-sized canvas - the ground work of the colouring blocks are done.

For the small double portrait, using the lines in the hidden self-portrait to create structure behind (and possible in front) the female portrait.

Sometimes there isn’t (well to be honest, its nearly 99%) that magic spark when working - where a single mark can bring a work to life. Today was a grind and that’s OK. It’s whats needed. Still need to turn up, put paint down and work through problems as they arise. That’s the joy and the fear.

04/03/26

Dublin. Maryam Tafakory “Daria’s Night Flowers” in the Project Art Centre. Next, on to the RHA to catch the Hennessy Craig and Homan Potterton Awards 2026. Stand outs - Eileen Leonard Sealy, Daniel Coieman and Manar Mervat Al Shouha. Wonderful work!

Kirsty Bell’s work is absolutely stunning; the merging of layers and the unusual presentation (on poles, curtains) adds to theatricality and draws you in.

07/03/26

A classic case of teetering on the edge of over-painting - Small double portrait. The elements that I think are working are currently out-weighed by isn’t. Tonally, it’s OK, a little flat at present, I think its the application of the paint and the colour scheme that’s off at the moment.

13/03/26

“Non Squeal Killers” - “A Tacitun Mask”

15/03/26

In the studio. Back and forth once again on the small canvas. One minute I think a problem is resolved, then an impulse to go in the opposite direction takes hold. Not sure where this comes from or why.

It could be my idea of the finalised idea is split between accuracy of the source material and leaning into the more expressive immediacy that the intial drawings derive from.

Third session on this. I think if things don’t clean up after the next session, it will be a case of putting it against the wall for a while before tackling it again with fresh(er) eyes.

18/03/26

“Fate rebuked him with a terrible swiftness”.

22/03/26

Studio and a little impromptu photo shoot!

There was a point in the morning where I thought I was going to ruin it all.

Now, it is definitely not what I initially envisaged but for the process and danger that this wee canvas has gone through, it’s not in a bad space. It’s as good as I can do with how it has gone previously. So, a long, drawn out way of saying. It’s downing tools time on “Thought Gathering”.

Now, thoughts to gather towards….

Lists need made up.

29/03/26

There was no painting or drawing this weekend. A little respite didn’t do any harm.

Art Journal: February 2026

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01/02/26

Canvas priming. Such a dirty floor… and then my pen decides to implode on the third line of a new art journal!

In between priming layers - want to try and finish ‘Melina Study’. It’s the robe that annoying at the moment. Too smooth - lack of texture…

‘M.S.’ finished - added subtle hint of texture and line to robe.

A strange sort of nausea…

02/02/26

…chilling.

04/02/26

Still trying to process…

On a personal note, I feel I’m getting better at distancing… …yes there are still some late night checks but it is definitely an improvement.

‘Considering Art Podcast’ - Joanna Whittle.

05/02/26

LNAB

Catalyst Members’ Show - happy with placement of ‘BWoatS’- up high, looming down on the viewer. Nice choice.

On the way home, hit in the face with milk. Stank to high heaven.

07/02/26

Third and final coat of primer on canvasses ahead of studio session tomorrow.

08/02/26

Mapping out works. Image from ‘Masque of the Red Death’ culled from seven figures down to three and a bit of fun mixing the scale of the Tirnony Dolmen. Feels huge. Medium canvas has three acetates on it. Sounds a bit much but for now, its working compositionally. The trick will be what elements to recede and which to bring forward.

11/02/26

When I’m tired, my right eye closes involuntarily.

12/02/26

Sketchbook work

19/02/26

Lunchtime visit to the Golden Thread Gallery - ‘Insight into the other’ - a collaboration with UH Gallery in Boston. Particularly fond of Nancy McCormack’s paint-manipulated photographs.

20/02/26

I had started thinking about painting ‘strategy’ when getting kids to bed last night.

Particularly the ‘Dolmen’ and the small (slightly doubled) portrait. Now, I did fall asleep mid way through something of a little eureka moment so I will try and recollect.

Want to try something with the Dolmen piece:

  • work on night sky first - furthest back

    • Build up with thin washes, skits of stars (toothbrush) and a light fade.

    • Elements of colours from the sky washes (pthalo, prussian, indigo hinted at in the ground / grass.

