RDH: MAY 2021

01/05/21

NB: Take a little more time…

"History Repeating”: Good Start!

02/05/21

Admin all day long!

03/05/21

Sketchbook work with snooker on in the background. Not a bad combination

04/05/21

passing-time.org : great concept for a website showcasing work.

05/05/21

Submission unsuccessful.

Studio time eventually… come the weekend I will probably try and figure out a way to block out the planes so that I can paint the red container background in one motion. Right now its all a little scrappy and stop/start.

07/05/21

Belfast bound. When walking around the town I hear ARRAY have been nominated for the Turner Prize! Amazing news and thoroughly well deserved! This feels like it could be a huge boost to Belfast / NI art community going forward.

08/05/21

Rodin’s “Gates of Hell”

…has to reflect your own practice. We all think and experience the world differently.

Weekend screening of ‘Painting After Postmodernism with Barbara Rose’ courtesy of The Brooklyn Rail.

… permit the accident and then aim to control it afterwards.

Concept of space - innovation of contemporary painting regardless of abstract or figurative work.

09/05/21

Initially didn’t feel in form for studio today but it really does pay off to just do it and go in regardless.

Masked planes and now I’m fairly content with the more solid / rusted container in the background.

10/05/21

Sketchbook work.

12/05/21

The over-thinking / perfectionist side is in overdrive.

Perhaps it’s the large scale that is showing up it’s flaws. Embrace the flaws? Easier said than done - however I do seem to appreciate other artist’s little oddities in their work that could be seen as inaccurate. One person’s poor areas are another person’s highlights I guess.

There’s a lot to be said for confidence in the work and/or the process. Here’s to letting go.

13/05/21

Finally bit the bullet in some respects. “T.H.T.H” sold!

14/05/21

Memory is so imperfect.

15/05/21

A lot of doodles and not much substance.

Joan of Arc will be the elephant in the room today.

Figurative -> Genre

Abstract -> Colour / Editing

Perfectionism is stifling “History Repeating” It’s getting there but extremely slow and frustrating. Straddling between realistic and looser motifs. In two minds when in the thick of it all.

Listening to ‘Jo’s Art History Podcast’ in the studio.

16/05/21

Rearranging storage space.

17/05/21

OFFSITE from Catalyst Arts. Peer Support / crit group was excellent and definitely well worth expanding on.

Patterns of People.

The act of Keening / Post-memory.

18/05/21

Paint the fence.

19/05/21

That ‘I want to be on my own’ kind of feeling.

“H.R.” - truly, these planes are the bane of my life at the minute. Whatever the case, regardless of how they are (in my eyes) I’ll want to push on and be done with this canvas by the weekend….

…are they finished? Dare to hope.

IMMA talk with Chantal Joffe and Katy Hessel - ‘The Artist’s Mother’.

‘Attempting the impossible’ - the best definition of portraiture and painting.

Just submitted “Shock” and “Gathering Thoughts”.

20/05/21

21/05/21

‘The Training of Memory in Art and the education of the Artist’ by Horace Lecoq de Boisbaudran.

Cart and standing figures worked on today. Trying to strike a balance between the light tones of the ground, the bodies and the cart.

22/05/21

25/05/21

Work and yard work.

26/05/21

“History Repeating” finished!

28/05/21

Saltz v Scully.

Started putting paint down on one of the smaller pieces and just decided to call it. Whether the smaller works are tripping me up on where to go next or they’re just not exciting me enough to push on. I’m not sure.

30/05/21

When asked if I would be willing to help Ciara McMullan, an architecture student with a project, I was happy to fill out a questionnaire and make some small works on canvas and glass to include in a study model of a studio / exhibition space. I was blown away to see the final results of the project. Some fantastic ideas.

Internal shot of Ciara McMullan’s art studio / exhibition space project.

31/05/21

Late night sketching to finish off the month. The past few weeks has seen an unusually singular focus / pandering to one specific canvas. Typically I jump from one work to another with usually three on the go at once. I always thought this helped keep the head and the eyes fresh. I wonder if this may explain May.

Slight sense of fatigue creeping in. At least there are avenues to explore in terms of going about fixing it.

RDH: APRIL 2021

01/04/21

“A Brush With… Ali Banisadr” - audio-visual synesthesia.

02/04/21

Palette is cleaned and managed to get some good work on “On Gilded Steps”.

03/04/21

Added some gold aerosol for the edges of the steps. So close to finishing it up. Very frustrating as last week one of the figures that was working the best is now the last piece of the puzzle yet to fit.

05/04/21

“On Gilded Steps” finished!

09/04/21

…apparently it was coming but it was a jolt and now a growing sense of uncertainty.

10/04/21

“Seven Types of Ambiguity” by William Empson.

Ambiguity has to be purposeful, holding multiple elements in suspension - that’s when the ambiguity works and has a function.

11/04/21

Such a leap from what was happening last year.

12/04/21

Catch up on webinars. Is ‘brand’ a dirty word?

13/04/21

Episode 27 of “Jo’s Art History Podcast” is live! Always strange to listen to yourself back but I really did enjoy the chat with Jo.

Some good sketchbook work tonight.

14/04/21

Re-watching Rego Documentary.

“Gathering Thoughts” gathering momentum.

16/04/21

Quick run to Belfast to lift “Hotel ‘78” from the RUA.

17/04/21

Studio work: less will be more with “G.T.”. Progress made but very slowly. I could have ploughed on this evening but I thought it was best to quit for the day while I was ahead.

