01/06/20
Clarify your eye.
Mixed what was left on the palette after 7 weeks of caking. It produced this gorgeous black / green hue perfect for the large canvas. Dad gave me a hand to clean it as I only have one at the minute.
02/06/20
In two minds but some good ground work. VAI café now with Alan Phelan and Ursula Burke.
UB: Being a witness to what has been happening.
UB: Bridging the gap between antiquity and the contemporary.
AP: John Joly Photography method
03/06/20
Hospital appointment: I can take the wrist support off!
Painting again. Very very rusty but such a nice feeling to be standing in the studio again.
Detail of fracture
…there are areas that work really well (the transparency of the plates in the skull). Painterly approach. Pretty much the rest is just clunky and stale.
04/06/20
The following quotes are from ‘Theories of Modern Art: A Source Book by Artists and Critics’ by Herschel B. Chipp:
“The source of all inspirations. Whether the artist works directly from nature from memory, or from fantasy, nature is always the source of his creative impulses.”
Hans Hofman - on the topic of nature.
“…a synthesis from the artist’s standpoint of matter, space and colour. Creation is not a reproduction of observed fact”
Hans Hofmann - on the topic of creation.
05/06/20
Mucked up.
06/06/20
Built up layers on two smaller pieces. They are at that stage when there is something missing - limbo.
‘Circular Lapse’ was in that place until the overlapping discs were added. Patience.
07/06/20
“Those who do not want to imitate anything, produce nothing.”
Salvador Dali
Put the brakes on today.
08/06/20
Detail of ‘Jester’ drawing
New projector at long last. It doesn’t move an inch!
09/06/20
Got to using a brush at the end of a bamboo cane like Matisse used to.
“It was in me like the rhythm that carried me along. I had the surface in my head.”
Henri Matisse - on the use of bamboo tool
Visual and bodily. Some good progress today.
Detail of “Beatrice Study”
10/06/20
Troy Michie Talk Art was very good.
Detail of "Beatrice Study”
Finished “Beatrice Study” but paid the price; head is banging. Am I doing too much too soon?
11/06/20
Well today was a write off. Spent several hours at the Royal in Belfast looking for answers to the pounding head and the potential CSF leakages. Feels like recovery has taken a step back by a few weeks.
13/06/20
Trebuchet magazine has arrived and some updates to website.
15/06/20
Slept in.
Would love to visit the Christo and Jeanne-Claude covering of the Arc de Triomphe in October 2021.
Studio time feels a little panicked for some reason. Settle the head.
Now I.N.A.R.P. but I think there comes a level of pressure when you are personally and emotionally connected to a person to try and capture them as they once were. Settle the head and shake it off!
Well - you do get days of going backwards. Pre-mix before committing?
Cinematic tropes to frame personal trauma - à la Roxanna Halls.
16/06/20
Close up of “Back in my Day”
Really early start. Seems to have worked - finished “Back in my Day”. When in a certain frame of mind I seem to work quickly. Time is something I have in spades at the moment. Have probably over-painted areas (hands) but best leaving it as is and moving on.
17/06/20
Drawing and tonal work to “Race to the Bottom” - working title.
A homemade multi-brush handle.
18/06/20
…any shout of a practical day in the studio has disappeared. May be a blessing in disguise though as it’s probably best that I don’t spend every day standing in the garage through this recovery period.
20/06/20
…in terms of “RttB”, washes are or will probably key to keeping the action / immediacy of the figures alive.
Really pleased with how some of the facial work turned out today and I think the differing tones of navy/blue/grey will work.
22/06/20
2pm start - better than not starting at all I guess. After a few hours of frustration it was decided to just omit the second figure from the left. Eventually made more sense compositionally - balancing out the tumbling ensemble.
Removal of a figure
Need to be careful.
23/06/20
Different perspectives - slightly out of focus.
Am I too picky?
Sketchbook work
Over six hours of really solid drawing time today.
24/06/20
Two canvases primed. Focus vision and work on that one element. It isn’t a race.
25/06/20
Before I literally wipe the slate (palette) clean - could I use those silky black colours on the large canvas? Probably shouldn’t have got up at 5am. Eyes are rolling in head and its only 10:16am…
…waiting on a phone call. It was 47 minutes later than scheduled and on the phone call they decided to reschedule and to expect a phone call next week…
On third wind now but thought it best to call it a day before setting out the stall entirely.
‘A cup of clarity from the clarity flute.’
Eye detail - in progress
26/06/20
Unified the sky of the large canvas with a thick thick covering of velvety black paint. Pushing the oppressive sky downwards closing in on the running figures. Claustrophobic.
Now, learn from previous over meddling mistakes and move on!
Michael Armitage talk from Brooklyn Rail was fantastic! Got to ask a question too!
27/06/20
Studio Shot: 27/06/20
Really need to sort out a decent sleeping pattern.
28/06/20
Charcoal work today and not much else. Notes and revising for a presentation.
29/06/20
Very very close. Addition of the poppy. Centuries ago, the poppy was known as the witch’s flower. This is where the Irish for poppy comes from as ‘cailleach dhearg’ translates to ‘red hag’.
30/06/20
VAI Show and Tell: Northern Ireland addition. Delighted to have taken part.
