RDH: FEBRUARY 2024

01/02/24

Beginnings…

02/02/24

…officially taken a back seat. That’s OK though. Needs - Must. Doesn’t mean the grey matter stops!

I mind a ‘Thunderball’ poster with a table in it - or was it N.S.N.A.?

Knots - Riddled.

03/02/24

20:11 - Malcolm John Kielt born - 7lbs 10oz.

Jan was amazing.

09/02/24

I have been thinking about what was put to [redacted] for the [redacted]. Advice could (and should) be taken on board closer to home.

Certain circumstances, mean that practice has taken a back seat - as it should - but this shouldn’t be an excuse to down tools completely and end any creative activity that could be happening. I don’t know if I could fully switch off anyway.

Just because the practical studio and office / sketchbook time is lowered doesn't mean all artistic outlets dry up! There is room in other spaces. Even now, trying to carve out some creative time will be important. Use any spare time wisely - but also enjoy the early days of baby number 2!

10/02/24

Studio cleaning and some posthumous signing this morning.

Had time cleared for the studio for a few hours - just to get some paint down when no sooner had I started, the skirting man arrived.

The best laid plans etc etc.

15/02/24

16/02/24

BEEP BEEP!

17/02/24

“A Brush with…. Wilhelm Sasnel”.

“I do not control painting; I follow it.”

Wilhelm Sasnel

Some studio work - bit of a no-go. Need to re-energise the on-the-go paintings somehow OR start from scratch OR (3rd option):

Finding - or trying to find a new rhythm. Tough going but we’ll get there. What have I done in the past when I’ve come to a cul-de-sac?

DRAWING BOARD! Practical Next Steps.

18/02/24

Plan set out to be productive this evening - … had other ideas.

Submitted!

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X

IX

XIII

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20/02/24

THRESHOLD Gallery, Belfast showcasing work as part of the Golden Thread Gallery Collection.

22/02/24

Ciarraí MacCormac at Ulster Presents.

Pond(er) at Catalyst Arts.

23/02/24

“Every man is guilty of all the good he did not do.”

Voltaire

25/02/24

“A Brush with… Stanley Witney”

(…a painting has to get ugly before it can be beautiful. If you go straight to the beautiful, you’re aiming at the pretty.)

Two canvases started. Badgers’ is quite interesting already.

Fingers crossed.

28/02/24

“A.J.#240” - well I fell asleep during that podcast. Riveting.

29/02/24

Sketchbook studies.

RDH: DECEMBER 2023

03/12/23

Very cold in the studio. Can’t be a put off though.

Séance piece:

Wall and floor = re-adjust

Blue Figure = push back / get rid of

The woman in blue - basically taking away from the overall composition.

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… Getting there. Simplified the back wall. Colours are all wrong but at least it’s going in the right direction structurally.

07/12/23

Warhol at the Hugh Lane, Dublin - Excellent

09/12/23

A round of image gathering is in order. Juices.

10/12/23

14/12/23

Isn’t it funny how a conversation can be the spark that begins to slot pieces into place…

Winter months are slow in the studio - always have been - there’s nothing new there.
What is different is the less time being allocated to focus on drawing [rephrase] not making enough time to focus on drawing elements. TIME CAN BE MADE!

”Artists reflect on what is happening”

Rachel Whiteread

SKETCHING

17/12/23

Studio.

Background work on ‘soldier’ piece and a new portrait started over an abandoned canvas.

Drew the charcoal into a fresh layer of white. Will see what comes of it.

18/12/23

Applied.

23/12/23

I do enjoy looking back over the year that’s about to pass. One eye on the past yada yada.

There has been no strict recordkeeping so an idea flashes in and then fades out only to pop in later in a diluted and obscure way where I struggle to recollect the initial instance. Should be rectified. Plenty of ways to keep quick notes.

Joints are aching from the impending dose.

25/12/23

Merry Christmas. Very mindful… so counting blessings and appreciating the little joys.

26/12/23

It’s been a strange one. Anything but restful.

Crow - Chimera - spark/spark/spark.

28/12/23

In the studio and had intended to clean palette ahead of some painting time tomorrow but there’s just too much good paint out to waste. Some looking and notes to aid tomorrow:

Séance in London - notes:

• It’s a bloody séance - it shouldn’t make sense.

• Remove shadows

• Push fireplace back (cooler / lighter)

• Chairs - are they needed?

• Omit / darken bottom section.

Again, it doesn’t have to make sense. It’s a nonsensical act. Defying logic so the picture shouldn’t live by those rules.

Soldier Piece - notes:

(layer of white on right figure’s clothes done)

• Alter skin tones - middle too cold, left too warm. Find a balance. Soldier has seen / committed horrors - bare this in mind.

29/12/23

A good solid day in the studio - and the last one of the year. Loads of coffee.

‘Séance’ - fireplace removed, chairs gone and front three figures blocked in again. Compositionally, it’s definitely a step in the right direction. How does one make an image ominous?

[insert researched answer here] e.g.: 'Fuseli’s ‘The Nightmare’

The little portrait study came about very quickly. A much looser approach so far and some nice elements in the painting. It does run the risk, however, of muddiness so must be mindful.

Last Studio shot of the year.

