artsni

RDH: OCTOBER 2023

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01/10/23

Three white rabbits.

Studio: ‘Passive Study’ going well - bouncing between the brush and the drawing mark. It’s always interesting to see which of the two (if any at all) comes to the fore.

“A Brush With… Sarah Lucas”

‘A Séance in London’ - slowly building layers but, more importantly, working through structure and composition. Very early days.

03/10/23

Anxiety overload!

05/10/23

WOW! Can’t remember a late night art quite like this one in a very long time. Belfast was buzzing!

09/10/23

Put the bloody phone DOWN!

11/10/23

Quick sketch of artist Amy Higgins. Ideas brewing.


12/10/23

Easy to say, but difficult to implement.

In transit

15/10/23

Studio - A.H. portrait study: A good start. There was one point where the charcoal became a little too much but thankfully it wasn’t difficult to rectify. Just before adding the last layer of charcoal, all the previous drawing marks were pushed back with just the paint taking the stage. Some nice areas of tonal quality but overall the image was flat. You would think that adding a charcoal line would make it even more flat in appearance but the opposite is the case! The crux of it - that interplay between the drawing line and the painting mark.

17/10/23

Second straight day of jury service but on the flip side, a good chance to see Kwok Tsui’s new exhibition in the CCA.

18/10/23

QSS - ‘Messy Business’. Great group painting show.

21/10/23

…worth sticking foot in the door.

22/10/23

Studio time. A long session but very little to show for it. Slow progress on all fronts. Perhaps working on multiple pieces (four canvases) is biting a little more off than I can chew?

Setting a couple of pieces off to the side for a while should make it more manageable. It probably hasn’t helped that the palette is in a poor state and needs cleaned badly. Not a complete loss of a day but it could’ve been a lot more fruitful. Several factors at play but, lesson learned.

Palette given a good scrub before finishing up.

25/10/23

Dublin - too dark to write on the bus down - too dark to write on the bus home. The Autumn evenings are here.

Atoosa Pour Hosseini’s ‘The Magic Circle’ in Temple Bar Gallery + Studios is excellent. Remnants of vintage horror films in the video piece.

RDH: MAY 2023

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02/05/23

First day…

Make time for practice.

03/05/23

04/05/23

…the drive to help.

Late Night Art Belfast. The first in a long time.

07/05/23

“Boy Soldier” - finished.

Two new little pieces started this afternoon too!

09/05/23

New EMIC piece in Belfast City Centre

13/05/23

Sent feelers out…

14/05/23

Need to tread carefully with this one.

19/05/23

Supplies!

20/05/23

A good tidy up of the studio.

21/05/23

Studio time.

Going somewhere and then damn near destroyed ‘Mugshot’ piece. Taking some time and stepping back helped save the day.

Looking is still working.

Brought it back. Relying too heavily on the charcoal mark can sometimes lead to images turning into a caricature of itself. Pared back the drawing line - focussed on the tones and limited palette that don’t stray too far from each other. Much more successful as a whole now. Bit more to go but good otherwise.

25/05/23

Luc Tuymans - surgical precision. All working out is done beforehand - composition, colours, size, materials all planned in advance so that intelligence goes from the brain (in the preparation stages) to the hand (in the making). I don’t know if that would work for me. That split second spontaneity - yes it can go wrong and often does - is needed for play with materials. Having a regimented script when painting would not work for me.

Need to catch a grip. Too easily distracted by shiny things.

27/05/23

“Egon Schiele: Dangerous Desires” on Iplayer.

28/05/23

Studio.

“What fascinates you about that bastard?”

Definitely evokes a response. Is it worth it to get response based on the sources for the work rather than the work itself? A pickle. It’s not a glorification of a person’s actions. It is a study, an investigation of a portrait of evil. Aesthetic response to traumatic event.

Ethics vs Aesthetics.

In the end, I’m never speaking or working for anyone but myself.