19/04/21

“Leonardo" on Prime. Fast and loose with facts but still fun to watch.

22/04/21

Yesterday saw a long overdue clear-out of the office and the start of a fresh lick of paint.

25/04/21

I think I’ve taken “Gathering Thoughts” as far as I can go.

27/04/21

A solemn anniversary.

28/04/21

Submissions made. Fingers crossed. Primed large canvas today which took several coats. Barrow + woman with dogs / butcher?

Starting to get excited by a piece that hasn’t even been started yet.

29/04/21

Decided against ‘woman with dogs’ and ‘butcher’ imagery and opted instead for early biplanes of the RAF. This way I can instead swap scale instead of orientation and hopefully not overcrowd the composition. The red container behind the medics should be kept and then adding the planes using tonal differences / slightly different register. There and not there. Pillers - might be best to paint them out. There will probably be remnants of them as layers are added.

30/04/21

A broken up sort of day.

RDH: MARCH 2021

04/03/21

It’s been a full on week - trying to ease myself in slowly and find my footing again and knowing my limits.

Evenings = questions

05/03/21

UPDATES

06/03/21

Handwriting is a microcosm of the personality.

A good start to “The Infamy of Crete”. Muddy palette so far but for now it’s working.

11/03/21

SorT? tech-check. Target -> 1488 (done).

Bullet points for a smooth six minutes.

Could easily fall into the trap of not doing anything this weekend but I know how it would make me feel if nothing was to happen. Try your best - productive variables.

12/03/21

Good God this text is heavy!

Taking time in the studio. The little pieces of canvas / glass that I’ve been asked to put something on for a student’s project was actually a really good loosening / warming up exercise. I have plenty of little strands laying around and could put paint down / play / experiment / make mistakes for twenty minutes before moving onto wall works. Not a bad idea.

Gold Leaf for step edges possibly?

13/03/21

Some really solid background work to “On Gilded Steps” - a lot of blending work. The scratching around the figures - lets try and keep some of that!

15/03/21

Scanning.

16/03/21

Having to go up above to finish online work just sucks.

18/03/21

Waking up at 4am - chocking. Not good.

WHAT Panel talk

Miriam O’Connor: different coping mechanisms - access to the studio so important - adaptability key to productivity - art to navigate trauma in life - art practice is tool for survival

Austin Ivers: teetering between the two poles of anxiety and boredom.

19/03/21

Really enjoyed taking part in the panel talk yesterday and the podcast is out today. So happy it was recorded before my voice left me completely.

Some more work to “On Gilded Steps” today.

20/03/21

Darkness in control.

“O.G.S.” - Steps are really annoying me. In hindsight I probably would have set the steps differently. now, however, with the background nearly prefect as it is, it could be a disaster to try and adjust the steps and lose that backdrop. I have this painting by Rembrandt rolling around in my head at the minute.

“The Conspiracy of the Batavians under Claudius Civilis” - Rembrandt - 1661/1662

What a game!

21/03/21

Should the bull’s head go black? - went a little too far with it today but it’s fixable.

25/03/21

Remnants of childhood 'treehouse'

Drawing of myself huffing, aged six

Scaling sketches down in scanner is probably a good move. A few good drawings of old family photos tonight.

26/03/21

“T.I.O.C.” looks more like an etching at the minute.

Loose! Emphasis on LOOSE!

27/03/21

Last night was a total nightmare. Floating, panic and chased by a hooded killer. Once caught a falling sensation would wake me up but once I dozed of I was straight back into the nightmare and repeated this process around four or five times.

‘Create and curate your own archive’.

Farewell Fernand.

28/03/21

Marta Dyezkowska Talk

memory / identity / trauma

We should be able to close the door on loss.

Standing with back to camera, an act of defiance against process. Mix memory with current state.

secondcollectivebelfast.com

Really enjoyed this talk today! Watching and listening in made me really nostalgic about LOFT. We should be proud of what we were able to achieve with that space.

29/03/21

“The infamy of Crete” - finished. Not perfect but pretty solid.

30/03/21

Little bit of “T.I.O.C.” was really bugging me so I crept into the studio and fixed it last night.

Today was a case of drawing up a few smaller works and putting down basic paint layers. A promising start.

31/03/21

A quick up and down trip to Belfast for an appointment.

Surviving or THRIVING? - Panel Two Podcast!

On Thursday 18th March, I took part in a panel exchange regarding support and wellbeing in the visual art sector in Ireland. This was the second panel talk of which there will be a total of six - each one focussing on different areas of the creative sector in Ireland. Host by Dr Maureen Gaffney the other artists on the panel were Miriam O’Connor and Austin Ivers. Click below to listen to the podcast!

Surviving or Thriving? was created by the Waterford Healing Arts Trust with the Arts Council of Ireland and I would like to thank them for inviting me to speak and to Visual Artists Ireland for providing support for this panel.

It was great to get to know Miriam and Austin in the lead up and wonderful to hear their thoughts on being an artist during what’s been a rough twelve months.

The other Surviving or Thriving? events run up until the 1st April 2020 and more information about upcoming talks and workshops can be found here.

Surviving or THRIVING? - Supporting the wellbeing in the Arts Sector

I’m delighted to be taking part in one of the panel talks revolving around the wellbeing of the Art Sector in Ireland. Devised by the Waterford Healing Arts Trust (WHAT) in partnership with the Arts Council of Ireland and support from other organisations such as Visual Artists Ireland, Age and Opportunity, and Dance Limerick to name a few, this series aims to inspire and support the viewers, panellists and listeners while also acknowledging the difficulties for the arts at the moment. Each event will be available in podcast form at a later stage.