30/12/23

Asleep after lunch … never thought I would see the day.

…outline of concrete that covers crack in the wall outside. Repurposing shapes you see every day into works.

Five Uneven Steps.

RDH: NOVEMBER 2023

01/11/23

Beautiful print by Chloe Austin arrives in the post!

02/11/23

Late Night Art Belfast - another cracker!

VAULT: Buttermilk Projections

DAS: The Veil by Cameron Clarke

Belfast Exposed: Victor Sloan

FLAX art Studios: Rachael Melvin

POLLEN: Lenka Davidikova

My painting 'Galamseyer' in Save Our Sperrins show - 2Royal Avenue

Stuart Calvin and Johanna Leech at Threshold

Cameron Clarke’s exhibition in DAS, probably one of the best installations I’ve seen in a long time. The perfect week for it - ending the spooky season with a bang.

05/11/23

Studio - setting aside the two large works for now and going to focus on the two portraits in progress.

It was all going so well until… working on ‘Indifferent Study’ and thought I would be productive in between waiting on a thin layer of paint to set. Began chopping some firelighters for later and…... BAD IDEA! Took a decent chunk out of side of a finger. Just when I was getting into a rhythm! It will heal but my favourite pen won’t. It died this evening too. Doesn’t bad things come in threes?

11/11/23

Short Studio Session. ‘Indifferent Study’ = Hair OK, surprisingly. Eyes / mouth needs tweaked. Skin Tone: slight contrast needed between light and shade.

FINISHED!

See, little checklists of what to focus on before lifting a brush work!

14/11/23

Morning Traffic

16/11/23

BVAF: re-energised and eager to take pro-active steps in art community in city.

19/11/23

S.S.S.

‘Amy Study’: Background - dimmed / dulled - green gold + payne’s grey? Need to get a grip - FOCUS / PRIORITISE / WORK!

…was not expecting to finish this portrait today. Creating little checklists in between layers really does help to critically evaluate the work as it goes - pushes for focus.

Getting to the point where I feel an outlet is needed. What’s holding me back…

Cogs are a turning…

Keening

I have a secret - I listen to Radio 3 to drift off.

21/11/23

An impressive build

23/11/23

The streets are arteries.

Pope L. - advice to the young…

Stuck on a canvas for months. Tutor at the time saw him struggling and said:

“WRITE ON IT!”

Exorcise your thoughts and things will stem from it.

26/11/23

29/11/23

Come rain, hail or shine (but more than likely frost) … solid brainstorming session.

The hmming and writing is all well and good but if you’re actively not doing anything - then it’s just noise.

30/11/23

Weird lights in the sky over Glenshane. Six evenly spaced lights in a diagonal - no sound.

DEBUNKED! Mystery solved, Musk’s star link.

RDH: AUGUST 2023

02/08/23

Securing loose ends this week. Collecting and dropping off work.

Still from “THE NEW DAWN FADES” by Clare Langan at the Golden Thread Gallery.

09/08/23

Fell through. In any case it was still an honour to have been asked alongside the other artists!

11/08/23

14/08/23

Wonderful time over in London. Tried to paint today. Stared at the work for ages but nothing leaped out. Sometimes just looking can be productive. Time to re-energise and heal.

15/08/23

Now may be a suitable time to take own advice and reach out…. can’t just fire a blanket. Have enough work.

17/08/23

Reset desperately needed. Very distracted creatively at the minute. Whatever time can be set aside MUST be used for artistic purposes. Hopefully will get on the right track. Am I too harsh on myself?

Pleased to be a part of Catalyst Arts Member’s Show.

20/08/23

Some progress but not much. Don’t want to dwell on this too much but, as an honest self-assessment in a diary context, WTF. The will to paint is there at times, at others it’s the furthest thing from mind. Perhaps if there were one or two short - medium term targets. Something to aim for may light the fire again.

21/08/23

23/08/23

Yesterday… will remain nameless but they reminded me of the passion and push to create. Jan had noticed when I haven’t made work in a while my mood goes down, procrastination increases and there’s a that wee spiral downwards.

1. Accepting you’re in a rut.

2. Take a Break - self care.

3. Collaborate with others.

4. Change it Up.

5. Search for Inspiration

6. Keep Going

Morning pages - keep moving the pen. Don’t stop writing.

Pages 1 -3: Uncontrolled free writing

Page 4: Reflection on the day.

Advice from subconscious. Not showing my best self. Live by example. To be able to hold your head high. Shake it off and move on.

• Clean, workable space

• Back to the drawing board (there is a reason this is a saying)

• 30 minutes of drawing / research is better than 30 minutes of trash TV. Use time wisely!

24/08/23

I wonder if the morning papers would work for sketchbook work. Probably not unlike what Maggie Hambling does as part of her morning routine.

It’s a beautiful morning. The sun is blinding in the brilliant flashes as the bus winds and turns heading across the river Bann. Wall to wall blue. …solo heart to heart, I did my best to be less distracted last night. It’s about being conscious about the negative habits and aiming to nip them in the bud as quick as possible that should really make pay dividends.

Sore neck = Poor Posture.

…give myself permission…

You’d think that well over a decade I should know the answer.

IDEAS / DRAWING / REFLECTIONS / LISTS

Anything goes. The only rule is to put pen to paper every day as much as possible.