Wee bit of progress on little prayer canvas. Could the two be companion pieces?

31/05/23

Dublin bound.

RHA show - an art overload but in the best way!

Quick stop in Temple Bar and glad I saw performance for Fanny Gicquel’s show “breathing with heels, walking with eyes”. Also popped into Project Art Centre to catch “Got Damp / Púscadh Anuas” by Avril Corroon.

RDH: APRIL 2023

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02/04/23

“…entry point into an emotional landscape.”

“…photograph is just a vehicle to then deal with those subjects that I want…”

Matthew Krishanu on “A Brush with…”

Having a crack at “Check Your Pockets” again. Going to try attacking it from a different angle.

09/04/23

Easter Sunday.

“A Brush with… Mike Nelson”.

“C.Y.P.” - let’s just get something down.

Good progress on figure today. Looks solid but… it’s not sitting right though and when I looked again after cleaning brushes, only then did i realise… the issue is the background. Compositionally it’s fine but the colour choices and tonal values are all out of whack.

11/04/23

Over the Moon!

12/04/23

Beautiful postcard came in the post from Hang Tough Contemporary for Alana Barton’s solo show in Dublin.

14/04/23

Still pinching myself. Best foot forward!

16/04/23

Seem to have went and gone the long and awkward way about it but “Check your Pockets” is finished.

Some sketchbook work to finish the day off.

20/04/23

Special letter in the post.

23/04/23

Great to hear the Ulster Museum being interviewed in The Art Newspaper’s “Week in Art” podcast.

“A shared history, not a shared memory.”

Studio time - clothing an background work on “Boy Soldier”

RDH: MARCH 2022

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01/03/22

So pleased to have been asked to contribute in the latest issue of Visual Artists Ireland News Sheet.

Meteorological Spring is here.

Nice to catch up with the Ogham crew again.

02/03/22

Loose drawing in response to J.A.’s prompt and RMc’s drawings.

03/03/22

…done now…

05/03/22

Belfast. ‘Don’t Look’ piece is done I think.

  • Smooth out the dog / red?

  • New piece / Loosey Goosey

* LOOK AT WHAT’S HAPPENING IN THE SPACE! *

Nearly ruined ‘Ode’ piece with a flood of red. Hopefully brought it back.

06/03/22

Didn’t stray too far.

07/03/22

Really good chat with writer for ‘Ogham’.

08/03/22

It’s never going to be finished!

12/03/22

Final day of ‘Ogham’ residency.

Painted me wee heart out, finishing two larger pieces and having some fun with the smaller study of Stephanie Tanney’s casts.

Wet walk home.

13/03/22

A slight onset of melancholia creeping up now that the residency is over. But, the show is still to come!

15/03/22

A process of threads?

All of this is temporary?

A pause in the process?

Settling of the sands?

THIS IS NOT THE END

17/03/22

Exhibition open to the public today.

20/03/22

Louise Bourgeois - “A spider creates from it’s own body.”

Pregnant with atmosphere, enigma.

New work in progress.

Great to get painting in garage today and get palette cleaned up.

27/03/22

Imogen Rhonda Kielt, born in the early hours of Mother’s Day. 7lbs 6oz. Perfect and everyone well.

Can see so many loved ones’ faces in this tiny new one. It’s just incredible.

29/03/22

Working to find a rhythm.

31/03/22

Belfast Bound. Helped add some chalk to Joy’s Entry for Rachel Macmanus’ superb performance. So good to see the show in the flesh blown and all involved in the project at Catalyst Arts.

It’s been a great experience at a time I will never forget.

Interview with Reimagine, Remake, Replay Project

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On 10th October (world mental health day) I had the pleasure of being interviewed by the folks at Reimagine, Remake, Replay.

We discussed my experience with mental health issues and my artistic practice. I’d encourage everyone to check out the other speakers from the RRR’s Head and Heart Festival here.

Huge thanks to Stephen , Niamh and all the RRR team for making this interview happen!

