RDH: 01/10/18 - 31/10/18


… of interest. Attainable small steps to reach big goals.


Delivery mix up.


Booked VAI speed curating slots for November.

…LA… fingers crossed!


initials in ogham

initials in ogham

Experiment in the studio with a degree of success. When a fine layer of fixative is lit on the paintings surface, areas of the canvas that are predominantly charcoal or thin layers of colour are singed and blister - creating an interesting effect. Safety first though.

Jan is right —> the lighter background to “Pioneer” was more unsettling. Rectify.



Staring at “Pioneer”. I think I’m hesitant because its… I don’t know. I think the colours are too similar between light and shade. By the same token - you don’t want it to become too contrasting and cartoonish. A foreign colour introduced into the third panel may point a direction.


Flying by the seat of pants but you can’t control the spontaneous. Some detailed work today. It is getting there. Attention directed towards other matters.

… paintings and clusters of drawings - like a shotgun spread of memories. Jumbled - linked yet conflicting. Fighting for dominance.



Just realised a connection between “AMATGS” and the ivy crown. Oedipus plays would have been played during the festival of Dionysus - who is associated with a crown of ivy.


“ I gave myself permission to follow my voice and that’s what my whole career has been. I still give myself permission and no compromise. I compromised before but not when I became an artist.” Mark Bradford


World Mental Health Day.




“Into The Void Magazine” submission successful!


Sketchbook work and now watching the original ‘Suspiria’ for the first time.



Notes finished for presentation. Pleased with burning effect on triptych.

… was suggested something on Friday. Well it was more of a dialogue regarding “Pioneer”; the first and last sections work. They’re strong but the one that should be the strongest and the anchor, the middle piece is way behind. Changing from a triptych to a diptych? Leave it for a while - continue working on all three before abandoning the middle piece.

Using ash as a painting/drawing medium. Religious links? Why do ideas come in the final minutes of the day? Processing process.


On way to Dublin. Looking forward to talking about work in DLR Lexicon. Not nervous. Yet.


Just saw the most beautiful fox casually strolling across a field outside Armagh.

I’ve been skirting around issues. The ‘recall’ notion might be worth exploring again. Drawing. Painting. Video. Audio.


The DLR Lexicon is stunning. Really enjoyed the other talks - especially work of Cecilia Bullo.


Yesterday’s trip and talks were great. Just wish I had more time to go around some of Dublin’s galleries when I was down. Decided it was best to drop the middle canvas in “Pioneer Studies”. Finished the other two pieces and happy with the results.




A little tweaking to “Afore the Stoop”.
Dad suffered a bleeding eye following his operation.


Have been neglecting practice and methods during the week. Ards - it seems a long way off but it will fly in.

Keeping your finger on the pulse is no bad thing.


Personal history is a source - not the explanation. ‘imagine…’ with Tracey Emin on iPlayer was insightful. Have a new found respect for Emin’s practice and quite like a few of some of her new paintings.


No paints were used today but three canvases were started. The smallest piece - I don’t think will have legs. As a drawing it is strong but I feel it won’t work on canvas. I’ve drawn up “Bereft Clown” again - a different size to the previous square stretcher. Will see how it goes. The third canvas is the one I’m most excited about. It’s a merging of two images but in a slightly different way. First is an image of a German officer stationed in a concentration camp. The other is a negative of a confession screen. The idea is to project light through the lattice onto the portrait. Fright Night in the jungle was great fun!



Slept so much. Slow progress but progress nonetheless.



Spacing error.

“I’m really interested in creating moments of ‘push and pull’ in paintings and having different registers of imagery with different surface qualities - so one thing might be compositionally in the foreground but materially might be being subsumed by whats behind it.” Helen Johnson

RDH: 01/09/18 - 30/09/18


Detail work to “AMATGS” today.

Detail work to “AMATGS” today.


Lifting unselected works from Belfast.

Lifting unselected works from Belfast.


No point in worrying about things out of your control. Took a while but made good progress in the studio. Gently does it.


Sculpture on my mind.


…mad to think I have two solo shows coming…

Tinker + Research + Ideas = …

What box?


Detail of sketchbook work.

Detail of sketchbook work.

NB: Sketch from objects?


ideas: …soft pink highlights… hints of sandals… bruised colour…


Steps in the right direction. Had a notion to put trees in the background - the nothingness was annoying me. After that attempt and then a further attempt to incorporate reflective lines, i think blank is good. There is plenty going on in and amongst the three figures so to try and confuse it with more ammo may be a mistake.

Gathered objects for perusal. Baby steps.

Gathered objects for perusal. Baby steps.


Seneca on anger documentary. Nero’s tutor. People get angry because they are too hopeful - be more pessimistic and less surprised for misfortune.


Be psychologically prepared from when things go wrong. Dark Symbol - Rudder

“What need is there to weep over parts of life, the whole of it calls for tears.” - Seneca


Playing about with mirror effects.

Playing about with mirror effects.

Change to background. Neutral this time and I think it will work. There was a muck up when I went to put the blood moon back in and I tried to rectify the warmer tones on the upper right or the neutral colour but was then reminded of a quote by Rose Wylie: “I think you’re a lot happier if you don’t mind a bit of imperfection.” It feeds into the Seneca documentary from last night.


Another day filled with distractions.


Eventually got round to doing some sketchbook development.

Eventually got round to doing some sketchbook development.

An afternoon of application submissions and sketchbook studies.


Detail of recently finished painting.

Detail of recently finished painting.

Finished “A Manifold and Truly Glorious Strife.”


A lazy day.



Some interest. Started triptych.


Amazing weekend at the Loughlin wedding!

Amazing weekend at the Loughlin wedding!


Jan mentioned something that I think is important. Doing a little something everyday - even if you think there is no point - is better than doing nothing at all.


A weird impromptu visit. Well-intentioned but very sceptical.



The only absolute constant is change.



Painting Peer Critique Session went really well in the Golden Thread Gallery. Hoping it grows and develops.


Studio work. “Pioneer Studies” - good start. Haven’t done a triptych in a few years. Third canvas is all but there.

Close up of one of the “Pioneer Studies” - work in progress.

Close up of one of the “Pioneer Studies” - work in progress.