Life has a way of happening around you so if shit happens and venting is needed. That’s OK. A.i.L. - L.i.A.

Observing more can only be a good thing - possible leads into other areas of practice. Maybe best to not get too carried away.

Called into Anne Butler’s show “Objects in Time” at the GT on lunch. Such beautiful detail and intricacy in something so delicate and heavy. Love it when materials aim to confuse - mimic characteristics of another.

27/08/23

“Ready to Go” - does it need scaled up? Looking at the “Rooftop / Marina” piece, there are elements in the city scape that are working. Nice, loose and gestural marks but it still needs a lot of work. For the roof in the foreground, less charcoal marks perhaps? Just get something down.

“RtG” charcoaled up, witg the figure more prominent, its already looks like a far more intertersting composition. Solid progres on “Marina” today, especially the cityscape. SSS' aren’t to be taken lightly.

NB: SSS stands for Short Sunday Sessions.

28/08/23

APPLY

30/08/23

Dublin - Curved street is great!

31/08/23

Looking forward to ARRAY event tonight.

Fifteen years. Fifteen years since my outlook was altered forever. Still raw, even after all this time. Anniversaries reel back the pain like a fishing line. You cast it off eventually, but it will always come back. Wrote that like Senior.

“The Night Draws Near” by Array at the Ulster Museum. Wonderful experience.

BE PRESENT!

I will remember the chorus; singing as we were led up to the Síbín for a long time.

RDH: JULY 2023

02/07/23

TALK ART: TIM STONER

“When you are a mature artist, you’re not a mature painter”

Edward Hopper

“Process of Catharsis”.

“The world can only be grasped by action, not by contemplation. The hand is more important than the eye… The hand is the cutting edge of the mind.”

from ‘The Ascent of Man’ by Jacob Bronowski

Really good going with “In a Huff” today. Yellow a little acidic maybe and the t-shirt needs refining - but not to the point of going too tight with it.

06/07/23

Matthew Wilson at Threshold, Belfast

Katharine Paisley at Threshold, Belfast

Allison Maria Rodriguez at DAS, Belfast

09/07/23

‘A Brush with… Jeremy Deller’

“In a Huff” - muted the floor; slightly less acidic and lightened the background / walls. T-Shirt texture is troublesome so pared it back to jostle with it another day.

“Put it Away” - background darkened and textured up. Happy little accidents like the dripping on the skin and around the mouth. Have kept them there for now. Perhaps veil them at a later layering stage.

The lighter hair is going to be a challenge and at this point it’s rough as hell

but

I’m looking forward to tackling it again. I feel this may be a case of slowly working in between a few days of drying time. The open hand is a headache because the source image is so bleached out with light that it looks flat. COUNTER THIS.

11/07/23

A few days off.

LATE NIGHT SKETCHING!

13/07/23

Palette cleaned and two new canvases drawn up. Essentially getting ready for Sunday/Monday painting session.

Noticed something when looking through acetate sources. Initials. Lots and lots of initials. Subconsciously adding? Especially ‘A’. If you look at the drawings (and by proxy the paintings too as I try to keep elements of the drawing mark there too) they are there from the get go. Food for thought.

15/07/23

… submitted …

16/07/23

Thought better of putting paint out for a morning studio session. Decided to focus on pushing the drawing and tonal elements of the two new canvas works instead. Full day in the studio tomorrow. Best not throwing that away!

17/07/23

The bones of Orestes.

A really good day in the studio. “In a Huff” finished and more progress on “Put it Away”. Also some layering and groundwork done on the two new pieces. More of this please!

19/07/23

Take own advice.

22/07/23

Oppenheimer = outstanding.

23/07/23

A solid six hours in the studio. Good momentum on large piece - still no title (but worked from an image of Marina Ginestà). An enjoyable birthday weekend.

27/07/23

… preselection…

30/07/23

Not feeling it today. That does not mean that you simply walk away from studio. Grind it out. Do something! Will set ‘Marina’ aside and work on “Put it Away” instead.

See what happens if you stick it out!? Finished this painting even though head was not in it today at all. Yes, the guts of it was done and it just needed refined in certain areas. There’s a level of satisfaction to be had when you accomplish something that is usually the bread and butter stuff when you’re not in the zone. Makes it sweeter somehow.

RDH: MAY 2023

02/05/23

First day…

Make time for practice.

03/05/23

Louise Wallace at the MAC, Belfast

04/05/23

…the drive to help.

Late Night Art Belfast. The first in a long time.

Ciaran Magill - University of Atypical

Tomas Monteiro at Catalyst Arts

Deirdre McKenna at PS²

Dorothy Hunter at Golden Thread

Niamh O’Malley at Golden Thread

Ciarraí MacCormac at Trademarket

07/05/23

“Boy Soldier” - finished.

Two new little pieces started this afternoon too!

09/05/23

New EMIC piece in Belfast City Centre

13/05/23

Sent feelers out…

14/05/23

Need to tread carefully with this one.

19/05/23

Supplies!

20/05/23

A good tidy up of the studio.

21/05/23

Studio time.

Going somewhere and then damn near destroyed ‘Mugshot’ piece. Taking some time and stepping back helped save the day.

