05/11/22
Art and Ecology Podcast.
Studio Time with an assistant!
08/11/22
Painting in RUA has SOLD!
11/11/22
It all adds up.
12/11/22
“You know in the back of your own mind if criticism holds any merit for yourself.”
visual art
“You know in the back of your own mind if criticism holds any merit for yourself.”
Studio Shot: 15/10/22
“Give an image the benefit of the doubt… there is a danger in certainty.”
William Kentridge.
Sketchbook work.
“Cherish your own emotions and never under value them”
Robert Henri
“I think using a limited palette gives you more freedom.”
L.I.V.
Detail of “A Lovers’ Harvest”
“The artist has to put before the eyes of the public forms and poses which has existed previously in the darkness and confusion of an irrational mind, or one which is beset by uncontrolled passion.”
Goya
“Dog Woman” Paula Rego 1994 Pastel on Canvas
C.C.
Cockchafer beetle
“Distill expression down to it’s pourest form.”
Patrick Graham
One of the above is going to Boyle!
Lenny II is here!
Sketchbook work.
So pleased to have been asked to contribute in the latest issue of Visual Artists Ireland News Sheet.
New work in progress.
“Violence will always be a part of the human experience.”
Mary Beard
“An Ode Study”
Studio Wall: 19/02/22
“Black Dog”
ogham chair in the snow
“The impulse to discover and re-contextualise rather than to generate a picture reintroduces questions of intention. Why did they pick that? What did they do to it? To what end?”
‘The Sky Gives Way’ Solstice performance by Méabh Meir and Emma Brennan with Array Collective.
“Portraiture exposes the gap between the interior and exterior selves.”
-unknown-
Priming is all today amounted to.
Several pieces sketched up today.
Detail of “The Doctor will See you Now”
“The Doctor will See you Now” Oil and Charcoal on Canvas 150cm x 100cm
Some sketchbook studies tonight.
Detail of “Lady of the Manor”.
Day trip to Belfast to deliver “Saint and Sinner” for Platform Arts group show.
As it’s the season for it, here’s a golden oldie from 2003. This photo was taken for a GCSE Art project where my cousin Aidan dressed as the grim reaper holding a very rusty scythe. Our cat then walked along the tin roof behind him, jumped on his shoulders and then proceeded to stroll across the top of the blade. It all happened purely by chance and made for a great photo.
Detail of work in progress - “The Doctor Will See You Now”.
Acetate transfers onto canvas.
Good bit of progress to “Rex Aegypti Penultimus”.
Sketched up new canvases.
“An archive of emotions”
Dr. Kate McLean
Sketchbook Studies
Ballyliffen
Listening to ‘Jo’s Art History Podcast’ in the studio.
Rearranging storage space.
Internal shot of Ciara McMullan’s art studio / exhibition space project.
It’s been a full on week - trying to ease myself in slowly and find my footing again and knowing my limits.
Evenings = questions
UPDATES
Handwriting is a microcosm of the personality.
A good start to “The Infamy of Crete”. Muddy palette so far but for now it’s working.
SorT? tech-check. Target -> 1488 (done).
Bullet points for a smooth six minutes.
Could easily fall into the trap of not doing anything this weekend but I know how it would make me feel if nothing was to happen. Try your best - productive variables.
Good God this text is heavy!
Taking time in the studio. The little pieces of canvas / glass that I’ve been asked to put something on for a student’s project was actually a really good loosening / warming up exercise. I have plenty of little strands laying around and could put paint down / play / experiment / make mistakes for twenty minutes before moving onto wall works. Not a bad idea.
Gold Leaf for step edges possibly?
Some really solid background work to “On Gilded Steps” - a lot of blending work. The scratching around the figures - lets try and keep some of that!
Scanning.
Having to go up above to finish online work just sucks.
Waking up at 4am - chocking. Not good.
Miriam O’Connor: different coping mechanisms - access to the studio so important - adaptability key to productivity - art to navigate trauma in life - art practice is tool for survival
Austin Ivers: teetering between the two poles of anxiety and boredom.
Really enjoyed taking part in the panel talk yesterday and the podcast is out today. So happy it was recorded before my voice left me completely.
Some more work to “On Gilded Steps” today.
Darkness in control.
“O.G.S.” - Steps are really annoying me. In hindsight I probably would have set the steps differently. now, however, with the background nearly prefect as it is, it could be a disaster to try and adjust the steps and lose that backdrop. I have this painting by Rembrandt rolling around in my head at the minute.
What a game!
Should the bull’s head go black? - went a little too far with it today but it’s fixable.
Scaling sketches down in scanner is probably a good move. A few good drawings of old family photos tonight.
“T.I.O.C.” looks more like an etching at the minute.
Loose! Emphasis on LOOSE!
Last night was a total nightmare. Floating, panic and chased by a hooded killer. Once caught a falling sensation would wake me up but once I dozed of I was straight back into the nightmare and repeated this process around four or five times.
‘Create and curate your own archive’.
Farewell Fernand.
memory / identity / trauma
We should be able to close the door on loss.
Standing with back to camera, an act of defiance against process. Mix memory with current state.
Really enjoyed this talk today! Watching and listening in made me really nostalgic about LOFT. We should be proud of what we were able to achieve with that space.
“The infamy of Crete” - finished. Not perfect but pretty solid.
Little bit of “T.I.O.C.” was really bugging me so I crept into the studio and fixed it last night.
Today was a case of drawing up a few smaller works and putting down basic paint layers. A promising start.
A quick up and down trip to Belfast for an appointment.