RDH: FEBRUARY 2020

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01/02/20

Detail of “Self-Portrait with Sketchbook” - painting in progress

Detail of “Self-Portrait with Sketchbook” - painting in progress

Right, get paint down! Started two little pieces today and “The Crown of Dionysus” is complete"!

“The Crown of Dionysus” on my very dirty studio wall.

“The Crown of Dionysus” on my very dirty studio wall.

02/02/20

The last palindrome day for another 111 years. Damn rugby is distracting!

“No Remorse” - background building up.

“No Remorse” - background building up.

03/02/20

Parcel.

06/02/20

“Religion decays, the icon remains; a narrative is forgotten, yet its representation still magnetises (the ignorant eye triumphs - how galling for the informed eye).”

Julian Barnes - ‘Géricault: Catastrophe into Art’

“No sooner do we come into this world, than bits of us start to fall off.”

Gustave Flaubert

09/02/20

Detail of body - “No Remorse”

Detail of body - “No Remorse”

Using storm Ciara to aid in the drying process.

10/02/20

Submission started.

Mobile installation?

11/02/20

…might be a little out there. Will sit on it for a while.

“Laziness is a sign of mediocrity.”

Voltaire

15/02/20

Visit by Jane and Hugh.

Victim / Perpetrator / Both

linking current work.

17/02/20

All pieces are wrapped and ready to go.

21/02/20

Slight change of plan.

23/02/20

Sketchbook work tonight.

Sketchbook work tonight.

25/02/20

Nerves are shredded already!

26/02/20

Work is on its way.

27/02/20

Well that’s it! Install complete I’m really happy with the exhibition and now it’s a waiting game for the opening.

29/02/20

Louis Fratino on Talk Art podcast.

Repeating motifs. mem: Like that odd shoulder loop that happens in drawings and then translates to paintings.

Made good progress in some areas of “Remorse” (bodies) but mostly have over painted to the point where I can’t put anything else down. Better to walk away now and go again another day than to push it over the edge today. Have reintroduced some rough drawing elements into the background.

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RDH: MARCH 2019

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02/03/19

“The Ivy Crown" progress.

“The Ivy Crown" progress.

Struggling with “Bereft Clown”. I think it’s too contrived. Another image overlay maybe?

Adding another image automatically forces you to simplify the composition in a way so that just the essentials are left.

Loosening up on “Ruins”. Music really makes a difference in the studio for me.

The imagery may be personal but the doors are left open. Viewers bringing their own experiences / ideas to the work is paramount.

Don’t like the word ‘style’. It’s too certain of itself.

03/03/19

“Sack Race”

“Sack Race”

Bit better productivity wise.

07/03/19

“Guardian Study”

“Guardian Study”

Sketchbook work tonight.

08/03/19

…has “Bereft Clown” gone the way of the dodo yet again? Is it stifling and holding me back? Even just setting it aside for a week or two could help.

09/03/19

Temporarily removed the shrub in “Ruins”.

10/03/19

Pablo the Monstera

Pablo the Monstera

15/03/19

Lynda Benglis doesn’t make work for other people or for specific shows but purely out of curiosity.

“The Boatman”

“The Boatman”

Attempted some sketchbook work - hit and miss - mostly miss.

16/03/19

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Cake tin for the sky disc. I think it’s a good idea to get closer to the colour scheme in my head than what is on the canvas at the moment.

20/03/19

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21/03/19

“Quick Call”

“Quick Call”

Sketchbook work.

23/03/19

In the studio where I’m happiest. Even if it’s not working well it’s about going through the process.

Detail of a weeping willow.

Detail of a weeping willow.

A good bit of experimentation today but heading in the right direction nonetheless.