The panel I will be involved in will focus on the visual arts alongside Miriam O’Connor, Austin Ivers and chaired by Dr. Maureen Gaffney. If visual art isn’t your thing, other corners of the arts in Ireland has been accommodated - from literature to dance, music, theatre and collaborative arts. These free events run from the 15th March to 1st April every weekday at 10.30am (the final Theatre workshop on the 1st Aprll begins at the different time of 12.30pm).

To book your FREE ticket for ‘Panel Exchange 2: Visual Art’ click here.

For a list of all talks/workshops in the Surviving or THRIVING? series click here.

RDH: FEBRUARY 2021

01/02/21

My display for Firstsite’s “Great Big Art Exhibition”.

Blessings this morning.

…it’s not animals.

02/02/21

Parcel from Trebuchet

04/02/21

Good sketchbook work tonight.

05/02/21

Some paint down but not much.

07/02/21

Trip to the Derry Vaccine Centre.

08/02/21

Sketchbook work this evening.

10/02/21

Fingers crossed.

11/02/21

Rookie mistake so sketchbook work instead.

13/02/21

Less doodle and more noodle.

15/02/21

Great news!

16/02/21

Need to make a point of getting into the studio tomorrow.

17/02/21

A lot of scraping and pushing around paint to “Washing of Hands” piece. It may be, for right now, I’m forcing works that are stagnating. As solid as they may be compositionally I feel at a loss with where to go next. Could be why I’m drawing a hell of a lot more lately - looking for other avenues?

In any case it felt great to move paint about for the first time in a while.

18/02/21

Fully intended - FROZE - self-doubt.

20/02/21

Self actualisation - making real of the inner self.

22/02/21

Back to work!

…little more interactive.

23/02/21

…collapsed. Postural hypotension.

24/02/21

HBKA!!!

25/02/21

“Titles are an extra brushstroke”

Lynette Yiadom-Boakye

Clarification

27/02/21

Poor … way too much going on at the one time.

Reading round is back! So happy to see those faces!

Little bit of self-doubt still here. If I try to force it, the doubt seems to grow roots. Flip side of that is that you can the self-doubt can stagnate and you can then avoid going into the studio all together.

GET IN BUT NO PRESSURE

Bleached out several canvases on a spur of the moment this evening. I think starting again / fresh thinking is the best option. Out with the old.

28/02/21

Well, completely cleared the window piece. Aiming to start Spring with a spring in step so I’ve drawn up few pieces and see where they lead.

RDH: JANUARY 2021

03/01/21

‘sub cruce salus’

… too simplistic or is it hard to get ideas across?

04/01/21

Need to leave site.

05/01/21

Elevator pitch: use personal and found imagery to explore notions of trauma, memory and experience. (13 words, 83 characters)

imagery with personal connection - greater impact?

large scale drawings = link between sketchbook and canvas.

06/01/21

FORM —> CONTENT —> FORM —> CONTENT …

Can you distil the feeling of an image?

Play with gesture.

…adding just for the sake doesn’t cut it. Integrate if it adds to a message.

07/01/21

Hillsborough

08/01/21

Growing uncertainty in other areas is just leading to this “deer in headlights” feeling.

09/01/21

Lists are all well and good but to get making again ; that’s what it’s all about.

“Shock” looking good thus far.

10/01/21

Passionate about painting / drawing and interplay between the mark-making of both processes… juxtaposing imagery. How do they sit together?

11/01/21

Still have to show though.

12/01/21

Detail of “Shock” - finished today - Oil and Charcoal on Canvas

13/01/21

“As an artist you leave a trace of yourself.”

- Mira Schor

Magnets came and work a treat!

Sketchbook work: 13/01/21

16/01/21

A little slow to get in today but four canvas pieces off the starting block which makes up for it.

18/01/21

21/01/21

…in a jar for the day.

23/01/21

Forgetown Bridge

25/01/21

Sketchbook work

27/01/21

…days just melting into each other.

28/01/21

Not one but two zooms this evening.

29/01/21

Some surprising paint down today. Loosely does it.

Detail of work in progress.

30/01/21

Cold.

Sketchbook work this evening,

NOTE: Check out the music of Nadine Shah.

31/01/21

One clean palette and one sore head.

RDH: DECEMBER 2020

01/12/20

…wrapping

Ars longa, vita brevis.

02/12/20

‘A Brush with… Ragnar Kjartansson’ podcast

“Art is a shelter from a storm” - Ragnar Kjartansson

“Raking It In” Pen on Paper

03/12/20

An opportunistic pitch to pat themselves on the back.

04/12/20

“Soaking Up The Sun” Pen and Marker on Paper

NT - how you might approach and on what grounds.

06/12/20

“Norwegian” notes: warmer flesh tones? Texture in sand (sawdust?)

“Swivel Study” Pen on Paper

07/12/20

Some really good sketchbook work done tonight.

“Just This Once” Pen on Paper

10/12/20

Commended for the Moth Art Prize 2020!

"Norwegian Stance" WIP

Malala Study

Thought I had destroyed “Norwegian Stance” a few times today but it’s a stubborn git. In any case it was good to get paint down.

…some sketching work tonight but not much.