Looking is still working.

Brought it back. Relying too heavily on the charcoal mark can sometimes lead to images turning into a caricature of itself. Pared back the drawing line - focussed on the tones and limited palette that don’t stray too far from each other. Much more successful as a whole now. Bit more to go but good otherwise.

25/05/23

Luc Tuymans - surgical precision. All working out is done beforehand - composition, colours, size, materials all planned in advance so that intelligence goes from the brain (in the preparation stages) to the hand (in the making). I don’t know if that would work for me. That split second spontaneity - yes it can go wrong and often does - is needed for play with materials. Having a regimented script when painting would not work for me.

Need to catch a grip. Too easily distracted by shiny things.

27/05/23

“Egon Schiele: Dangerous Desires” on Iplayer.

28/05/23

Studio.

“What fascinates you about that bastard?”

Definitely evokes a response. Is it worth it to get response based on the sources for the work rather than the work itself? A pickle. It’s not a glorification of a person’s actions. It is a study, an investigation of a portrait of evil. Aesthetic response to traumatic event.

Ethics vs Aesthetics.

In the end, I’m never speaking or working for anyone but myself.

Wee bit of progress on little prayer canvas. Could the two be companion pieces?

31/05/23

Dublin bound.

Manar Mervat Al-Shouha

Daniel Coleman

Upper Gallery RHA

Mags Geaney

RHA show - an art overload but in the best way!

Quick stop in Temple Bar and glad I saw performance for Fanny Gicquel’s show “breathing with heels, walking with eyes”. Also popped into Project Art Centre to catch “Got Damp / Púscadh Anuas” by Avril Corroon.

Performance at Temple Bar Gallery and Studios

Avril Corroon at the Project Arts Centre

RDH: APRIL 2023

02/04/23

“…entry point into an emotional landscape.”

“…photograph is just a vehicle to then deal with those subjects that I want…”

Matthew Krishanu on “A Brush with…”

Having a crack at “Check Your Pockets” again. Going to try attacking it from a different angle.

09/04/23

Easter Sunday.

“A Brush with… Mike Nelson”.

“C.Y.P.” - let’s just get something down.

Good progress on figure today. Looks solid but… it’s not sitting right though and when I looked again after cleaning brushes, only then did i realise… the issue is the background. Compositionally it’s fine but the colour choices and tonal values are all out of whack.

11/04/23

Over the Moon!

12/04/23

Beautiful postcard came in the post from Hang Tough Contemporary for Alana Barton’s solo show in Dublin.

14/04/23

Still pinching myself. Best foot forward!

16/04/23

Seem to have went and gone the long and awkward way about it but “Check your Pockets” is finished.

Some sketchbook work to finish the day off.

20/04/23

Special letter in the post.

23/04/23

Great to hear the Ulster Museum being interviewed in The Art Newspaper’s “Week in Art” podcast.

“A shared history, not a shared memory.”

Studio time - clothing an background work on “Boy Soldier”

RDH: MARCH 2023

01/03/23

Hunter / Gatherer Mode: Night Two

05/03/23

Studio - a long needed clean-up and great to get going with paints again.

Working on larger-than-life hands - a teacher once told us that if you can draw hands, you can draw anything. This is whirling around in my head today as I tackle these.

08/03/23

…not selected. A little disheartening but onwards and upwards.

12/03/23

Back has hindered any studio time this weekend.

…well Sunday night took a turn for the weird. Trip in ambulance to hospital. Struggled to breathe. Long story short: X-Ray clear, CT Scan clear but blood tests abnormal.

A few days rest needed.

15/03/23

Sketchbook work.

Want to utilise time better.

18/03/23

GRAND SLAM!

19/03/23

Some really substantial progress today on “Boy Soldier”. A balancing act as always.

27/03/23

What a year it’s been! Happy Birthday to our little girl, Imogen.

29/03/23

List of drawings that have ‘slipped’ through the net…

20+ images that have popped out this time around. There’s potential for further progress here. Strange how on another day of sifting through past work a separate set of images could jump out.

The brain is an odd critter.

RDH: DECEMBER 2022

02/12/22

Wardell Milan - Louisiana Channel

Sketchbook work - it’s been way too long!

03/12/22

Quick studio time…

… as suspected, it didn’t take much to get last two paintings of the year over the line. Still aiming to keep the (well, less is more is a little inaccurate) “Stop before I think I should” mentality.

Definitely less misses with this strategy.

08/12/22

‘New Exits: 10 Years of Painting’ opening at the MAC. Excellent show. Daniel Coleman’s painting ‘The House Down the Lane’ is absolutely stunning. It moved me to tears. A real stand out from a strong group show.

11/12/22

Freezing in the studio.

Drew up two small works (having a crack at the ‘Jaws’ image again - with a slightly altered composition) and have set up to take a look at a couple of pieces that have fallen through the cracks recently.

‘Street Walker’ and ‘Laughing Man’ (working titles).

17/12/22

Wood is for the living, stone for the dead.

Said farewell to GT’s reading round. It’s been such a boost having this weekly outlet of chatting, sharing ideas and making connections. Had a great run!

Stream of admin this evening.

18/12/22

“Tomorrow is Saturday” - Interesting documentary on Sean Hillen.

