05/11/22
Art and Ecology Podcast.
Studio Time with an assistant!
08/11/22
Painting in RUA has SOLD!
11/11/22
It all adds up.
12/11/22
“You know in the back of your own mind if criticism holds any merit for yourself.”
contemporary art
“You know in the back of your own mind if criticism holds any merit for yourself.”
Studio Shot: 15/10/22
“Give an image the benefit of the doubt… there is a danger in certainty.”
William Kentridge.
Sketchbook work.
“Cherish your own emotions and never under value them”
Robert Henri
“I think using a limited palette gives you more freedom.”
L.I.V.
Detail of “A Lovers’ Harvest”
“The artist has to put before the eyes of the public forms and poses which has existed previously in the darkness and confusion of an irrational mind, or one which is beset by uncontrolled passion.”
Goya
Cockchafer beetle
“Distill expression down to it’s pourest form.”
Patrick Graham
One of the above is going to Boyle!
Lenny II is here!
Sketchbook work.
So pleased to have been asked to contribute in the latest issue of Visual Artists Ireland News Sheet.
New work in progress.
“Violence will always be a part of the human experience.”
Mary Beard
“An Ode Study”
Studio Wall: 19/02/22
“Black Dog”
ogham chair in the snow
Detail of “A New Normal” in progress
The Chameleon lays in wait,
Knuckles pressed white on the oak armrests.
There you’ll find an empty place at the table.
Under the fire’s amber glow,
Home is where the hearth is.
“Portraiture exposes the gap between the interior and exterior selves.”
-unknown-
Priming is all today amounted to.
Several pieces sketched up today.
Detail of “The Doctor will See you Now”
“The Doctor will See you Now” Oil and Charcoal on Canvas 150cm x 100cm
Acetate transfers onto canvas.
Good bit of progress to “Rex Aegypti Penultimus”.
Night Sky
Detail of ‘Galamseyer’ - painting in progress
Slieve Gallion
Sketched up new canvases.
“An archive of emotions”
Dr. Kate McLean
Sketchbook Studies
Ballyliffen
Listening to ‘Jo’s Art History Podcast’ in the studio.
Rearranging storage space.
Internal shot of Ciara McMullan’s art studio / exhibition space project.
…wrapping
Ars longa, vita brevis.
‘A Brush with… Ragnar Kjartansson’ podcast
“Art is a shelter from a storm” - Ragnar Kjartansson
“Raking It In” Pen on Paper
An opportunistic pitch to pat themselves on the back.
“Soaking Up The Sun” Pen and Marker on Paper
NT - how you might approach and on what grounds.
“Norwegian” notes: warmer flesh tones? Texture in sand (sawdust?)
“Swivel Study” Pen on Paper
Some really good sketchbook work done tonight.
“Just This Once” Pen on Paper
Thought I had destroyed “Norwegian Stance” a few times today but it’s a stubborn git. In any case it was good to get paint down.
…some sketching work tonight but not much.
One minute I think the painting is finished and then a wee niggly bit pops up.
“Norwegian Stance” all but finished.
Sketchbook work … but I’m distracted a little.
Belfast. Three months on…
“La Loge” in the Ulster Museum. Absolutely stunning to see in the flesh
Seeing “Hotel ‘78” with the name tag beside it made it all the more real. Great to see around the RUA.
Jaunt to the Golden Thread Gallery. Absolutely stunning show “Put It To The People” by Joy Gerrard. I’ve seen similar small scale works before but the larger canvases are amazing! Real gestural mark making at it’s finest.
The Peter Liversidge show in the MAC is at such an epic scale. Uplifting messages and cool to see the workstation tucked away at the back. The “In a Rainbow of Coalitions” show in the MAC was colourful, fun and poignant.
What’s been lacking recently is the idea of structure. Lists are missing. I love lists. I think this happens around this time every year.
… large scaled drawings - add a link between the pen drawings and paintings…
“Pacing in Isolation” Pen and Marker on Paper
Conjunction with Jupiter and Saturn
Tidying loose ends.
Doing these semi-traditional write ups at this time of year helps to take stock of what’s been happening. Hopefully subliminal pointers of where to possibly go next have been planted for the time ahead.
From the CCA website: The Dark presents a constellation of new and existing works by artists from Northern Ireland, England and Germany. The artists look out into space, back at Earth and consider science fiction, fact and artist projections.
This group show was my first look at Liz Collini’s work first hand, making you slow way down when reading the intricate architectural scaffolding around the text. Sinead McKeever’s globe with continents of charcoal eroding away speaks of climate change but also of other threats.