11/12/20

One minute I think the painting is finished and then a wee niggly bit pops up.

“Norwegian Stance” all but finished.

14/12/20

Sketchbook work … but I’m distracted a little.

15/12/20

Belfast. Three months on…

“La Loge” in the Ulster Museum. Absolutely stunning to see in the flesh

Seeing “Hotel ‘78” with the name tag beside it made it all the more real. Great to see around the RUA.

Jaunt to the Golden Thread Gallery. Absolutely stunning show “Put It To The People” by Joy Gerrard. I’ve seen similar small scale works before but the larger canvases are amazing! Real gestural mark making at it’s finest.

Joy Gerrard at the GT

Peter Liversidge at the MAC

"In a Rainbow of Coalitions"

The Peter Liversidge show in the MAC is at such an epic scale. Uplifting messages and cool to see the workstation tucked away at the back. The “In a Rainbow of Coalitions” show in the MAC was colourful, fun and poignant.

18/12/20

What’s been lacking recently is the idea of structure. Lists are missing. I love lists. I think this happens around this time every year.

… large scaled drawings - add a link between the pen drawings and paintings…

20/12/20

“Pacing in Isolation” Pen and Marker on Paper

23/12/20

Conjunction with Jupiter and Saturn

27/12/20

Inspiration is not reliable. Keep curious and critical. You don’t know everything and never will. Perfect conditions don’t exist so stop waiting for the ‘right’ time. Art is not who you are - art is a way of expressing who you are.

29/12/20

Tidying loose ends.

30/12/20

Doing these semi-traditional write ups at this time of year helps to take stock of what’s been happening. Hopefully subliminal pointers of where to possibly go next have been planted for the time ahead.

Review 2020

Now it is probably an understatement to say that 2020 has been a year that we all can’t wait to see the back of. The world as we know it ground to a halt as the effects of the pandemic reached every household. So, this loosely titled ‘review’ will try to skip over the dread inducing and instead focus on what was positive.

From a personal aspect, during the initial lockdown, an accident in April meant that I had to take a step back and prioritise my health. Thankfully I am on the mend but in the two months where I did little to no artwork at all I realised how much I missed being in the studio and how it didn’t feel right not to be making. Like there was something missing - not that you are what you make but more like how art is the best way to express yourself and vent.

2020 had a running start as there were plans ongoing for a solo show. I had just been given a solo exhibition at the end of 2019 in Newtownards so this was a quick turn-around. Thankfully Hugh and Jane from Atypical came for a visit in mid-February to formulate ideas. ‘Confessional’ opened in Belfast at the beginning of March and no sooner had the doors opened… well, you know.

Hugh O’Donnell and Shiro Masuyama putting the finishing touches in the University of Atypical Gallery

Thankfully I was to have a second socially distanced opening in September. Feedback from both was really positive. In between the openings the University of Atypical held a zoom talk which I really enjoyed and I’m grateful to the staff of University of Atypical for their hard work and dedication. ‘Confessional’ is a show I’m very proud of.

Multiple works on the go and the start of lockdown number one.

At the beginning of lockdown my hours were shortened in my job to make it fairer for all staff. I would go to work at 5am and be back home for 9.30am. This is when a little slither of silver lining crept in. I suddenly had loads and loads of studio time - sometimes working from 10am to 7pm five days a week. It was a purple patch that seemed to have come from nowhere, but in hindsight getting stuck into the studio was probably a way to shut out the world, put the blinkers on and not look at the growing anxiety all around.

In mid-April I was invited by VAI to give a presentation over zoom with a few other artists from Northern Ireland. After weeks of not getting out and about and feeling slightly isolated it was so good to speak with friends I hadn’t seen in a while and to feel part of something other than the four walls you’re in. I always feel it’s beneficial to take part in talks as they help with stepping back and take stock on what is actually happening in the studio.

Then, at the end of April, I took a fall. Fractured my skull, fractured my wrist and had bleeding on the brain. With a stint in the Royal this all meant that the brakes were firmly stepped on. I was not allowed to go into the studio for a couple of months and had to retreat from strenuous activity. This is where taking a step back and being granted time allowed me to join the Golden Thread Gallery’s reading group held by Brian McAvera. Each week participants are sent articles / essays / texts and then they are discussed and dissected over zoom - with a few funny segues thrown in for good measure. So even though I couldn’t physically do anything at the time, being a part of the reading group kept my head active, joining in interesting discussions with wonderful people that did my state of mind the power of good.

In May, being a member of Catalyst also meant that the annual members’ show was taking place and this year around it was going to be virtually. It was interesting how the crew at Catalyst made the site based on aspects of the physical gallery space - the door buzzer pop-up to gain entry and the white bricked background between the different works. A more personalised approach to just attaching the works to a website which worked really well.

Submission to RUA - midway through

In July, I was able to get back in the studio and the need to make seemed more potent than before. Almost a sort of burying the head in the studio shaped sand in a way but with some creative outcomes. I did my annual submission to the Royal Ulster Academy, not thinking much of it and just getting on with other work. Tenth time’s a charm I guess as I was selected for this year’s 139th exhibition for a small painting of a family member - who is of course taking all the credit. Lockdowns have come and gone and come back again but in between I did manage to to get up to Belfast to see the show and finally tick the RUA off my bucket list.