28/12/22

Studio time. “The Week in Art: 2022 in review” podcast.

Blocking in on the small piece. ‘Man looking in his pocket while descending the stairs’ or ‘Looking for keys’ OR ‘Check your pocket’.

29/12/22

Newcastle.

30/12/22

Penultimate day of the year. admin and prep before a few hours in the studio!

For the time of the year that it is, I find myself in a bit of a reflective and thankful mood. 2022 has been good to me.

• Collaborative residency and exhibition with Catalyst.

• Work shown at the Boyle Arts Festival, Roscommon.

• Part of the Royal Ulster Academy Exhibition in the Ulster Museum, Belfast.

• Gave a talk with Basic Space Dublin in the Hugh Lane Gallery.

• And most importantly, became a father!

There have been losses also. People who have impacted our lives that have moved on, but their imprint will remain.

So much to be thankful for, a loving family, the support of friends and loved ones during the highs and lows. Also, to those who took a chance on my work, who invited me to be a part of their projects:

THANK YOU!

RDH: NOVEMBER 2022

05/11/22

Art and Ecology Podcast.

Studio Time with an assistant!

08/11/22

Painting in RUA has SOLD!

11/11/22

It all adds up.

12/11/22

“You know in the back of your own mind if criticism holds any merit for yourself.”

13/11/22

Studio time - short but sweet stint today. Good progress on three pieces. A little too on the nose in some areas but very productive otherwise.

17/11/22

VAI Get Together day 2. Highlight was listening to Samir Mahmood talk about his practice.

19/11/22

Progress on “Feeling Stretched” and “Red Lines”. Getting there. Colour choices needing a tweak though.

20/11/22

Belfast trip with the family. Ulster Museum - Renaissance to Romanticism. Brueghel the Younger pieces very good and the Goya portrait on display is a special painting.

Great to get up with Jan and Imogen to see the RUA again.

26/11/22

Shocked and saddened to hear of Hugh O’Donnell’s passing. I got to know Hugh in applying for funding in 2018 and again in the run up to my solo show in Atypical in 2020.

Hugh was always so kind with his time - having a studio visit beforehand and his feedback and insight during the install was a dream. Hugh was a real presence and his life blessed all who spent time with him. Rest in Piece Hugh.

30/11/22

Priorities shifted about.

RDH: OCTOBER 2022

02/10/22

#Mousegate

Strange events

08/10/22

…notes complete. Need refined for easy consumption.

13/10/22

Crowd at opening of RUA in the Ulster Museum

Craig Donald's winning portrait: "Marinus van der Lubbe"

Alana Barton with her painting "Faeries".

Pictured alongside "Girl with Red Hair"

Royal Ulster Academy opening. Craig Donald won an award for best portrait! A great night all round and chuffed to see my little painting up on the wall with some wonderful artists.

14/10/22

Early start. Perhaps the X in X4 stands for extra-long.

The Hugh Lane Gallery, Dublin

Works In Progress Space in the Hugh Lane

Mid Presentation

"O, To have a little house" by Michelle Malone at the LAB Gallery

Talk in the Hugh Lane couldn’t have gone any better. Pleased with the reaction and feedback from everyone and profoundly grateful to Basic Space for the opportunity to speak.

15/10/22

Studio Shot: 15/10/22

‘A Brush With… William Kentridge’.

charcoal - the indeterminacy of the point.

… at the edge of meaning.

“Give an image the benefit of the doubt… there is a danger in certainty.”

William Kentridge.

21/10/22

NB: Melancholic apostle image interesting.

22/10/22

World of proximities.

23/10/22

26/10/22

Sketchbook work.

David Lynch “The Art Life” - documentary

27/10/22

“The Art Spirit” by Robert Henri

30/10/22

“Cherish your own emotions and never under value them”

Robert Henri

RDH: JULY 2022

02/07/22

Studio - moth wings getting there. .. dusty. Struggling with top colour. Tried green and purple. White is too close to the magpie moth tones.

Little studio buddy today

'Mothman' detail

03/07/22

In my own head yet again. This time it feels vastly different. Other concerns are taking precedent and pushing issues into the background. This is never a final solution I know but it is positive that mindset has altered accordingly.

More progress to ‘Mothman’ this evening.

08/07/22

“The artist has to put before the eyes of the public forms and poses which has existed previously in the darkness and confusion of an irrational mind, or one which is beset by uncontrolled passion.”

Goya

10/07/22

13/07/22

Sad to be missing the opening of the Boyle Arts festival tonight.

view at King's House, Boyle - image courtesy Daniel Coleman

Sketchbook work instead.

14/07/22

Asked to give a talk. Delighted.

16/07/22

Nearly fell asleep. Not a good start.

Studio - at a bit of a crossroads. This along with paints needing freshening up is why I’ll focus on drawing up new canvas / boards.

17/07/22

Studio again.

It’s so strange. Things are so good at the moment. Just… negative voices. Popping in and wearing down. Keep active mentally. Support system. Breathe.

18/07/22

When a lead weight is released, you float and rise. Getting there.

‘Mothman’ finished. Trying to stick to the less is more philosophy.

19/07/22

D.T.M.

20/07/22

Sketchbook work.