  • One of the hooded figures - carrying a lamp - adding energetic brushstrokes to the illuminated ground, edges of robed figures and ancient stones. DRAMA

  • The trick will be making the trees disappear - how they do in life when looking up at the sky at night. They aren’t a silhouette but almost an echo of what’s there - waiting to be lit or to come into focus.

  • Slightly thicker paint on light edges - loosen control of the brush a little.

For the ‘double portrait’: Off skin palette - again loosen grip of brush in areas, tighten in others.

Relinquish control to gain unexpected moments in the process…

22/02/26

The other night was writing - today was doing. Pretty much did what was hoped to ‘Dolmen Gathering’. Now there is an itch to possibly include something else… hint of nature / danger. The only word that seems to matter with this piece - atmosphere.

25/02/26

Eyes peeled on Venice announcement! Congratulations to Alan Phelan, Alice Maher and Rachel Fallon on invitations to ‘In Minor Keys’.

27/02/26

Sketchbook work - late night - finishing off sketches that were started mid-week.

Art Journal: December 2025

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07/12/25

‘To Conjure’ finished.

teacup poisoner. Ability to blend in - an unassuming, quiet figure who poisoned people in plain sight.

Brushes down.

09/12/25

Always a strange month, hectic in so many ways but hopefully there will also be time to work on my own stuff a bit. take time to reflect on the past year and taking some quality time with the family.

10/12/25

The Sketchbook quandary. Nearly impossible to carve time to draw when I normally would have - in the evening before bed. Looking at other options. Commute and breaks are most viable options for now. Will test.

11/12/25

Rolling back the years here. Sitting outside Belfast Art College on lunch - sketching, observing and dusting off the cobwebs.

14/12/25

Snapping recently finished works and a bit of cleaning - palette wiped and some acetates sketched out.

Drew up two canvases - could have been far more but stopped myself. Don’t want to draw up works just for the sake of drawing up - filling the gaps, breaking the silence.

15/12/25

In Southern Regional College, Banbridge today to give a talk to students.

16/12/25

20/12/25

Studio session. Three latest works out of the way and down into storage. When down, four of the larger damaged works could be cut and restretched. Will be interesting to see what, if anything can be salvaged.

‘A brush with, Luc Tiuymans’ —> “Authentic Forgeries”.

Good start to ‘Milena Study’ today.

Milena Pavlović-Barili was a Serbian born artist who never settled into one style or one city, finding fame in New York rather than Europe. Her death is marked by an air of mystery.

24/12/25

31/12/25

Ending the year with a lovely, if not a little chilly walk around Pomeroy forest.

Art Journal: October 2025

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01/10/25

Prep ahead of VAI event in the MAC.

02/10/25

The start of a crazy month. But looking forward to LNAB later…

‘The Weight of Inheritance’ showing in the Royale Arcade Academy group exhibition.


Catalyst Arts

05/10/25

Deep breath…

Let’s have a go at session three for “B,W,oatS”.

A Brush with Wolfgang Tillmans - “RE-ENERGISE YOUR ARCHIVE!”

From what I can tell, the ocular device looks the part - symmetrical enough to look convincing and squ-whiff enough to be interesting.

Finished - bar Malcolm’s contribution (although I do kind of like it).

S….GF?

12/10/25

A Brush with Suzanne Jackson.

Completed ‘Kiss with a Red Flag’ - minimal touches needed - thin wash on highlights of hair and a slight change in background / freshening of the red flag / shirt. It could have been done on the second session but with elements not dry, the risk was too high of destroying any good work done to that point.


14/10/25

Visit to the MAC. Niamh Seana Meehan’s sombre textile installation that waits for you to immerse yourself.

William McKeown’s paintings of meditative light and beautifully subtle horizon lines.

Marie Hanlon and Rhona Clarke’s thought provoking work - a collaborative video installation that shines a light on the climate emergency plus Hnnlon’s sculptures of knotted glass that explores water as a resource.

19/10/25

Second session on ‘To Conjure’. Both images are fighting for dominance right now. Limiting the palette to see how this could affect this struggle and the work as a whole.

Mostly working on the large portrait element today.

22/10/25

26/10/25

Went and sat up in the studio for a while only to realise I wasn’t ready Space needed tidying up and organised so after a bit of time cleaning - it was back down to the office to work on admin updates. The boring stuff needs done too.

28/10/25

Zhanna Kadyrova in the Golden Thread Gallery’s ‘Radical Hope’ exhibition.