24/03/19

Corita Kent rules:

  1. Find a place you trust and then try trusting it for a while.

  2. General duties of a student: Pull everything out of your teacher. Pull everything out of your fellow students.

  3. General duties of a teacher: Pull everything out of your students.

  4. Consider everything an experiment.

  5. Be self disciplined. This means finding someone wise or smart and choosing to follow them. To be disciplined is to follow in a good way. To be self disciplined is to follow in a better way.

  6. Nothing is a mistake. There’s no win and no fail. There’s only make.

  7. The only rule is work. If you work it will lead to something. It’s the people who do all of the work all of the time who eventually catch on to things.

  8. Don’t try to create and analyse at the same time. They are different processes.

  9. Be happy whenever you can manage it. Enjoy yourself. It’s lighter than you think.

  10. “We’re breaking all the rules. Even our own rules. And how do we do that? By leaving room for X quantities.” - John Cage.

Helpful hints: Always be around. Come or go to everything. Always go to classes. Read anything you can get your hands on. Look at movies carefully, often. Save everything. It might come in handy later.

There should be new rules next week.

26/03/19

…in my thoughts today.

“If you mix your voice with others’ voices you feel as though you are caught in a hook.

Franz Kafka - “Children on the Road”

27/03/19

So in front of a warm fire and three sleeping dogs, I asked Jan to marry me.

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Thankfully she said yes.

30/03/19

A little semblance of normality today: back in the studio.

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Less contrast between the sun and sky?

Slowly but surely making progress on the “The Lost Woods Study”.

Detail of “The Lost Woods Study”.

Detail of “The Lost Woods Study”.

31/03/19

…more work done to “Rose” today.

Detail of “Rose” - work in progress.

Detail of “Rose” - work in progress.

RDH: FEBRUARY 2019

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01/02/19

Slight change of tact…

02/02/19

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03/02/19

Some tonal work on “Bereft Clown”

Some tonal work on “Bereft Clown”

05/02/19

Lagging behind.

06/02/19

Applications submitted.

09/02/19

DISTRACTIONS leads to NOT DOING WORK leads to FEELINGS OF GUILT leads to DISTRACTIONS leads to NOT DOING WORK leads to FEELINGS OF GUILT leads to DISTRACTIONS leads to NOT DOING WORK leads to FEELINGS OF GUILT leads to DISTRACTIONS leads to NOT DOING WORK leads to FEELINGS OF GUILT leads to DISTRACTIONS leads to NOT DOING WORK leads to FEELINGS OF GUILT leads to DISTRACTIONS leads to NOT DOING WORK leads to FEELINGS OF GUILT leads to … etc etc.

How do you combat this?

“Discipline is key" - JG

Break the cycle by physically setting time aside for practice. Depending on the day of the week and other commitments, the type of productive work will differ.

10/02/19

Cleaning the palette

Cleaning the palette

12/02/19

One good sketch is better than not drawing at all.

One good sketch is better than not drawing at all.

16/02/19

“What’s for you won’t go past you.”

Reworked pattern and colours on clown today.

17/02/19

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Great to get painting today albeit a little later than I would have liked.

Counting works - didn’t realise there were so many!

23/02/19

Belfast. Great to see the last day of ‘The Question of Feeling at Home’ in PS² - curated by Moran Been-Noon. Bonus to get a run down from Moran about the show and to see Cecilia Bullo’s work in the flesh! Been excited to see it since her talk in the DLR LexIcon last year. Next was a visit to Belfast Exposed for the ACNI collection show with a solo show by Linda Conroy in the upstairs space. Conroy’s work is disturbing and utterly absorbing at the same time. Removing notions of the individual from religious ritual resonated with me personally. Then it was on to ‘Porous Plane’ by Lennon in the Golden Thread Gallery. The sheer scale and vibrancy of the work was immense. In the information leaflet it says that “no knowledge is required to enjoy the beauty of these paintings” and that Lennon “invites each of us to find ourselves and arrive at our own inclusions”. Leaving room for the viewer is something I’m particularly keen on.