21/07/22

Short but very sweet stint in the studio. A good start on three pieces.

22/07/22

Ulster Museum trip with my girls!

Stuart Calvin’s show in Atypical is excellent and heartfelt. The Alexandra Lethbridge exhibition in the GoldenThread is worth seeing.

Stuart Calvin in Atypical Gallery

Alexandra Lethbridge in GoldenThread

23/07/22

Small progress in the studio. Hair in little portrait piece turned out way better than I thought it would. Best off leaving it alone!

30/07/22

‘Who Threw That?’ finished.

I think sometimes taking a risk can be as simple as not putting a mark down at all.

31/07/22

Compliments can’t be the ‘be all and end all’.

RDH: JUNE 2022

04/06/22

Studio. ‘Mothman’ finally being looked at after several years of hibernation.

Also, a surprise grasp on a 2020 sketch, ‘Peek-A-Boo’. Tall thin canvas has gone muddy.

05/06/22

Small magpie moth - colours?

One for sorrow. Fitting for a self-reflective piece about anxiety relief measures.

07/06/22

Postcard. visual feedback or [illegible].

08/06/22

The Odd inclination vs the Even inclination.

‘From the Creek Billy thought gleefully of the Ten-Foot Lady and the time her only decent leg fell and ended up on the wrong side of Belfast.’

PAULA REGO: 1935-2022

An absolute powerhouse, unashamedly honest artist whose work will resonate for generations to come.

“Dog Woman” Paula Rego 1994 Pastel on Canvas

11/06/22

Can you distill the feeling of an image with another or via another form of communication?

C.C.

12/06/22

Fast studio session. Some tonal values layered.

14/06/22

Went to sketch. Didn’t happen.

18/06/22

Darker red/brown in shadow? Little finger slightly bulbous under the nail and looks too long but it checks out in the source material and subsequent sketch from it.

Is it finished? The age-old question. The risk of overpainting is high. Should rest on it for a while.

21/06/22

Sketchbook work on the longest day of the year.

25/06/22

Whistle stop visit to Belfast today. Dropping ‘Saint and Sinner’ into RUA for delivery to the Boyle Arts Festival 2022. Also took a quick peek into the MAC to see Claire Barclay: Thrum. Interesting scaling of otherwise ordinary day objects/materials - allowing the viewer to reassess their relationship to them and their place(s of origin).

Claire Barclay: Thrum in the MAC Belfast

26/06/22

Less really is more. ‘Peek-A-Boo’ finished. The hand finally belongs to the face and the origin of the disc’s hue stems from a background colour within the hair. Tying up loose ends.

RDH: MARCH 2022

01/03/22

So pleased to have been asked to contribute in the latest issue of Visual Artists Ireland News Sheet.

Meteorological Spring is here.

Nice to catch up with the Ogham crew again.

02/03/22

Loose drawing in response to J.A.’s prompt and RMc’s drawings.

03/03/22

…done now…

05/03/22

Belfast. ‘Don’t Look’ piece is done I think.

• Smooth out the dog / red?

• New piece / Loosey Goosey

* LOOK AT WHAT’S HAPPENING IN THE SPACE! *

Nearly ruined ‘Ode’ piece with a flood of red. Hopefully brought it back.

06/03/22

Didn’t stray too far.

07/03/22

Really good chat with writer for ‘Ogham’.

08/03/22

It’s never going to be finished!

12/03/22

Final day of ‘Ogham’ residency.

Painted me wee heart out, finishing two larger pieces and having some fun with the smaller study of Stephanie Tanney’s casts.

Wet walk home.

13/03/22

A slight onset of melancholia creeping up now that the residency is over. But, the show is still to come!

15/03/22

A process of threads?

All of this is temporary?

A pause in the process?

Settling of the sands?

THIS IS NOT THE END

17/03/22

Exhibition open to the public today.

20/03/22

Louise Bourgeois - “A spider creates from it’s own body.”

Pregnant with atmosphere, enigma.

New work in progress.

Great to get painting in garage today and get palette cleaned up.

27/03/22

Imogen Rhonda Kielt, born in the early hours of Mother’s Day. 7lbs 6oz. Perfect and everyone well.

Can see so many loved ones’ faces in this tiny new one. It’s just incredible.

29/03/22

Working to find a rhythm.

31/03/22

Belfast Bound. Helped add some chalk to Joy’s Entry for Rachel Macmanus’ superb performance. So good to see the show in the flesh blown and all involved in the project at Catalyst Arts.

It’s been a great experience at a time I will never forget.

RDH: JANUARY 2022

03/01/22

Paranoic Critical Method - Dalí

08/01/22

Studio.

Starting two pieces. Smoky feel in a cold studio.

16/01/22

Short but interesting stint in the studio. Peaks and troughs with little P.P.E. piece.

Detail of “A New Normal” in progress

Heaven is a half pipe.

22/01/22

Another Saturday not in the studio but will make up for it tomorrow.

Serial Works: Paintings in a series - leaves out imagination?

23/01/22

“A New Normal” finished.

Different disciplinary artists working together! It’s happening!

24/01/22

Head is buzzing with ideas. Renewal.

25/01/22

Home / Displacement

Urgency

27/01/22

Some fun reacting to S.T.’s drawings.