Art Journal: September 2025

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04/09/25

Jen Alexander in Threshold

08/09/25

VAI Get Together at TU Dublin

09/09/25

Visit to ‘Faigh Amach’ at Temple Bar Gallery and Studios.

10/09/25

Painting off to Arcade Studios for a group show.


14/09/25

Session two of ‘Better, Worse or about the Same’. Freaking me out a little that it’s where it is after just two studio days.

Still not used to recording either - in some ways it is a distraction and feels a little unnatural. In others, it focuses the need to get paint down which is no bad thing.

20/09/25

Looking at ‘BWoratS’ - it’s all but there. Setting it aside for now and going to have a first session of the small kiss piece.

22/09/25

Bunged.

27/09/25

Session two on ‘kiss’. Good call to darken the background.

28/09/25

Art Journal: August 2025

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01/08/25

Time for bed. (NOTE: Should have heard by now).

03/08/25

“The Woman with the Dogs” finished. Having timed deadlines according to size seems to be working.

05/08/25

C.H.C = No Date as of Yet.

06/08/25

Sat down last night with intent of own work but - other preoccupations took over. Shame.

07/08/25

Late Night Art Belfast.

08/08/25

10/08/25

Tai Shani - A Brush With…

Stretching canvas!

13/08/25

Priorities. Bridge. Swing. Power Pylon. Patterns everywhere.

Utilise time more wisely. Shake yourself out of the self-imposed rut. Yes, it’s difficult to carve time out but it must be achievable in some shape or form.

14/08/25

A.S. applied.

16/08/25

17/08/25

Added three coats of primer to new canvases.

Jane and Louise Wilson - A Brush With…

Let’s get some images on these bad boys!

Lots of drawing and tonal work today.

20/08/25

Sketchbook work NOTE: Need to refresh image pool -> prep for drawing transfers.

28/08/25

“__________ is a new language in my practice.” - Such a good line!

31/08/25

Studio and great to get layers down on “Better, Worse or about the Same?”.

Some videos - out of comfort zone.

Art Journal: July 2025

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01/07/25

O.C. - Not successful. Still…

03/07/25

LNAB

‘Here for Now’ ArtsForAll - Maria & Anna Horvathova.

Scott Benefield Trunk Show - Craft NI

‘Inner Space, Outside Place’ - Sarah McConnell / Jeffrey Roberts - Atypical

Shopwork = Vault Group Show.

‘The Ceremony of Falling’ Hana Abri Smith - Rattlebag.

Also, some revisits to Catalyst, Golden Thread and Belfast Exposed.

06/07/25

Studio Time. With two newly primed canvases - revisting some imagery that I feel had/has promise but faltered in a past iteration.

“The Woman with the Dogs” + “To Conjure”

The latter is adding a new image / element alongside the seance scene I tried to depict last year. The initial stages are always filled with such optimism and hope. Then I look at ‘Uniform Hate’ - so much I like about it, a lot more I don’t.

The two figures behind the central officer, they’re nearly the crux of it all. Carrying all the hate. The central figure is the calm in the storm.

…rearrange.

08/07/25

P - worth a look?

09/07/25

Get to grips.

10/07/25

Solid work on new pieces today.

17/07/25

Request sent. Fingers crossed.

Test run a time limit for work depending on size to reduce the risk of overpainting.

Whatever shape it is in by the final day is how it will be.

≤ 50 x 50 cm → 3 studio days

51–99 cm → 5 days

> 100 cm → 7 days

From there, I choose:

A: Leave it as-is after the final studio day (radical / reluctant acceptance)

or

B: Turn to the wall and let it rest for a month, then revisit briefly (cooling-off window)

18/07/25

“I’m coming, I’m coming,

and my head is bending low.

I hear the gentle voices calling,

Poor aul Joe.”

20/07/25

‘Uniform Hate’ finished. Not perfect, but much more I like now than not so that’s it.

Grabbed a mirror and started working from life partly on self-portrait. It was fun, frustrating but fun.

21/07/25

Something really nice about painting with mirror yesterday.

22/07/25

WFH = a lot!

23/07/25

Possible…

27/07/25

‘Twenty Eighteen’ complete. Taken as far as I can, Stuck to guns and 3 studio day limt.

Added bonus - yes, the original drawing is from 2018 but if you add 20 and 18, you get my current age. Meant to be!

Art Journal: April 2025

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01/04/25

02/04/25

“Trauma = fragmented memories / flashbacks.”