Lastly onto the wonderful ‘Alternate Perspective’ in Platform featuring work by Aimee MeLaugh and Karl Hagan. Both reflect on ‘memory, people, places and trauma’. The grandeur of history painting coupled with highly personal and intimate narratives. Wonderful painting exhibition.

25/02/19

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Project profile submitted.

27/02/19

It’s the journey not the destination.

28/02/19

Nearly into third month and nothing really to show for it. Plenty of works in progress but not enough progress being made.

RDH: 01/12/18 - 31/12/18

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01/12/18

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Blocked out “Bereft Clown”.

02/12/18

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Found an ogham poster on North Street with an interesting translation.

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Vault studios is amazing - especially EMIC’s studio space!

04/12/18

…text to coincide with next solo show…

08/12/18

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Studio work today. Thought I was close to finishing ‘confessional’ but it might be further away than I imagined.

09/12/18

“You make a mistake when you explain the paintings through the war.”

Mark Stevens - on Bacon’s “Three Studies for Figures at the Base of a Crucifixion”

Several shooting stars.

15/12/18

Probably the most difficult thing I’ve ever had to do. Childhood hero reduced. It's a real jolt to the system.

Trauma doesn’t discriminate. It’s so subjective that it can defy explanation or description. Nightmarish.

16/12/18

Materials courtesy of the University of Atypical’s iDA award arrived to the studio today.

Materials courtesy of the University of Atypical’s iDA award arrived to the studio today.

Need to learn to keep some things to yourself.

See it through. Stay strong and keep head up.

17/12/18

Panic attack today.

21/12/18

You never fully appreciate someone until its too late. A true legend that has shaped so many. Time with family is so important.

Resolutions < Revolutions

22/12/18

Moon-rise over Glenshane.

Moon-rise over Glenshane.

Thought I had a good night’s sleep but my body is telling me different. Need to draw more again.

26/12/18

Getting lost in thought about art is a joy. It’s like taking a mini vacation.

27/12/18

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Some sketchbook work. Not much but it’s a start.

Look more before putting pen to paper. This is not to say to lose the immediacy during the act of drawing but to take a breath to absorb and examine what an image has to offer.

29/12/18

Finished “Confessional”. Maybe when the mind is distracted slightly it makes studio work more of an automated response? Decisions were made and action was taken.

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Not saying having a completely distracted head-space works. Far from it. I’ve been there plenty of times and it’s disastrous. No. It’s more a case of - you’re in the studio and you have a clear(ish) idea of where the work will go so you follow that. The decision making dilemma is lessened due to the preoccupation of other matters going on upstairs.

30/12/18

A bit of work done to “Bereft Clown before clearing the palette and studio up for another year.

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RDH: 01/10/18 - 31/10/18

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01/10/18

… of interest. Attainable small steps to reach big goals.

02/10/18

Delivery mix up.

05/10/18

Booked VAI speed curating slots for November.

…LA… fingers crossed!

06/10/18

initials in ogham

initials in ogham

Experiment in the studio with a degree of success. When a fine layer of fixative is lit on the paintings surface, areas of the canvas that are predominantly charcoal or thin layers of colour are singed and blister - creating an interesting effect. Safety first though.

Jan is right —> the lighter background to “Pioneer” was more unsettling. Rectify.

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07/10/18

Staring at “Pioneer”. I think I’m hesitant because its… I don’t know. I think the colours are too similar between light and shade. By the same token - you don’t want it to become too contrasting and cartoonish. A foreign colour introduced into the third panel may point a direction.

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Flying by the seat of pants but you can’t control the spontaneous. Some detailed work today. It is getting there. Attention directed towards other matters.

… paintings and clusters of drawings - like a shotgun spread of memories. Jumbled - linked yet conflicting. Fighting for dominance.

\\\THE TRAUMA PARADOX\\\

08/10/18

Just realised a connection between “AMATGS” and the ivy crown. Oedipus plays would have been played during the festival of Dionysus - who is associated with a crown of ivy.