In Autumn I was approached by Reimagine, Remake, Replay if I would be interested in taking part in an online mental health festival focussing on young adults. I was delighted to have been asked and it was a well curated and thought-out programme over three days that included world mental health day (10th October). Just before the festive season it was announced that my submission to the Moth Art Prize was commended and it’s a nice nod to my practice from the folks at the Moth.

As the colder weather sets in, the hours in the studio lessen and the sketchbook work increases. I cannot complain though. 23 finished paintings and 100+ drawings means its been an extremely productive year despite the obvious setbacks. So in-between the dread, uncertainty and the health scares, 2020 has given a few bright moments creatively that I will treasure.

Here’s to 2021.

Exhibition Highlights: 2020

Usually at this time of year I do a run down of my favourite shows I’ve been to the past 12 months. It will be a short list this time around so I also want to include some exhibitions that I couldn’t get to see but wish I had.

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The Shows I’ve Seen…

“The Dark” - CCA Derry/Londonderry

Darren Banks, Liz Collini, Sinead McKeever and Agnes Meyer-Brandis

CCA Derry/Londonderry

Sinead McKeever

Liz Collini

From the CCA website: The Dark presents a constellation of new and existing works by artists from Northern Ireland, England and Germany. The artists look out into space, back at Earth and consider science fiction, fact and artist projections.

This group show was my first look at Liz Collini’s work first hand, making you slow way down when reading the intricate architectural scaffolding around the text. Sinead McKeever’s globe with continents of charcoal eroding away speaks of climate change but also of other threats.

“A False Dawn” - Ulster Museum, Belfast

Ursula Burke

Mural installation by Ursula Burke in the Ulster Museum, Belfast

From the Ulster Museum website: A False Dawn is the culmination of Ursula’s recent work. Much of her art practice deals with issues of representation and identity, exploring abuses of power in both social and political sphere.

This exhibition taking up the two large rooms on the fifth floor of the Ulster Museum holds the space impressively with the aid of the ambient lighting. From a distance the busts are classical in nature but look a little closer there are signs of trauma and violence.

“Put It To The People” - Golden Thread Gallery, Belfast

Joy Gerrard

Gallery one of Joy Gerrard’s “Put It To The People” exhibition in the Golden Thread Gallery, Belfast

From the Golden Thread Gallery website: Gerrard’s most recent work documents the huge protests against Brexit in London between 2018 and 2019. Here, her monochrome palette comes to invoke the binary oppositions of contemporary British politics, its elemental simplicity belying a more complex meditation on the imaging of protest.

I have admired Joy Gerrard’s work for some time and to see them up close was a feast for the eyes. The small works, which I’ve seen similar before, are delicate in their application but it was the transition to the larger scale works that took my breath away. The imagery still has the immediacy of the smaller works but it was the gestural mark-making on the larger works that brought the crowds in the protests to life.

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The Shows I Wished I’d Seen… (and one I still hope to)

“Penumbra” - FE McWilliam Gallery, Banbridge

Sinéad Aldridge, Hannah Casey-Brogan, Susan Connolly, Sarah Dwyer, Fiona Finnegan, Alison Pilkington, Yasmine Robinson and Louise Wallace

Photo by Simon Mills

From the FE McWilliam Gallery Website: Penumbra brings together artists who are connected by their gender, their associations with the island of Ireland and their commitment to testing the limits of painting.

A painting exhibition with artists of this calibre should have been right up there on shows to get to this year. Sadly it wasn’t to be. No two artists in the show are alike and that shows the dexterity and the medium of painting still has in the right hands. Susan Connolly’s installations always push what defines a painting and I would have loved to have seen Sarah Dwyer’s paintings first hand.

“Echoes are Always Muted“ - VOID Gallery, Derry/Londonderry

Alan Phelan

Installation shot of “Echoes are Always Muted” by Alan Phelan in the VOID Gallery, Derry/Londonderry

From the VOID Gallery website: Alan Phelan’s exhibition echoes are always more muted is part of an expanded series of exhibitions that encompass his continuing research into the intersections of history, sexuality, material culture and politics which have evolved through sculpture, participatory events, and photography.

Alan Phelan’s multidisciplinary practice has explored the Joly photographic process for some time and this show seems to have included augmented reality that seems really engaging. This exhibition looks as though it was a colourful exploration of historical elements with the usual injection of humour and I’m sorry to have missed it.

“Obedience and Defiance” - IMMA, Dublin

Paula Rego

Installation view - “Obedience and Defiance” Paula Rego - IMMA, Dublin

From the IMMA website: Obedience and Defiance is a major retrospective by one of the most influential figurative artists of our time Paula Rego. Spanning Rego’s entire career from the 1960s, comprising more than 80 works, including paintings never seen before and works on paper from the artist’s family and close friends.

Rego needs to introduction as she is probably one of the most influential artists working today so to get to see a large retrospective like this on the island of Ireland has to be a not-to-be-missed event. Thankfully it is running until May 2021 so all being well I will get down to see the works in the flesh.

RDH: NOVEMBER 2020

01/11/20

Focus required…

…reaching it back to integrity of practice.

Large scale drawings?

02/11/20

Eventual studio time - detail of “Misunderstood” in progress

03/11/20

Great to get imagery into some semblance of order.

“Thinking through making.” - Joy Gerrard during interview with GTG. Watch here.

Some good sketchbook work tonight.

06/11/20

“Misunderstood” finished.

07/11/20

Reusing one canvas and starting another.

08/11/20

…settling back into a new routine… still healing.

10/11/20

11/11/20

IMMA Talk: From the Rego Studio.