05/04/25

‘A Brush with… Celia Paul.’

Rembrandt’s eye’s defy death!

Sketchbook work early in the day. Paint out - let’s go!

“Art is how you give form to your deepest instincts.”

Celia Paul

A really solid start to “Uniform Hate”. Basic background colours and tones down.

“Self-Portrait between clouds” - using shape inherited from previous composition underneath as elements of the background. Perhaps a little more tonal subtlety - too contrasty at the present time.

Overall, a good day in the studio.

08/04/25

the week off was great, bar some setbacks.

… a little overwhelmed… just need to breathe, take a step back and be thorough in the work at hand. Only mentioning as a little vent was needed as well as reasserting that it’s ok not to get own work done every once in a while. Frustrating, but that’s the way it goes sometimes. It’ll be ok.

Stuart Calvin at the Golden Thread - Stay a while - Great! The work sits in that strange space between fragility and hope. The draped, almost human form reminds me of the cloaked figure in Ferdinand Hodler’s ‘Night’ - grief / fear made solid. Here, there’s the possibility of (neon) light creeping in Definitely one to stay a while with!

12/24/25

Fire on the Glenshane

13/04/25

Studio with Imogen and then onto own work. Building up self-portrait study. Back and forth and back again…

…well, that didn’t go as planned! Back to the drawing board.

16/04/25

An awful morning.

Presentation of commission - nice words and thoughtful comments.

17/04/25

“Decoys and Ghosts” in the Golden Thread by John Rainey. Vibrant, playful and quietly unsettling body of work. Fantastical morphings of classical figures and animal forms reimagined with vivid colour and bolt, unexpected shifts in anatomy. Sculptures feel like artefacts from another planet - cheeky, strange and incredibly precise. The traditional bust is unpicked and reshaped into something wholly new.

See H’s book for feedback / homework. Not for these pages!

19/04/25

I know with the utmost certainty that this will not be an easy or quick fix.

21/04/25

Studio time.

Brought little self-portrait back from the brink of the abyss. I think working from the sketch which was done at the time in the early pandemic (where head was shaved at home!) is throwing off what is in my own mind / self-image. Perhaps that should be the advantage? Beard too generous.

Imogen’s D entry - 21/04/25

23/04/25

Aisling O’Beirn “We Lose Sight of the Night” in the MAC. Strangely calming and thoughtful exploration of climate and environmental change through the lens of science and art. A beautifully reflective collection of installation work rooted in celestial mapping and light pollution.

Open call applied for! Had hoped for some sketechbook time but that wasn’t to be tonight.

25/04/25

27/04/25

The Week in Art

Sketchbook work and admin work. Another sketchbook done - another began.

Move away slightly from direct narrative compositions? Semi-historical? Whose history?

Art Journal: March 2025

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02/03/25

…it’s finished! Hallelujah!!

This work is taking a lifetime to work out the kinks.

05/03/25

Admin work and a load of stretcher bars home. Had planned on more but literally ran out of time.

06/03/25

Fell asleep on the bus while writing in here… Subsequently have lost my favourite pen to the 212!

Late Night Art Belfast: Majella Clancy in Ulster Presents; Steph Harrison at Atypical Gallery; The Irish Palette in the Engine Room Gallery; Last night of the Catalyst Members’ Show and ‘Cailleach’ at Vault.

08/03/25

09/03/25

Stretching and priming, followed by another round of priming in the evening. No RHA this year.


10/03/25

Been offered a solo for 2026! All chuffed!

13/03/25

Wonderful to be at the opening of 'The Crush' by Sian Costello in PS Squared.

The paintings seem to echo the softened, shifting edges of camera obscura projections, where details are suggested rather than fixed, teasing at recognition before slipping away.

Of the work Sian writes: 'I use my own body and a series of camera obscurae as instruments to magnify and distort the boundaries between what is real and what is the art "work" of composition, lighting, and painterly flair. Through this fractured lens, space opens up beyond the controlling hand of the artist for the narratives told by the subjects themselves.'

'The Crush' runs until the 17th April.

14/03/25

Achilles is banjaxed! Minor injuries is a joke!

15/03/25

A morning of sorting out reference imagery. Feels like nothing productive has been done I know it will prove helpful in the long run.

18/03/25

…RETHINK…

24/03/25

Fancy transit.