09/10/18

“ I gave myself permission to follow my voice and that’s what my whole career has been. I still give myself permission and no compromise. I compromised before but not when I became an artist.” Mark Bradford

10/10/18

World Mental Health Day.

11/10/18

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13/10/18

“Into The Void Magazine” submission successful!

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Sketchbook work and now watching the original ‘Suspiria’ for the first time.

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14/10/18

Notes finished for presentation. Pleased with burning effect on triptych.

… was suggested something on Friday. Well it was more of a dialogue regarding “Pioneer”; the first and last sections work. They’re strong but the one that should be the strongest and the anchor, the middle piece is way behind. Changing from a triptych to a diptych? Leave it for a while - continue working on all three before abandoning the middle piece.

Using ash as a painting/drawing medium. Religious links? Why do ideas come in the final minutes of the day? Processing process.

18/10/18

On way to Dublin. Looking forward to talking about work in DLR Lexicon. Not nervous. Yet.

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Just saw the most beautiful fox casually strolling across a field outside Armagh.

I’ve been skirting around issues. The ‘recall’ notion might be worth exploring again. Drawing. Painting. Video. Audio.

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The DLR Lexicon is stunning. Really enjoyed the other talks - especially work of Cecilia Bullo.

19/10/18

Yesterday’s trip and talks were great. Just wish I had more time to go around some of Dublin’s galleries when I was down. Decided it was best to drop the middle canvas in “Pioneer Studies”. Finished the other two pieces and happy with the results.

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20/10/18

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A little tweaking to “Afore the Stoop”.
Dad suffered a bleeding eye following his operation.

22/10/18

Have been neglecting practice and methods during the week. Ards - it seems a long way off but it will fly in.

Keeping your finger on the pulse is no bad thing.

24/10/18

Personal history is a source - not the explanation. ‘imagine…’ with Tracey Emin on iPlayer was insightful. Have a new found respect for Emin’s practice and quite like a few of some of her new paintings.

27/10/18

No paints were used today but three canvases were started. The smallest piece - I don’t think will have legs. As a drawing it is strong but I feel it won’t work on canvas. I’ve drawn up “Bereft Clown” again - a different size to the previous square stretcher. Will see how it goes. The third canvas is the one I’m most excited about. It’s a merging of two images but in a slightly different way. First is an image of a German officer stationed in a concentration camp. The other is a negative of a confession screen. The idea is to project light through the lattice onto the portrait. Fright Night in the jungle was great fun!

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28/10/18

Slept so much. Slow progress but progress nonetheless.

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31/10/18

Spacing error.

“I’m really interested in creating moments of ‘push and pull’ in paintings and having different registers of imagery with different surface qualities - so one thing might be compositionally in the foreground but materially might be being subsumed by whats behind it.” Helen Johnson

RDH: 01/08/18 - 31/08/18

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01/08/18

Blog generally.

03/08/18

Work wrapped and ready.

Work wrapped and ready.

Confessional - portrait through mesh?

installational idea - structural notes on seat.  Guidelines for penance.

"The Ash Wednesday Supper" by Giordano Bruno - 1584

Michael Simpson - think of your 'style' as developing a language; coherent and your own without being stylised.

04/08/18

'Real Artists Don't Starve' by Jeff Goins

Agendas in the work?  Activism? Does it need to have a message?

CNIP Meeting in CCA Derry went really well.

CNIP Meeting in CCA Derry went really well.

At the Gates of the Music Palace by Alex Cecchetti.  Curated by Mary Cremin - VOID Derry

05/08/18

RUA works dropped off.

"As a painter you constantly want to overcome your virtuosity, but at the same time you strive for virtuosity" - Per Kirkeby

06/08/18

Bits that work and bits that don't.

Bits that work and bits that don't.

08/08/18

Been offered to show work in New York City!!!