13/11/20

Limbo-Land yet again.

14/11/20

Finding it difficult to concentrate with all going on. Just wish that aspects were sorted so that some kind of routine could be adhered to.

Some results but not all.

Detail of “Norwegian Nude” - work in progress.

…giving up the ghost on the little ‘go cart’ piece. It just went stale but that’s OK. It wasn’t the right time.

16/11/20

Some sketchbook work tonight.

19/11/20

Absolutely baltic in the studio.

Studio Shot: 19/11/20

20/11/20

Mostly focused on “Norwegian Nude” today but building up layers on other pieces too.

Left to Right: “Troublesome” - “Shock” - “Norwegian Nude”

22/11/20

Detail of hand in “Norwegian Nude” in progress.

Really good progress today.

23/11/20

BP 158/113

26/11/20

Site update

27/11/20

Really great online talk from the Garter Lane Arts Centre: Chloe Austin in conversation with Matt Higgs, Kitsch Doom, and Ciara O Neill.

Did a few quick sketch of the speakers as they discussed their practices.

29/11/20

…readjust, centre, breathe and focus on what matters.

30/11/20

After having a long, hard look at “Troublesome” - came to the realisation that figure is complete. Nice to leave it loose in parts. It explains what it needs to without having to divulge anything else.

Bit of building work in the background and it’s finished.

Decorations are up and a little winter halo to round off a very odd month.

139th Royal Ulster Academy Exhibition: Virtual Tour

Due to the ongoing restrictions amid the Covid-19 pandemic, the Ulster Museum has rightly chosen to close their doors until such time as it is safer for the public and their staff.

Sadly this means that it will be a few weeks before we can get to see the annual RUA show in person.

This doesn’t mean that we can’t explore in the meantime! The RUA have worked tirelessly to create a virtual experience for the 139th RUA exhibition which you can click through below or visit the Royal Ulster Academy website.

If you want to jump to see where my work is placed you ‘ll find it here.

Special thanks to the RUA and to Paul Marshall to designed the virtual exhibition.

RDH: OCTOBER 2020

02/10/20

Prepping studio for visit

03/10/20

GT Reading Round returns!

-inbuilt desire to want something out of ourselves.

Atypical Studio Visit.

04/10/20

Sketchbook work.

06/10/20

MRI scan. Very loud.

Some progress on the little boy piece that was swiftly undone.

07/10/20

Studio Shot: 07/10/20

Materials ordered.

10/10/20

World Mental Health Day.

Very happy to have been asked to take part in the second day of Reimagine, Remake Replay’s mental health festival - Head and Heart.

Got a little emotional at one point but that is OK. In good company.

11/10/20

Real struggle to focus the past week. Probably the least productive day in the studio since March.

12/10/20

More work on little boy portrait.

15/10/20

Buck up ideas. Foot off the gas.

16/10/20

With new restrictions in place, there will be no Belfast visit tomorrow sadly.

17/10/20

Started two new canvases today. Not sure what’s up. For a while I thought it was the imagery that isn’t exciting enough but I don’t know anymore.

18/10/20

Some good movement on one canvas and a bit of weird experimenting on another.

21/10/20

New York Times: Rabbit Hole Podcast

(create intrigue)

22/10/20

“Silence is Golden” finished.

24/10/20

Surround Sound!

26/10/20

Painting work. (‘Misunderstood’ as a wee inside joke?)

The little go-cart piece - tougher than expected.

Two tone might be an option - like voyage home and G’OK.

27/10/20

Out of sorts.

20 paintings since March - hard to believe.

29/10/20

‘Confessional’ home safe and sound. Thanks to University of Atypical for their support and patience.

Sketchbook session

30/10/20

31/10/20

Radio Three’s Sunday Feature: Tate Modern - Exploding the Canon

With the darker evenings and the colder weather setting in, it’s not a surprise that studio time has dwindled. This shouldn’t mean that productive time goes to waste. I have been doing sketchbook work more and now is a good time to research other creative outlets.

○○○

Interview with Reimagine, Remake, Replay Project

On 10th October (world mental health day) I had the pleasure of being interviewed by the folks at Reimagine, Remake, Replay.

We discussed my experience with mental health issues and my artistic practice. I’d encourage everyone to check out the other speakers from the RRR’s Head and Heart Festival here.

Huge thanks to Stephen , Niamh and all the RRR team for making this interview happen!

Studio Visit with University of Atypical

On Saturday 3rd October I had the pleasure to show some guests around my studio and was interviewed by the wonderful folks at the University of Atypical. You can watch the video below and check out other videos by the gallery on their Vimeo Page here.

A huge thank you to Jane, Deirdre, Stuart and all the team for making this happen!

RDH: SEPTEMBER 2020

01/09/20

Power is out.

02/09/20

The Rashomon Effect: When the same event is described in significantly different and often contradictory ways by people who were involved.

03/09/20

I do feel a little stuck with the Crimean Painting. Some sketchbook work - get back to the drawing board.

06/09/20

Death Masks: bottling the soul, bottling the trauma.

08/09/20

Very strange few days. ‘Taking Orders’ painting - just not sure where to go with it. Leaving it aside for now and having a look at adding a recent sketch and incorporating it into an old abandoned piece. The only good thing I can see in the failed ‘St. Lurach’s’ work is that weeping willow to the left. It should stay in some capacity.

Very lethargic for some reason.

Thoughts = NOT A REALIST PAINTER!!!