27/03/25

It’s been quite a week: Helpdesks, Training in Dublin, More training in Belfast and a student Fair at UU… now first C.H. event.

Imogen is three today. Hard to believe but we can’t picture life without her!

…wisdom to know the difference… It’s not going to be easy.

30/03/25

Studio - drawing up, mapping out structure / composition of a few new canvases.

Feels good to get in the rhythm of making after a good few weeks. Tonal values looking good thus far.

CARVE! CARVE! CARVE! Without dictating a set regimen.

Art Journal: February 2025

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02/02/25

Looking back at ‘targets’ - pleasantly surprised. Yes, the drawing fell short but KEEP IT UP!

03/02/25

Studio. Paring back of background - so much better.

Several older sketches transferred onto acetate.

Taking back sense of self / purpose.

05/02/25

06/02/25

Busy day. Symposium followed by Late Night Art - with a piece made especially for the Catalyst Members’ show taking part!

Struck me last night - shifting to more personal imagery and away from portrait after portrait IS what’s needed - but is a tired rendering of them going to yield exciting results? I don’t think so.

A little more outside the box thinking and care required - other than throwing multiple imagery on one plain. Although that is one way to expand narrative quite quickly….

LNAB

Gerry Gleason’s Skip Sculptures | Philip Arneill in Arcade | Yvette Monaghan Belfast Exposed | Sinéad O’Neill Nichol in VAULT | Joan Alexander in PS2

08/02/25

Ballyliffen celebrations

11/02/25

Very late sketchbook work - AGAIN.

13/02/25

…aiming for a good new habit. BUT there is no point in sulking or beating yourself up if targets are not reached each time. By the same token, there is also little point in setting goals if they are ignored or you don’t try to achieve them. So, do your best but if it falls short of expectations, learn from it and carry on.

16/02/25

Plates be gone!

Multitasking - not my strongest suit.

20/02/25

Golden Thread Visit and application submitted.

22/02/25

… kicking my ass!

“A Brush with Somaya Critchlow”.

Hilarious! RD was hijacked - brilliant! Goldilocks - just right.

… fingers crossed though that once it’s done and out, a real flurry will take place.

23/02/25

25/02/25

Sally O’Dowd in Ulster Museum!

26/02/25

Array at RUA RED. Something quite cathartic singing Bette Midler to a squad of police Land Rovers.

27/02/25

What does the inner critic say? TW, L, NGE.

Carrying on my engagement with the subjective experience - particularly around trauma. That is something. Interpretation of images … unique.

CRINGE ENDUCING!

Art Journal: January 2025

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02/01/25

Sketching - coming back!

05/01/25

Early studio session - Looking at “Gathered” … it’s finished.

Bit of a push and pull on Commission.

NOSFERATU - GREAT!

06/01/25

First day back in Belfast - COLD!

07/01/25

Double deadlines and an open call.

08/01/25

Personal interrogation - double mirrors? Will be good to dust cobwebs off.

What to put into xxx?

Popped round to Golden Thread Gallery on lunch.

Shirin Neshat installation in the Golden Thread Gallery.

Such a headache but it will pass.

09/01/25

GET IT DONE!

Three in the Morning by Charys Wilson at PS2 - fab!

Ran around … but no joy.

Sarah Maple Call me Mother in the Naughton - wonderful show.

(…. add mirror plates).

11/01/25

,,, Done all here I can at the moment.Seemd flst at the minute Still to br

12/01/25

Sketchbook studies in the morning.

13/01/25

Double Submitted!

15/01/25

Dropped '“Gathered” over for Catalyst Members’ Show. Should be a good one!

16/01/25

17/01/25

It might look like a phone induced dopamine hitting laziness - but I do want to try and utilise certain aspects better. Are multiples worth it or is it better to do just one really well?

Will mull this over but in the meantime, gather images to set into … folders.

Late Night Self Portrait sketch.

18/01/25

Should have seen this coming - getting too caught up. Yes, it’s a good idea to curate some meaningful aspects but, and this will always be the case, making the work is and always will be top of the pile.

Less scrollin’, more rollin’.

Setting distractions away to write really helps.

Watched ‘Longlegs’ tonight. The dolls shrouded in a black sheet - but with the demonic red eyes showing through - it has really unsettled me. Like one of Magritte’s lovers but on a bad trip.

19/01/25

Sunday Studio Session - (and pre-session list).