09/08/18

Stiffen the Sinews, Summon up the blood. - King Henry in William Shakespeare's 'Henry V'

The above is written on the studio wall of Maggi Hambling (Tateshots).  Some sketching done.

11/08/18

Average Buzzard wingspan = 110 - 140cm.  Overlap red silhouette of bird with rabbit skull.  Any black in the skull should remain the red of the buzzard.  Don't overwhelm foundation of composition.

No where fast with this. Not happy with tones at the minute but it can be pulled back.

No where fast with this. Not happy with tones at the minute but it can be pulled back.

Will get a good push in the studio tomorrow.  At the same time if I rush at it, that's when it is more likely to fall apart.  If it happens, it happens..

12/08/18

On the ropes. Really badly on the ropes.

On the ropes. Really badly on the ropes.

Life-sized buzzard started.

Life-sized buzzard started.

Triggers: words, memories, looks, objects?

13/08/18

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"Happiness is like an orgasm - it doesn't really last." - Raqib Shaw

14/08/18

Reading 'Oedipus at Colonus' to get a better grip.  "...further into darkness with every step".

15/08/18

Just realised how I went about the 'Oedipus' painting in the first place ... shading down on charcoal and fix + light transparent wash to unify all the tones.  Once dry, pop in colours and detail accordingly,  How did I forget?!

16/08/18

...waiting on submission is tortuous.

17/08/18

A strange seed.

A strange seed.

Trying very hard not to get ahead of myself.

Sketchbook work.

Sketchbook work.

18/08/18

Studio shot. "A Manifold and Truly Glorious Strife" (left) brought back from the brink.

Studio shot. "A Manifold and Truly Glorious Strife" (left) brought back from the brink.

20/08/18

Roasted Crane = culinary symbol of Irish submission.  Breaking of legs before being thrown into the sea.  The Pale - area above Dublin. (beyond the pale saying). Notes from episode 2 of "Story of Ireland". 

OH DEAR.  Painful.  What a difference a day makes.  Twenty four little hours.  Three things looking good and they all come crashing down.

22/08/18

A shitty week but it will be OK.  Shouldn't have let it affect me as much as it did.  Got blindsided and took eye off longer focus and objectives.  Onward.

Trying out new things.

Trying out new things.

23/08/18

Grayson Perry's "Rites of Passage" episode on death really got to me.  A lot of people would give an arm and a leg to have that last conversation with a loved one - what they meant to you and what you mean to them - before they pass.

24/08/18

Prioritise / Lists - allow for flexibility.

25/08/18

A large (and very unfortunate) spider met it's end some time ago.

A large (and very unfortunate) spider met it's end some time ago.

Bit of an overhaul on "Procession Study" today.  Clouds were OK but too noisy.  Back and forth with it today.  Looking more like a study now.  A little looser.

Blocked in rough colours for "Afore the Stoop";

Blocked in rough colours for "Afore the Stoop";

26/08/18

Good progress on this today. Am I getting too caught up on those bloody hands and ignoring the rest of the canvas? Probably.

Good progress on this today. Am I getting too caught up on those bloody hands and ignoring the rest of the canvas? Probably.

27/08/18

'Nemo Malus nisi probetur' roughly translates to 'No one is evil until it is proven'.

28/08/18

Bank Buildings in Belfast city centre completely gutted by fire.

Above:  Some shots of the Golden Thread Gallery's two simultaneous solo exhibitions:  Travis Somerville's "Homeland Insecurity" and Ian Cumberland's "a common fiction".

"Art Practice as fictioning (or myth-science) by Simon O'Sullivan.

29/08/18

A group show in London?  GT meet up yesterday was great.  Hearing what folks have been up to and where they are going.  Some feedback from sculptural ideas from friends was positive.

"Procession Study" finished. Can a study be finished?

"Procession Study" finished. Can a study be finished?

30/08/18

Cat is missing.

31/08/18

An application was successful so there will be two solo shows - one in 2019 and one in 2020!