29/01/22

The Loup. Kept in the…

30/01/22

Day and Date. A dark day remembered.

The Chameleon lays in wait,

Knuckles pressed white on the oak armrests.

There you’ll find an empty place at the table.

Under the fire’s amber glow,

Home is where the hearth is.

31/01/22

H.B.A. You are always missed.

Felt good to get some sketchbook work done tonight.

RDH: AUGUST 2021

02/08/21

Cover of Geraldine O’Kane’s ‘Unsafe’ has dropped. It looks great!

03/08/21

Finally finished sketches from last week.

10/08/21

Very very hectic at the minute.

11/08/21

Night Sky

18/08/21

Still pinching myself. The perfect day. Married my best friend surrounded by nearest and dearest.

22/08/21

26/08/21

Didn’t get … art award. Very positive feedback in email though.

28/08/21

First day back in the studio in over a month. Not much occurring but still good to get the overalls on and paint out.

Detail work on ‘Life is But a Dream’.

29/08/21

Dusting off the cobwebs.

Finished ‘L.i.B.a.D’. Kept it a little looser than usual and more on the raw side. Better that than over painted.

30/08/21

Sketchbook work tonight.

31/08/21

Never far from thoughts. Doesn’t feel like thirteen years.

VAI Café: Introducing Derry with talks from UV Arts, Void Gallery and CCA Derry.

Power will be off tomorrow so perfect opportunity to catch up on reading and writing.

RDH: APRIL 2021

01/04/21

“A Brush With… Ali Banisadr” - audio-visual synesthesia.

02/04/21

Palette is cleaned and managed to get some good work on “On Gilded Steps”.

03/04/21

Added some gold aerosol for the edges of the steps. So close to finishing it up. Very frustrating as last week one of the figures that was working the best is now the last piece of the puzzle yet to fit.

05/04/21

“On Gilded Steps” finished!

09/04/21

…apparently it was coming but it was a jolt and now a growing sense of uncertainty.

10/04/21

“Seven Types of Ambiguity” by William Empson.

Ambiguity has to be purposeful, holding multiple elements in suspension - that’s when the ambiguity works and has a function.

11/04/21

Such a leap from what was happening last year.

12/04/21

Catch up on webinars. Is ‘brand’ a dirty word?

13/04/21

Episode 27 of “Jo’s Art History Podcast” is live! Always strange to listen to yourself back but I really did enjoy the chat with Jo.

Some good sketchbook work tonight.

14/04/21

Re-watching Rego Documentary.

“Gathering Thoughts” gathering momentum.

16/04/21

Quick run to Belfast to lift “Hotel ‘78” from the RUA.

17/04/21

Studio work: less will be more with “G.T.”. Progress made but very slowly. I could have ploughed on this evening but I thought it was best to quit for the day while I was ahead.

19/04/21

“Leonardo" on Prime. Fast and loose with facts but still fun to watch.

22/04/21

Yesterday saw a long overdue clear-out of the office and the start of a fresh lick of paint.

25/04/21

I think I’ve taken “Gathering Thoughts” as far as I can go.

27/04/21

A solemn anniversary.

28/04/21

Submissions made. Fingers crossed. Primed large canvas today which took several coats. Barrow + woman with dogs / butcher?

Starting to get excited by a piece that hasn’t even been started yet.

29/04/21

Decided against ‘woman with dogs’ and ‘butcher’ imagery and opted instead for early biplanes of the RAF. This way I can instead swap scale instead of orientation and hopefully not overcrowd the composition. The red container behind the medics should be kept and then adding the planes using tonal differences / slightly different register. There and not there. Pillers - might be best to paint them out. There will probably be remnants of them as layers are added.

30/04/21

A broken up sort of day.

RDH: MARCH 2021

04/03/21

It’s been a full on week - trying to ease myself in slowly and find my footing again and knowing my limits.

Evenings = questions

05/03/21

UPDATES

06/03/21

Handwriting is a microcosm of the personality.

A good start to “The Infamy of Crete”. Muddy palette so far but for now it’s working.

11/03/21

SorT? tech-check. Target -> 1488 (done).

Bullet points for a smooth six minutes.

Could easily fall into the trap of not doing anything this weekend but I know how it would make me feel if nothing was to happen. Try your best - productive variables.

12/03/21

Good God this text is heavy!

Taking time in the studio. The little pieces of canvas / glass that I’ve been asked to put something on for a student’s project was actually a really good loosening / warming up exercise. I have plenty of little strands laying around and could put paint down / play / experiment / make mistakes for twenty minutes before moving onto wall works. Not a bad idea.

Gold Leaf for step edges possibly?

13/03/21

Some really solid background work to “On Gilded Steps” - a lot of blending work. The scratching around the figures - lets try and keep some of that!

15/03/21

Scanning.

16/03/21

Having to go up above to finish online work just sucks.

18/03/21

Waking up at 4am - chocking. Not good.

WHAT Panel talk

Miriam O’Connor: different coping mechanisms - access to the studio so important - adaptability key to productivity - art to navigate trauma in life - art practice is tool for survival

Austin Ivers: teetering between the two poles of anxiety and boredom.