Lifelike/ reality isn’t what I’m aiming for in drawing or painting. Yes, sometimes a more realistic application or approach is required depending on what the image dictates. EG: ‘GO’K’ works in that it hints at realism but ultimately leaves the majority of the portrait minimal - barely any detail. This is not just limited to composition, but especially colour I think.

10/09/20

Belfast bound.

Saffron Monks-Smith

Stephanie Tanney

So good to get to the MAC for the degree shows from the Belfast School of Art.

‘Confessional’ reopening was great! It’s a show I’m very proud of.

12/09/20

Some good progress on ‘The Voyage Home’. Less is more - even on this scale I think. Suits the image and composition well.

13/09/20

Finished!

15/09/20

Halfway through September! HOW?!?!

Figuring out ideas for next steps and possibilities. Good to get some sketching done tonight. Forgot how accessible sketching smaller than A4 is.

18/09/20

‘The Week in Art’ podcast.

Guston and de Kooning - both developed making works with a ‘formula’ able to commercialise work / work that could be made in their sleep and sell no problem. Both rejected this formula and started again.

Integrity.

‘Elizabeth’ and ‘Mary Ann’ studies - the looser the better.

20/09/20

Detail of ‘Elizabeth Study’ - work in progress

I think I’m coming close to a mini burn out as far as studio work is concerned. Might be good to take a step back, read and research for a few days and see where we are.

22/09/20

Finished the little portrait studies. Really different approach but that’s no bad thing. Started some new canvases.

“Art is a wound turned into light.”

Georges Braque

‘Elizabeth Study’ and ‘Mary Ann Study’

23/09/20

Research - that’s about it.

24/09/20

Some good progress in the studio today.

25/09/20

Got scared very easily.

Sketchbook work.

26/09/20

Five canvases on the go at the minute. Best to focus on one or two at a time. First up., ‘Waiting Room’. It’s been a while from I attempted this image.

Seats / Symbols?

‘The Waiting Room’ - detail

27/09/20

What was light at the end of the tunnel has turned into a dark abyss. Shrug it off and keep going.

28/09/20

Sketching

29/09/20

So the past few days have seen a real drop in productivity and drive. Reasons or not —> focusing on work will help. Taking a mini break will also help. Easy to fall into old, procrastinating habits.

Meaty questions.

30/09/20

Studio all clean and tidy!

Galleries safely reopen

This video from the Arts Council of Northern Ireland puts the spotlight on some of the galleries reopening to the public after lockdown. Included in this video is a little sneak peek of ‘Confessional’ which has reopened at the University of Atypical and runs until the 23rd October.

Atypical Show Reopening and Virtual Studio Visit

‘CONFESSIONAL’ REOPENING

Very happy to say that my solo show “Confessional” at the University of Atypical is reopening from the 10th September until the 23rd October.

The following is from the Facebook event page which can be found here:

University of Atypical is pleased to announce the re-opening of Brian Kielt's Exhibition, Confessional, which sadly only had a public audience for a week when we closed due to Covid-19. Here's your chance to see it if you didn't catch it first time around!

There are also new protocols and safety measures that UoA will introduce including:

- Sanitiser units at the entrance and around the venue.

- Anyone who can, should wear a face covering when visiting the venue.

- We request that people practice social distancing inside of the space.

- We will be regularly sanitising all surfaces within the venue.

- We will no longer permit the audience/visitors to gather inside of the office space to protect staff.

- We will provide single use biodegradable paper cups for refreshments for events.

————————————————————————————————————————————————————-

STUDIO VISIT

Also, midway through the exhibition’s run you are cordially invited to take part in a virtual studio visit taking place at 2pm on Saturday 3rd October.

Have a look at the University of Atypical’s event page here to find out more.

Join us for an informal tour of the artist’s studio, in the rolling foothills of
Glenshane. This is a great opportunity to meet the artist, find out more about his
creative process and the ideas that inform his practice, and get a sneak peek of
works in progress. Questions for the artist from attendees are welcomed.
Please visit the UofA Facebook Events page to register your interest and receive
the Zoom link.

RDH: AUGUST 2020

01/08/20

So saddened to hear of the passing of Chris Ledger. She was a true friend of the arts in NI and helped me in both a professional and personal capacity. Her tenacity and drive will be sorely missed.

02/08/20

Cleaning and priming.

03/08/20

‘Seashore Jester’ … over-painted to the point of no return - burnt and slashed. Good progress on “Enfield Study” though.

Close up of “Enfield Study”.

It’s finally happened! I’ve had a little painting accepted into this year’s RUA exhibition!

04/08/20

Wee day off.

05/08/20

“Enfield Study” finished.

Watched ‘Apocalypse Now’ properly for the first time. The real animal sacrifice at the end was disturbing.

06/08/20

Sketched out some new canvases including a narrow set for a triptych.

Object connected to the figure rather than the figure itself so may need to rethink the centre canvas.

…a few people have told me how “Enfield Study” disturbs them and makes them feel uncomfortable. So a job well done.

07/08/20

Lots of blocking in compositions today.

10/08/20

Greenberg vs Read (HANDBAGS!)

Some studio time today. Almost too warm.

12/08/20

Left up “Hotel ‘78” to the RUA today.

Sketchbook work.

14/08/20

Jenny Saville in the “A Brush With” podcast is great!