Mural installation by Ursula Burke in the Ulster Museum, Belfast
From the Ulster Museum website: A False Dawn is the culmination of Ursula’s recent work. Much of her art practice deals with issues of representation and identity, exploring abuses of power in both social and political sphere.
This exhibition taking up the two large rooms on the fifth floor of the Ulster Museum holds the space impressively with the aid of the ambient lighting. From a distance the busts are classical in nature but look a little closer there are signs of trauma and violence.
Gallery one of Joy Gerrard’s “Put It To The People” exhibition in the Golden Thread Gallery, Belfast
From the Golden Thread Gallery website: Gerrard’s most recent work documents the huge protests against Brexit in London between 2018 and 2019. Here, her monochrome palette comes to invoke the binary oppositions of contemporary British politics, its elemental simplicity belying a more complex meditation on the imaging of protest.
I have admired Joy Gerrard’s work for some time and to see them up close was a feast for the eyes. The small works, which I’ve seen similar before, are delicate in their application but it was the transition to the larger scale works that took my breath away. The imagery still has the immediacy of the smaller works but it was the gestural mark-making on the larger works that brought the crowds in the protests to life.
Photo by Simon Mills
From the FE McWilliam Gallery Website: Penumbra brings together artists who are connected by their gender, their associations with the island of Ireland and their commitment to testing the limits of painting.
A painting exhibition with artists of this calibre should have been right up there on shows to get to this year. Sadly it wasn’t to be. No two artists in the show are alike and that shows the dexterity and the medium of painting still has in the right hands. Susan Connolly’s installations always push what defines a painting and I would have loved to have seen Sarah Dwyer’s paintings first hand.
Installation shot of “Echoes are Always Muted” by Alan Phelan in the VOID Gallery, Derry/Londonderry
From the VOID Gallery website: Alan Phelan’s exhibition echoes are always more muted is part of an expanded series of exhibitions that encompass his continuing research into the intersections of history, sexuality, material culture and politics which have evolved through sculpture, participatory events, and photography.
Alan Phelan’s multidisciplinary practice has explored the Joly photographic process for some time and this show seems to have included augmented reality that seems really engaging. This exhibition looks as though it was a colourful exploration of historical elements with the usual injection of humour and I’m sorry to have missed it.
Installation view - “Obedience and Defiance” Paula Rego - IMMA, Dublin
From the IMMA website: Obedience and Defiance is a major retrospective by one of the most influential figurative artists of our time Paula Rego. Spanning Rego’s entire career from the 1960s, comprising more than 80 works, including paintings never seen before and works on paper from the artist’s family and close friends.
Rego needs to introduction as she is probably one of the most influential artists working today so to get to see a large retrospective like this on the island of Ireland has to be a not-to-be-missed event. Thankfully it is running until May 2021 so all being well I will get down to see the works in the flesh.
Focus required…
…reaching it back to integrity of practice.
Large scale drawings?
Eventual studio time - detail of “Misunderstood” in progress
Great to get imagery into some semblance of order.
“Thinking through making.” - Joy Gerrard during interview with GTG. Watch here.
Some good sketchbook work tonight.
“Misunderstood” finished.
Reusing one canvas and starting another.
…settling back into a new routine… still healing.
IMMA Talk: From the Rego Studio.
Limbo-Land yet again.
Finding it difficult to concentrate with all going on. Just wish that aspects were sorted so that some kind of routine could be adhered to.
Some results but not all.
Detail of “Norwegian Nude” - work in progress.
…giving up the ghost on the little ‘go cart’ piece. It just went stale but that’s OK. It wasn’t the right time.
Some sketchbook work tonight.
Absolutely baltic in the studio.
Studio Shot: 19/11/20
Mostly focused on “Norwegian Nude” today but building up layers on other pieces too.
Left to Right: “Troublesome” - “Shock” - “Norwegian Nude”
Detail of hand in “Norwegian Nude” in progress.
Really good progress today.
BP 158/113
Site update
Really great online talk from the Garter Lane Arts Centre: Chloe Austin in conversation with Matt Higgs, Kitsch Doom, and Ciara O Neill.
Did a few quick sketch of the speakers as they discussed their practices.
…readjust, centre, breathe and focus on what matters.
After having a long, hard look at “Troublesome” - came to the realisation that figure is complete. Nice to leave it loose in parts. It explains what it needs to without having to divulge anything else.
Bit of building work in the background and it’s finished.
Decorations are up and a little winter halo to round off a very odd month.