…colour restructure? Starting over isn’t the end of the world. It could be that it’s too small to tackle the source material properly.


And restarted I did. Got to the point of the second looking further ahead than the original pretty quickly. Should use the little canvas as a guinea pig - test out ideas.

Change the background - make it my own. It’s too safe at the minute.

21/01/25

A late night (probably too late a night) of sketchbook studies.

23/01/25

‘Misaligned’ by Katherine Penney in Ulster Presents. Moving work - beautiful use of space.

Bracing now for storm Eowyn.

24/01/25

Guts of three trees fell out our back and power has been off since early morning.

Saw part of one of the trees come down this morning. The thud it made!

Ambient candlelight.

26/01/25

A sketching and scanning day.

29/01/25

Dublin. Eileen Leonard Sealy’s paintings in the LAB Gallery - excellent.

30/01/25

I’ve veered more and mroe away from raison d'être.

Stick Shed. Personal motifs. Untapped.

Dervla O’Flaherty and David Dunnes’ shows in Cultúrlann.

Retrospect - …preferred… with older painting upside down (two tones).

… more of me in there.

RDH: DECEMBER 2024

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01/12/24

It’s been a long weekend - no studio but that is understandable considering the circumstances. Adjust / Adapt.

SURPRISE SURPRISE!!

03/12/24

… application? Glutton for punishment?

04/12/24

Focus! F and A. That is all that matters! The rest is bullshit.

08/12/24

Studio! Part 1. ‘M.C.’ facial tones - hair detail. (Purples / Greens?)

Timely progress on commission. Baby steps - not getting too carried away.

Started well on ‘moss piece’. Think the texture will work well - albeit awkward to get detail and control the paint in the really layered elements.

12/12/24

Has the penny finally dropped? Hopeful that it has. Over Christmas, take a look at [redacted]. Why not!

13/12/24

Submitted!

18/12/24

Didn’t get the P.P. opportunity. But as S. says, it was a strong application so I’m proud of it regardless of the outcome.

22/12/24

Keep forgetting that December is usually a write off - when everything else is taken into consideration.

23/12/24

NT5’s gave an idea. snippets / stills from videos taken out of context. There’s something here (not literally I hope). +

25/12/24

26/12/24

It’s been a month and a half! Art has taken a back seat. There’s plenty to be doing, just zero time to do it. This has been largely out of my control lately.

BUT - in saying that…

When it IS in my control, it is making sure that I’m getting the most out of it.

Energy Levels.

27/12/24

Carving time. Need to get on top of these fatigue levels. Certain points of the day, I could easily pass out and I have caught myself sleeping not long after waking up several times.

Get to the bottom of it.

28/12/24

RDH’s are all well and good - keeping stock of where I was to help where I'm going. But what if, in the new year, at the start of the month, a list was made for that coming month. A target list. Things like:

  • works to start / finish (setting deadlines)

  • upcoming application opportunities

Continued in diary.

29/12/24

Last studio day of the year probably.

Top tone - violet yet still dark.

“…embracing darkness as a tool to shed light on something.”

Hank Willis Thomas (on the ‘A Brush with…’ podcast)

So bloody close! The green background is upsetting my happiness but what to change it to?

31/12/24

When researching ideas for creating a new target list, one thing that came up and, I’ve noticed this in real time, is having or setting a deadline to finish something.

having a time limit to have work completed for the Catalyst opportunity has definitely been helpful. Piece is all but complete.

New Ideas project - NI M’s and S’s. (pandering?)

Target list should include a chance to take my own advice - do the research and contact …

Some resolutions: cull the scroll time - cut out certain habits.

So long 2024. You’ve been good to me,

2024 in Pictures

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JANUARY

FEBRUARY

MARCH

APRIL

MAY

JUNE

JULY

AUGUST

SEPTEMBER

OCTOBER

NOVEMBER

DECEMBER

RDH: NOVEMBER 2024

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01/11/24

Pretty sure this is Dad in the Vectra circa 2000.

02/11/24

H, F & M.

…taking a back seat.

04/11/24

Escalation

05/11/24

Late night home.

06/11/24

The fun never stops!

07/11/24

Collected. No late night art for me this month. Exhaustion has taken over.

08/11/24

Proposal started. Excited to stretch and prime canvas tomorrow! Nerd Alert!

In the chaos of the past few weeks, I forgot to note that I’ve had a lovely delivery of a 10m roll of canvas and primer.