19/03/21

Really enjoyed taking part in the panel talk yesterday and the podcast is out today. So happy it was recorded before my voice left me completely.

Some more work to “On Gilded Steps” today.

20/03/21

Darkness in control.

“O.G.S.” - Steps are really annoying me. In hindsight I probably would have set the steps differently. now, however, with the background nearly prefect as it is, it could be a disaster to try and adjust the steps and lose that backdrop. I have this painting by Rembrandt rolling around in my head at the minute.

“The Conspiracy of the Batavians under Claudius Civilis” - Rembrandt - 1661/1662

What a game!

21/03/21

Should the bull’s head go black? - went a little too far with it today but it’s fixable.

25/03/21

Remnants of childhood 'treehouse'

Drawing of myself huffing, aged six

Scaling sketches down in scanner is probably a good move. A few good drawings of old family photos tonight.

26/03/21

“T.I.O.C.” looks more like an etching at the minute.

Loose! Emphasis on LOOSE!

27/03/21

Last night was a total nightmare. Floating, panic and chased by a hooded killer. Once caught a falling sensation would wake me up but once I dozed of I was straight back into the nightmare and repeated this process around four or five times.

‘Create and curate your own archive’.

Farewell Fernand.

28/03/21

Marta Dyezkowska Talk

memory / identity / trauma

We should be able to close the door on loss.

Standing with back to camera, an act of defiance against process. Mix memory with current state.

secondcollectivebelfast.com

Really enjoyed this talk today! Watching and listening in made me really nostalgic about LOFT. We should be proud of what we were able to achieve with that space.

29/03/21

“The infamy of Crete” - finished. Not perfect but pretty solid.

30/03/21

Little bit of “T.I.O.C.” was really bugging me so I crept into the studio and fixed it last night.

Today was a case of drawing up a few smaller works and putting down basic paint layers. A promising start.

31/03/21

A quick up and down trip to Belfast for an appointment.

RDH: NOVEMBER 2019

01/11/19

… good job I checked…

Sketching today but no joy. How to move past this?

02/11/19

A good tidy up in the studio. “H” going well.

03/11/19

Helping Jan with some wire-wool spinning experiments.

11/11/19

Recording today and some solid sketchbook time. It’s so important. It is where ideas form and lay roots.

15/11/19

“Long years of secrecy have turned their faces into masks.” - not sure where I heard this from.

16/11/19

Detail of “Helen” - oil and charcoal on canvas.

“Helen” finished up.

17/11/19

Consciously hold back images.

EMPATHY

22/11/19

What am I doing?

24/11/19

Sketchbook work.

25/11/19

“The Art Advocate” podcast - episode 8 is live!

28/11/19

Bizarre

Delighted to have been commended in the Moth Art Prize 2019!

29/11/19

“Real painters understand with a brush in their hand.”

Berthe Morisot

Need to try and make one little hour of creative work each weekday.

30/11/19

What a difference a boiler makes!

RDH: AUGUST 2019

01/08/19

Save mode now!

04/08/19

Clean Palette.

08/08/19

Spider skin

10/08/19

Studio…

Detail of “Bogland Sackrace” - work in progress.

Drawing is essential in practice. It’s not even the success of the outcome that’s important but the act of looking and really scrutinising an image or object. Trying to find a way in.

PERFECTION IS AN ILLUSION.

13/08/19

Wrapping process.

15/08/19

Sketchbook work.

16/08/19

For tomorrow, let loose!

I’ve been lingering long enough on small little intricacies.

It’s not the first time I’ve struggled with a figure in profile.

Need to just look!

‘Art of Spain’ documentary : Goya was deaf!?

Black paintings were done “to the brink of incoherence” (AGD).

17/08/19

‘Bogland’ completed

A really good day in the studio. Huge improvement to ‘Sackrace’. The face in the central figure could be better but that is where I’ll leave it. Back is signed so it’s official.

Studio shot: 17/08/19

Unplanned progress on ‘Ferryman’. More painterly background.

21/08/19

Getting there with the small chores.

22/08/19

Otto Dix - War Triptych

24/08/19

Early stages of “The Brown Bull of Cooley”

Started a new large canvas. Took on the image of a woman in motion - her stance suggested a figure that could be in battle. After a little research I decided to add a typical Celtic sword and shield combo. So this found magazine image turns into Queen Medb of Connaught.

Once the figure was on the canvas I was unsure whether to incorporate the bull (Medb’s infamous cattle raid of Cooley as inspiration) but curiosity got the better of me and I tore on with it.

Basically blocking the image up but it is promising so far. It will be interesting to see the fight between Medb and the bull in terms of who will come out dominant where in the composition.

28/08/19

29/08/19

Material delivery!

31/08/19

Studio work and ‘Ferryman’ has stagnated. Some parts work and others flop.

At that strange limbo point where a painting you’re working on fights back and refuses to yield. When one point of grievance is adjusted, two more pop up.

Today - more so than others - has been spent reflecting on lost loved ones and parts of that has made its way onto canvas. Little nods to moments once shared with someone no longer here.

I haven’t had this level of personal attachment to a work in progress in a long time and it has made the already frustrating back and forth of a painting’s final stretch all the more agonising.

Can you paint over a memory or is knowing that these little nods once existed enough?