When asked what is art for, Saville replies:

“Art is for life. Art is for survival. You know it’s a shock of recognition that you feel a sense of belonging you recognise yourself in the world. I really believe it’s for survival. It’s intrinsic to being human. We either have to make marks or it’s like singing or making music. It’s fundamental to being a human being. I can’t imagine doing anything else. When I’m in the process of painting I feel very in touch with myself in a sense that nothing else I’ve ever done in my life does.”

Satellite paths

16/08/20

Nothing the past few days due to another trip to the hospital.

18/08/20

One year to go.

19/08/20

Finished “Exhibits A to C”. Good to get painting again after a little setback. Chuffed to be names Catalyst Art’s Member of the Month for August!

20/08/20

Some good studio time in today.

21/08/20

“A painting which is from a specific photograph - you have to go beyond the photograph so you have to make the paint do something and once it gets a nature of itself then it belongs to the world and it takes a long time to get be in that field.”

Jenny Saville (link for interview here)

23/08/20

“Avarice is the enemy of virtue.”

Leon Battista Alberti

Sketching and mostly failing.

25/08/20

Studio time but nothing too strenuous.

Great to have a virtual catch up with UoA folk!

29/08/20

Trauma is inarticulate.

Some good progress on “But I Don’t Get It”. Still flat in areas but it’s nearly there.

31/08/20

Finished “B.I.D.G.I.”

RDH: JULY 2020

01/07/20

Some more Matisse-inspired bamboo work for shapes in the foreground and that’s the large painting finished! Title to be confirmed later.

02/07/20

Abrupt awakening.

So “The Hill of the Red Witch” it is. Very close.

Eventually got some good ground work down on two new pieces. Some human hair included.

Painter Julie Curtiss (Instagram: @julietuyetcurtiss) joins us for New Social Environment #77, hosted by Rail Editor at Large Jason Rosenfeld (Instagram: @jm...

Great Julie Curtiss talk with Brooklyn Rail.

03/07/20

LOFT

2013 - 2015: 14 works (over 3 years)

LISNAMUCK

2016 - 2018: 36 works (over 3 years)

2019 - June 2020: 16 works (in 18 months)

That’s crazy!

04/07/20

Really pleased with “Left Out” thus far but the mouth on “RPM” is really annoying me!

05/07/20

QUESTIONS

07/07/20

Working out left hand on “L.O.” is tough. It’s not the shape of it but the lay of the fingers that’s the bother. Pre-mixing … is needed to unify the hands and face. It’s the difference in definition between the upper and lower hands that are jarring a bit.

Days that just don’t go your way. THUMB NEEDS TO BE A FRACTION LONGER!

08/07/20

Working method today is attacking the canvas in micro stages.

NON FINITO = nice idea.

Does something have to look finished before being deemed complete?

Detail of “Left Out”

…I limped home tonight. Painted for nearly 11 hours. Not sure if “Left Out” is done, but it’s bloody close.

09/07/20

… Yes it’s there!

Good drawing time this evening.

10/07/20

Priming, studio cleaning and two little pieces drawn up. Interior one has promise.

11/07/20

The Ruination of the World.

“Rock Pool Memory” - the original drawing is not exact and so the dimensions are a little skew-whiff. Possibly why the painting is not coming together.

12/07/20

Horrible day painting but at least it beats not doing anything at all! “Rock Pool Memory” is just that - a memory.

A sense of critical…. ?

14/07/20

Such as strange pain down arms and shoulders last night. Shake it off or…

Trip to A&E - allergic reaction to insect bites. The usual then.

15/07/20

Studio time.

High contrast in BT’s face might be best avoided. Playing around right now just.

Nice chat with Chloe, Dominic and Niamh - some interesting discussions.

16/07/20

“Hotel ‘78” complete. [] is right - something slightly different about it. Softer maybe.

A nice dull background on “Seashore Jester”.

17/07/20

Applied … again.

18/07/20

Solid studio day. Resurrected “Rock Pool Memory”. Tonal values not there on “Seashore Jester” just yet but happy enough so far. Stumbled across the old Enfield painting that I abandoned four years ago. Decided to give it another crack.

19/07/20

21/07/20

Been a few days of home improvements.

24/07/20

Sketched out little commission and cleaned out palette.

Our friend, interdisciplinary artist Martha Tuttle (@marthatuttle) joins us for a conversation with scholar and curator, Susan Harris in New Social Environme...

Martha Tuttle talk on Brooklyn Rail excellent! Links to antiquity and the tactility of the work is fascinating.

26/07/20

The past few days I’ve literally been going round in circles with “Rock Pool Memory”. Originally I thought executing the proportions properly would have solved any issues that were cropping up but no. I think I’m in two/three minds as to how to approach it so perhaps shelving it isn’t a bad idea for now.

27/07/20

I think it’s important to take a step back sometimes and focus on other elements of practice. So today is a drawing and research day.

“ARS LONGA, VITA BREVIS”

“ART IS LONG, LIFE IS SHORT” the reversed first two lines of Hippocrates’ ‘Aphorismi’

Nearly six hours of sketchbook work today.

28/07/20

Did not expect to but “Rock Pool Memory” is finished. It really has been an unprecedented time of creativity. Silver lining in a weird and unnerving time.

“Rock Pool Memory” finished.

29/07/20

The Troxler Effect - monsters in the mirror.

Treated myself to some art books.

30/07/20

Detail of ‘Enfield’ painting in progress

Short stint today, Slow progress but progress nonetheless.

31/07/20

Parts looks OK and then others are close to the point of madness. At least the dead crab looks well.