09/11/24

Didn’t realise I had so much primer! Two canvases, stretched and primed with one coat (plus one bloodied thumb).

Sketchbook time - this definitely needs time allotted to…

… came back to finish off the two drawings started earlier on. It can be done - just needs some discipline and manoeuvring.

10/11/24

‘Natural Alignments’

GET OUT THERE!

***Updating from loss and eventual return of diary***

12/11/24

MAC Show - beautiful and just a joy to immerse yoursself in. Wonderful homage.

Weird seeing D.M.’s paintings again after so long. Remember getting my graduation photos from NWRC in front of them.

17/11/24

Can’t believe I’ve lost track of RD. First time ever in fourteen plus years and quite annoyed at myself.

ADAPT - MOVE ON - WORK

Primed canvases with second coat. In terms of C’s submission, materials gathering and experimentation ongoing.

18/11/24

Dublin - Day 1. Lights out in middle of set up.

19/11/24

GTG a great success. Good night had by all.

20/11/24

Dublin Day 3. Brian Maguire in the Hugh Lane. Glorious large scale works and great to see some old favourites I first saw in VOID a few years ago.

Douglas Hyde Gallery - ‘LAND’ group show. Beautiful video work from Pinar Öğrenci in situ - videos on display will change to change throughout the run. Tried to get into another space - was not allowed with suitcase in tow.

Lastly the LAB before the bus home. Vanessa Daws’ show inspired by endurance swimming pioneer Mercedes Gleitze. Great show but still filled me with anxiety looking at open water.

Home … and finished submission.

21/11/24

Reunited with diary!

24/11/24

Studio - started commission. Beginning to incorporate moss into c.m.s piece - painting into the final layer of primer. Waiting game.

More progress on ‘L.Y.s.V’.

Love was spread a little in the studio today - bits and pieces worked on in different areas. Covering all the bases.

27/11/24

Dublin again!

28/11/24

RDH: SEPTEMBER 2024

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01/09/24

Should LOFT TALK return?

05/09/24

Met Khaled Barakeh at his show in the MAC.

Late Night Art - Belfast Exposed, DAS, PS2 and VAULT.

06/09/24

‘Hindsight Study’ into RAA show!

08/09/24

Slow and steady progress on new portrait.

12/09/24

Basil Blackshaw: Selected Works in Ulster Presents. Always something incredibly moving about the last work an artist worked on. Almost like a lifetime's experience culminating into one last piece.

Late Night Art - East Belfast. Visit to Platform, Strand Arts Centre, Arts Care and Creative Exchange. Loud in between.

Have really gotten out of the way of note taking. Subbed for worse habits. How to rectify? Stop. Breathe. Think.

15/09/24

Studio time. Portrait - ‘Never Be Seen’. All but there. Some moments where the background tone looks fine and works well and others where it looks like a mistake and falls apart. Chips and changes - probably down to the light through the day (or indecisiveness).

Resting on it for now.

22/09/24

One week on and yes, the background definitely needs addressed. Worked it so its back to a very similar colour to how it started. Finished and full circle.

26/09/24

QSS at 40!

Brilliant show and will be back to see multiple times.

29/09/24

Studio and 'Tesla' painting is gone - for now. Drawing up new works.

What words or text become like the ground of a painting?

Glenn Ligon - The Week in Art podcast.

'Spare Change Study', ‘Running Errands', 'Repulsion from a Clown'.

Some good starts. 'RfaC’ redeemed somewhat for now.

RDH: AUGUST 2024

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02/08/24

Studio time finally - after a slightly longer than usual cleaning session.

Not much progress made with “Turn to Page Five” but still feels great to put paint down after seventeen days of renovating, family time and north coast fun!

04/08/24

“Restraint Study” handed in. Crossed fingers…

Took myself up to the Ulster Museum afterwards to finally catch the two Caravaggio works together for a rare time since the 17th Century.

“The Supper at Emmaus” (1601) and “The Taking of Christ” (1602). The first time in a long time where I just sat in awe. Spent nearly an hour just soaking them up (from near and far). He really was the master of light and shadow. Today has brought memories back of my last trip to the National Gallery in London back in 2019 and a reaction in front of another Caravaggio - “Boy Bitten by a Lizard” (1594-1596). Skipping past pockets of school kids getting guided tours, I stumbled upon it, right in the corner of the room.

There was a guide giving a talk to a class of children about a much larger painting just beside the Caravaggio. Can’t mind what it was - but it was a big canvas. Anyway, I’m looking at the painting and I suddenly start to feel myself well up - and I couldn’t stop it. I started crying.

I remember being in shock and some of the class beside me were staring and whispering among other. Because of where the Caravaggio was in the gallery, I was sort of pinned in with the school kids sitting on the floor all around listening to the guide speak. I eventually had to make a break for it, snaking past them to get out. First time I ever cried at a work.

The next time that happened I think was with Daniel Coleman’s epic work in the MAC show a while back. The sheer audacity of scale, the use of colour in the limited palette - everything took breath away to the point I got choked up.

06/08/24

Called round to check out ‘The Shape of a Pocket’ exhibition at Catalyst Arts curated by Dougal MacKenzie and Christopher Hanlon.

“Hindsight Study” submitted…

07/08/24

Back to spinning plates.

10/08/24

The Golden Thread Gallery has reopened with shows by Robin Price, Charlotte Bosanquet, Rob Hilken and Graham Fagen.

11/08/24

Honey ate more paint than I thought. More put out. “Turn to Page Five” - dark, ochry brown background? Semi-transparent?

FINISHED. Thought I had nearly messed it up with a little too much fixative but managed to pull it back OK.

12/08/24

“Restraint Study” accepted into the RUA! Chuffed!

18/08/24

Three wonderful years - and a lifetime ahead!

Tried a jaunt to the studio - not feeling it. Will try to block in some colour to “bin” piece.

22/08/24

Sketchbook work before bed.

25/08/24

“The possibility of the studio” - Eva Rothschild

From “A brush with ,,,” podcast.

So, after a layer or two on the “bin” piece, it was time to say goodbye. Just wasn't working, especially with the background. So working a new image on top and starting a new portrait from scratch on a nice, clean canvas.

28/08/24

Dublin reconn.

29/08/24

Re-group…

31/08/24

Sixteen Years. Hard to fathom.

RDH: JULY 2024

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04/07/24

LNAB

07/07/24

Early sketchbook work this morning - bit of a delay but in the studio now eventually.

12/07/24

Late Night Sketchbook Session

14/07/24

“Turn to Page Five” - good progress.

21/07/24

Into the second round of the RUA. Taking “Defiant Study” up on Sunday 4th August. Fingers crossed.

25/07/24

Wasn’t successful in Mayo application. Onwards.

Not too much art related happenings this week and next - decorating the kitchen and having some family holiday time. Must make a point of getting thoughts / ideas / notes down as and when if possible. There have been a couple of instances where something has popped into view mentally relating to practice but since they weren;’t recorded, they have faded into lost memories.

Renewal isn’t a lie.

30/07/24

North Coast - burnt to a crisp.







RDH: JUNE 2024

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02/06/24

Studio - focus on one image…

Well, some days just don’t go the way you want them to. Bit of a damp squid in the studio. Superficial work on ‘mugshot’ (working title). Vented frustration out on cleaning the yard.

05/06/24

Organising archive.

06/06/24

Late Night Art - Belfast. Traditional Route.

09/06/24

‘The Week in Art’ podcast discussing Studio Voltaire and Martha Jungwirth’s take on Goya. “Turning off the facuet of emotion.” (on O’Keefe).

The Sleep of reason.

‘Talk Art’ with Nathanaëlle Herbelin.

“Hindsight” - So bloody close! Frustrating. Too thick in hair and isn’t dynamic as rest of picture. Deep breath. Could be worse and be no where near close to finishing - silver charcoal filled linings.

Still haven’t heard anything from S.P. show.

12/06/24

…found wanting. Rinse head - take a step back and look at the bigger picture.

F.W.A.

13/06/24

Being really fucking ballsy!

14/06/24

Didn’t get solo chance. Ah well. Up to Belfast for opening of ArtsFest III.

Great turnout!

16/06/24

Cleaning works in the lower garage. Some damaged beyond repair.

“Hindsight Study” finished. Some substantial progress to “Four Years On”.

19/06/24


23/06/24

Great day.

25 + 26/24

Family sick days so just a total wipeout.

Visual / Ocular Migraine.

30/06/24

Started the day off bright and early with some sketching from photos taken throughout the week.

“Four Years On” finished.

Larger portrait started. Good way to end the month.